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Author: Jeff Schwartz
Publisher: Routledge
ISBN: 1315311755
Category : Music
Languages : en
Pages : 465
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Book Description
Free Jazz: A Research and Information Guide offers carefully selected and annotated sources on free jazz, with comprehensive coverage of English-language academic books, journal articles, and dissertations, and selective coverage of trade books, popular periodicals, documentary films, scores, Masters’ theses, online texts, and materials in other languages. Free Jazz will be a major reference tool for students, faculty, librarians, artists, scholars, critics, and serious fans navigating this literature.
Author: Jeff Schwartz
Publisher: Routledge
ISBN: 1315311755
Category : Music
Languages : en
Pages : 465
Get Book Here
Book Description
Free Jazz: A Research and Information Guide offers carefully selected and annotated sources on free jazz, with comprehensive coverage of English-language academic books, journal articles, and dissertations, and selective coverage of trade books, popular periodicals, documentary films, scores, Masters’ theses, online texts, and materials in other languages. Free Jazz will be a major reference tool for students, faculty, librarians, artists, scholars, critics, and serious fans navigating this literature.
Author: Roger Fagge
Publisher: Taylor & Francis
ISBN: 1351973142
Category : Music
Languages : en
Pages : 220
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Book Description
New Jazz Conceptions: History, Theory, Practice is an edited collection that captures the cutting edge of British jazz studies in the early twenty-first century, highlighting the developing methodologies and growing interdisciplinary nature of the field. In particular, the collection breaks down barriers previously maintained between jazz historians, theorists and practitioners with an emphasis on interrogating binaries of national/local and professional/amateur. Each of these essays questions popular narratives of jazz, casting fresh light on the cultural processes and economic circumstances which create the music. Subjects covered include Duke Ellington’s relationship with the BBC, the impact of social media on jazz, a new view of the ban on visiting jazz musicians in interwar Britain, a study of Dave Brubeck as a transitional figure in the pages of Melody Maker and BBC2’s Jazz 625, the issue of ‘liveness’ in Columbia’s Ellington at Newport album, a musician and promoter's views of the relationship with audiences, a reflection on Philip Larkin, Kingsley Amis and Eric Hobsbawm as jazz critics, a musician’s perspective on the oral and generational tradition of jazz in a British context, and a meditation on Alan Lomax’s Mr. Jelly Roll, and what it tells us about cultural memory and historical narratives of jazz.
Author: Alan Stanbridge
Publisher: Taylor & Francis
ISBN: 1000755479
Category : Music
Languages : en
Pages : 440
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Book Description
Rhythm Changes: Jazz, Culture, Discourse explores the history and development of jazz, addressing the music, its makers, and its social and cultural contexts, as well as the various discourses – especially those of academic analysis and journalistic criticism – that have influenced its creation, interpretation, and reception. Tackling diverse issues, such as race, class, nationalism, authenticity, irony, parody, gender, art, commercialism, technology, and sound recording, the book’s perspective on artistic and cultural practices suggests new ways of thinking about jazz history. It challenges many established scholarly approaches in jazz research, providing a much-needed intervention in the current academic orthodoxies of Jazz Studies. Perhaps the most striking and distinctive aspect of the book is the extraordinary eclecticism of the wide-ranging but carefully chosen case studies and examples referenced throughout the text, from nineteenth century literature, through 1930s Broadway and film, to twentieth and twenty-first century jazz and popular music.
