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Author: Philip Evan Schreur
Publisher: U of Nebraska Press
ISBN: 9780803242036
Category : Music
Languages : en
Pages : 148
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Book Description
Notational complexity, or subtilitas, was engendered in the late fourteenth century by a thorough probing of all the rhythmic possibilities within the accepted mensurations. As French and Italian notational practices began to diverge at the beginning of the Ars nova, composers invented new rhythmic symbols?figurae?asøtheir innovations required, and this resulted in a variety of notations that were as confusing to the musician of the day as they are to the modern scholar. In the third quarter of the fourteenth century, a notational system combining elements of the French and Italian systems was put forth in the Tractatus figurarum. This system proposed a standard of set of figurae for simultaneous combinations of any two of the four prolations of the French mensural system. Edmond Coussemaker?s 1869 edition of the Tractatus figurarum, which attributes the treatise to Philippus de Caserta, was based on his knowledge of only four of the fourteen surviving manuscripts. A critical study of all the sources, including the important Newberry Library manuscript, leads to a corrected version of the text and allows the entire system to be resurrected. The critical edition is joined with fully annotated translation on facing pages. An Introduction discusses the authorship and theory of the treatise, as well as placing it within the context of the music theory of the fourteenth century. Full descriptions of all the manuscript sources and four full-color plates of the Newberry Library manuscript are included. The system of the Tractatus figurarum was beautifully creative, but it did not meet with success. Nevertheless, the treatise proves itself invaluable to the study of the Ars subtilior in revealing certain basic notational principles that may be applied to surviving musical compositions, illuminating the notational subtleties in which the music delighted.
Author: Philip Evan Schreur
Publisher: U of Nebraska Press
ISBN: 9780803242036
Category : Music
Languages : en
Pages : 148
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Book Description
Notational complexity, or subtilitas, was engendered in the late fourteenth century by a thorough probing of all the rhythmic possibilities within the accepted mensurations. As French and Italian notational practices began to diverge at the beginning of the Ars nova, composers invented new rhythmic symbols?figurae?asøtheir innovations required, and this resulted in a variety of notations that were as confusing to the musician of the day as they are to the modern scholar. In the third quarter of the fourteenth century, a notational system combining elements of the French and Italian systems was put forth in the Tractatus figurarum. This system proposed a standard of set of figurae for simultaneous combinations of any two of the four prolations of the French mensural system. Edmond Coussemaker?s 1869 edition of the Tractatus figurarum, which attributes the treatise to Philippus de Caserta, was based on his knowledge of only four of the fourteen surviving manuscripts. A critical study of all the sources, including the important Newberry Library manuscript, leads to a corrected version of the text and allows the entire system to be resurrected. The critical edition is joined with fully annotated translation on facing pages. An Introduction discusses the authorship and theory of the treatise, as well as placing it within the context of the music theory of the fourteenth century. Full descriptions of all the manuscript sources and four full-color plates of the Newberry Library manuscript are included. The system of the Tractatus figurarum was beautifully creative, but it did not meet with success. Nevertheless, the treatise proves itself invaluable to the study of the Ars subtilior in revealing certain basic notational principles that may be applied to surviving musical compositions, illuminating the notational subtleties in which the music delighted.
Author: Robertus de Handlo
Publisher: U of Nebraska Press
ISBN: 9780803279346
Category : Music
Languages : en
Pages : 424
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Book Description
The Regule of Robertus de Handlo and the Summa of Johannes Hanboys are among the few major texts of medieval English music theory. The first directly influenced the latter, and both deal with unique notational practices found in English music of the fourteenth century. These two texts were edited by Edmon de Coussemaker in the nineteenth century in editions that have come to be recognized as seriously deficient. Now Peter M. Lefferts has paired them in a new critical edition that is far superior in its accuracy and scholarly underpinnings. The Regule of 1326 provides one of the two most comprehensive views of late ars antiqua notational developments. Handlo takes as his point of departure the first part, on notation, of one of those widely circulated, abbreviated versions of the teachings of Franco of Cologne that begin in most sources with the motto, "Gaudent brevitate moderni." The Summa of Hanboys, written around 1375, takes Handlo as a point of departure and incorporates an abbreviated redaction of the Regule, along with citations of other later English authorities, into an exhaustively systematic survey of ars nova forms and rests. Building on a line of development in English theory, Hanboys expanded the mensural system to a total of eight figures. For this edition, Lefferts has thoroughly reexamined, edited, and appraised the single extant source of each treatise. Full descriptions of these sources are provided and the documents are illustrated with a plate from each. Each treatise is presented in its original Latin, with a fully annotated translation on facing pages. Leffert's introduction discusses the authors, places the treatise in the context of the theoretical traditions of fourteenth-century France and England, and reviews their contents in detail. Indexes of terms, names, and subjects are included. Appendixes provide a concordance to the music examples from the Regule that recur in the Summa and transcriptions of two English motet fragments that exhibit insular notational practices discussed in the treatises. Leffert's work will be seen as a major contribution to our understanding of medieval English music.
Author: Fokke Akkerman
Publisher: BRILL
ISBN: 9789004098572
Category : History
Languages : en
Pages : 258
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Book Description
These nineteen original studies deal with Wessel Gansfort (1419-1489), the Modern Devotion and its influence, subjects and personalities of early humanism and the Reformation in the northern Netherlands and Germany. Topics include, a.o. Regnerus Praedinius, Rodolphus Agricola, Hardenberg, Molanus and Ubbo Emmius.
Author:
Publisher: BRILL
ISBN: 9789004012554
Category : History
Languages : en
Pages : 756
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Book Description
The "Iter Italicum" serves as a useful reference work for scholars in the history of philosophy, the sciences, classical learning, grammar and rhetoric, Neolatin literature, historiography of the theory of the arts and of music and related subjects. By scanning the volume or through this index, scholars will be able to find source material for individual writers as well as for certain subjects, problems or themes. By indicating for each manuscript its location and shelf-mark, scholars will find it easier to order microfilms or to pursue more detailed studies of some of the manuscripts listed. The volumes should also prove useful for librarians as a reference for the holdings of their own or other libraries.
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Languages : en
Pages : 556
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Author: T. L. Kington-Oliphant
Publisher:
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Languages : en
Pages : 124
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Author: John Hawkins
Publisher:
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Category :
Languages : en
Pages : 580
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Author: British Museum. Dept. of Manuscripts
Publisher:
ISBN:
Category : Manuscripts
Languages : en
Pages : 128
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Author: John Hawkins
Publisher: BoD – Books on Demand
ISBN: 3385216559
Category : Fiction
Languages : en
Pages : 526
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Book Description
Reprint of the original, first published in 1875.
Author: Charles Burney
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 616
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