Author: Marian Jago
Publisher: UBC Press
ISBN: 0774837713
Category : Music
Languages : en
Pages : 365
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Book Description
In the 1950s and ’60s, co‐operative jazz clubs such as Vancouver’s Cellar, Edmonton’s Yardbird Suite, and Halifax’s 777 Barrington Street opened their doors in response to new forms of jazz expression emerging after the war and a lack of available performance spaces outside major urban centres. Operated on a not‐for-profit basis by the musicians themselves, these hip new clubs created spaces where young jazz musicians could practise their art close to home. Live at the Cellar looks at this unique period in the development of jazz in Canada. Centered on Vancouver’s legendary Cellar club, and including co-ops in four other cities, it explores the ways in which these clubs functioned as sites for the performance and exploration of jazz as well as magnets for countercultural expression in other arts, such as literature, theatre, and film. Marian Jago’s deft combination of new, original research with archival evidence, interviews, and photographs allows us to witness the beginnings of a pan-Canadian jazz scene as well as the emergence of key Canadian jazz figures, such as P.J. Perry, Don Thompson, and Terry Clarke, and the rise of jazz icons such as Paul Bley and Ornette Coleman. Although the Cellar and other jazz co-ops are long shuttered, in their day they created a new and infectious energy that still reverberates in Canada’s jazz scene today.
Author: Bruce Johnson
Publisher: Routledge
ISBN: 1317499425
Category : Music
Languages : en
Pages : 372
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Book Description
Jazz and Totalitarianism examines jazz in a range of regimes that in significant ways may be described as totalitarian, historically covering the period from the Franco regime in Spain beginning in the 1930s to present day Iran and China. The book presents an overview of the two central terms and their development since their contemporaneous appearance in cultural and historiographical discourses in the early twentieth century, comprising fifteen essays written by specialists on particular regimes situated in a wide variety of time periods and places. Interdisciplinary in nature, this compelling work will appeal to students from Music and Jazz Studies to Political Science, Sociology, and Cultural Theory.
Author: Duncan Heining
Publisher: Equinox Publishing (UK)
ISBN: 9781845534059
Category : Jazz
Languages : en
Pages : 0
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Book Description
Nominated for the 2012 Association for Recorded Sound Collections Awards for Excellence in Historical Recorded Sound Research. A musical companion CD, Trad Dads, Dirty Boppers and Free Fusioneers: British Jazz 1961-1975 (RR026), including ten rare recordings, is available from independent Canadian record label Reel Recordings. Proceeds to the Musicians Benevolent Fund UK. The 1960s was a decade of major transformation in British jazz and in British popular music in general. The British jazz scene had been, arguably, the first outside America to assert its independence. At first slowly but with gathering speed, it began to define an identity that drew increasingly on sources from within its own culture, as well as those from African-American jazz, and from its shared European cultural heritage. This process would in itself prove highly influential, as French, Italian, German and Scandinavian scenes began to follow suit. The nature of jazz, its scope and potential were re-examined and reformulated in this period with important implications for its musicians and its audience. The external forces acting upon the British jazz scene were both global and local in origin. Jazz was not immune from the economic, social and cultural changes that occurred following the Second World War and which continued apace in the 1960s. Its development was both affected by and reflected those changes and the new ways of thinking and acting that arose from them. And yet wider global economic and political changes, in particular in America, would continue to have a major impact on British jazz. For these reasons, any history of British jazz in the 1960s must explain these trends and describe which were global and which were local in origin. It must show how forces outside the music acted upon it and both created and limited its potential for development. But it must also define the personalities, as well as the context in which they functioned. Jazz is made by its musicians and is ultimately changed by them. What were the records that they made which defined the era? From where did their inspiration arise? And how did their audience respond? Trad Dads, Dirty Boppers and Free Fusioneers follows a number of themes - class, education, drugs and addictions, relationships with rock and blues, race and immigration, gender issues, the arts, politics and that sixties buzzword: 'freedom'. In doing so, the book challenges many conventional understandings of British jazz and its scene. This is the definitive history of British jazz in the 1960s. Praise for this Volume: 'His primary information sources are 70 (yes, really ) of his own first hand interviews with musicians and associates. The fact that Heining is dealing largely with his musicianly peer group brings with it a sense of involvement in a text which, though densely-packed, is compellingly articulate. Substantive and scholarly, TDDB&FF is also an enjoyable and rewarding read. ' Roger Thomas, Jazz UK 103, November 2012 'Heining deserves much credit for this epic tome exploring British jazz in one of its most exciting, if exasperating, eras. He] has undertaken very thorough research: he has interviewed countless musicians, while his own spry style keeps you charmed. Trad Dads is a special contribution to jazz writing.' Jazzwise 'The text is erudite, well-researched and politically charged. It would be no exaggeration to suggest that this book is simply essential for anyone even remotely interested in British jazz.' Roger Farbey, iancarrsnucleus.net
Author: Lee Marshall
Publisher: Routledge
ISBN: 1317078039
Category : Music
Languages : en
Pages : 258
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Book Description
Simon Frith has been one of the most important figures in the emergence and subsequent development of popular music studies. From his earliest academic publication, The Sociology of Rock (1978), through to his recent work on the live music industry in the UK, in his desire to ’take popular music seriously’ he has probably been cited more than any other author in the field. Uniquely, he has combined this work with a lengthy career as a music critic for leading publications on both sides of the Atlantic. The contributions to this volume of essays and memoirs seek to honour Frith’s achievements, but they are not merely ’about Frith’. Rather, they are important interventions by leading scholars in the field, including Robert Christgau, Antoine Hennion, Peter J. Martin and Philip Tagg. The focus on ’sociology and industry’ and ’aesthetics and values’ reflect major themes in Frith’s own work, which can also be found within popular music studies more generally. As such the volume will become an essential resource for those working in popular music studies, as well as in musicology, sociology and cultural and media studies.
Author: Clarence Bernard Henry
Publisher: Routledge
ISBN: 1000430995
Category : Music
Languages : en
Pages : 437
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Book Description
Global Jazz: A Research and Information Guide is an annotated bibliography that explores the global impact of jazz, detailing the evolution of the African American musical tradition as it has been absorbed, transformed, and expanded across the world’s historical, political, and social landscapes. With more than 1,300 annotated entries, this vast compilation covers a broad range of subjects, people, and geographic regions as they relate to interdisciplinary research in jazz studies. The result is a vivid demonstration of how cultures from every corner of the globe have situated jazz—often regarded as America’s classical music—within and beyond their own musical traditions, creating new artistic forms in the process. Global Jazz: A Research and Information Guide presents jazz as a common musical language in a global landscape of diverse artistic expression.
Author: Christopher Hallam
Publisher: Springer
ISBN: 3319947702
Category : History
Languages : en
Pages : 254
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Book Description
This book traces the history of the London ‘white drugs’ (opiate and cocaine) subculture from the First World War to the end of the classic ‘British System’ of drug prescribing in the 1960s. It also examines the regulatory forces that tried to suppress non-medical drug use, in both their medical and juridical forms. Drugs subcultures were previously thought to have begun as part of the post-war youth culture, but in fact they existed from at least the 1930s. In this book, two networks of drug users are explored, one emerging from the disaffected youth of the aristocracy, the other from the night-time economy of London’s West End. Their drug use was caught up in a kind of dance whose steps represented cultural conflicts over identity and the modernism and Victorianism that coexisted in interwar Britain.
Author: Ray Kinsella
Publisher: Springer Nature
ISBN: 3031055551
Category : History
Languages : en
Pages : 285
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Book Description
This is the first book to tell the story of the bebop subculture in London’s Soho, a subculture that emerged in 1945 and reached its pinnacle in 1950. In an exploration via the intersections of race, class and gender, it shows how bebop identities were constructed and articulated. Combining a wide range of archival research and theory, the book evocatively demonstrates how the scene evolved in Soho’s clubs, the fashion that formed around the music, drug usage amongst a contingent of the group, and the moral panic which led to the police raids on the clubs between 1947 and 1950. Thereafter it maps the changes in popular culture in Soho during the 1950s, and argues that the bebop story is an important precedent to the institutional harassment of black-related spaces and culture that continued in the twentieth and twenty-first centuries. This book therefore rewrites the first chapter of the ‘classic’ subcultural canon, and resets the subcultural clock; requiring us to rethink the periodization and social make-up of British post-war youth subcultures.
