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Author: Anthony David Moody
Publisher: Cambridge University Press
ISBN: 0521480604
Category : Literary Criticism
Languages : en
Pages : 230
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Book Description
T. S. Eliot's lifelong quest for a world of the spirit is the theme of this book by leading Eliot scholar A. David Moody. The first four essays in the collection map Eliot's spiritual geography: the American taproot of his poetry, his profound engagement with the philosophy and religion of India, his near and yet detached relations with England, and his problematic cultivation of a European mind. At the centre of the collection is a study of the Latin poem Pervigilium Veneris, a fragment of which figures enigmatically in the concluding lines of The Waste Land. The third part of the collection is a set of five investigations of Eliot's poems, dealing particularly with The Waste Land, Ash Wednesday and Four Quartets, and attending to how they express and shape what he called 'the deeper, unnamed feelings which form the substratum of our being'.
Author: Anthony David Moody
Publisher: Cambridge University Press
ISBN: 0521480604
Category : Literary Criticism
Languages : en
Pages : 230
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Book Description
T. S. Eliot's lifelong quest for a world of the spirit is the theme of this book by leading Eliot scholar A. David Moody. The first four essays in the collection map Eliot's spiritual geography: the American taproot of his poetry, his profound engagement with the philosophy and religion of India, his near and yet detached relations with England, and his problematic cultivation of a European mind. At the centre of the collection is a study of the Latin poem Pervigilium Veneris, a fragment of which figures enigmatically in the concluding lines of The Waste Land. The third part of the collection is a set of five investigations of Eliot's poems, dealing particularly with The Waste Land, Ash Wednesday and Four Quartets, and attending to how they express and shape what he called 'the deeper, unnamed feelings which form the substratum of our being'.
Author: Beci Carver
Publisher:
ISBN: 0198709927
Category : Literary Collections
Languages : en
Pages : 209
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Book Description
Granular Modernism understands the way that some modernist texts put themselves together as a way of pulling themselves apart. In this volume, Beci Carver offers a new way of reading Modernist texts, by drawing attention to the anomalies that make them difficult to summarise or simplify. Carver proposes that rather than trying to find the shapes of narrative or argument in their writing, the 'Granular Modernists'- - namely, Joseph Conrad, William Gerhardie, Evelyn Waugh, Henry Green, T.S. Eliot, W.H. Auden, and Samuel Beckett -- experiment in certain of their works in finding the shapelessness of a moment in history that increasingly confidently called itself 'modern', which was to call itself shapeless. The project of modernism in the late nineteenth and the first half of the twentieth century, was to find a story to tell about an era full of beginnings. The project of 'Granular Modernism' was to find a way of turning the inchoateness of the modern moment into art. Granular Modernism takes from the Naturalist movements of the nineteenth and early twentieth century its attentiveness to the process of mundane experiences like eating or waiting. But where Naturalism sets out to offer a complete picture of a way of life, Granular Modernism's eating and waiting fail to amount to anything more; to paraphrase Evelyn Waugh: 'The most they can hope for is a cumulative futility.' Frank Norris once described one of Stephen Crane's narrators as: 'a locust in a grain elevator attempting to empty the silo by carrying off one grain at a time.' Norris is being dismissive. But his image of pointless, meticulous, indefinite manoeuvre potentially defines the ambition of the Granular Modernists.
Author: Robert Crawford
Publisher: Farrar, Straus and Giroux
ISBN: 1466801492
Category : Biography & Autobiography
Languages : en
Pages : 527
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Book Description
Young Eliot: From St. Louis to "The Waste Land" was hailed as “exceptional” and “assiduous” (The New York Times). Robert Crawford’s meticulous, incisive scholarship continues in Eliot After "The Waste Land", an invaluable record of the revolutionary modernist, visionary poet, and troubled man. After being kept from the public for more than fifty years, the letters between T. S. Eliot and his longtime love and muse Emily Hale were unsealed in 2020. Drawing on these intimate exchanges and on countless interviews and archives, as well as on Eliot’s own poetry and prose, the award-winning biographer Robert Crawford completes the narrative he began in Young Eliot. Eliot After “The Waste Land”, the long-awaited second volume of Crawford’s magisterial, meticulous portrait of the twentieth century’s most significant poet, tells the story of the mature Eliot during his years as a world-renowned writer and intellectual, including his complex interior life. Chronicling Eliot’s time as an exhausted bank employee after the publication of The Waste Land through the emotional turmoil of the 1920s and 1930s and his years as a firewatcher in bombed wartime London, Crawford shows us the public and personal experiences that helped inspire Eliot’s later masterpieces. Crawford describes the poet’s conversion to Anglo-Catholicism, his separation from Vivien Haigh-Wood and his happy second marriage to Valerie Fletcher, his editorship at Faber and Faber, his Nobel Prize, his great work Four Quartets, and his adventures in the theater. Crawford presents this complex and remarkable man not as a literary monument but as a human being: as husband, lover, and widower; as banker, editor, playwright, and publisher; and most of all as an epoch-shaping poet struggling to make art amid personal disasters.
Author: Mark Pizzato
Publisher: University of Michigan Press
ISBN: 9780472109142
Category : Literary Criticism
Languages : en
Pages : 252
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Book Description
Investigates the reasons for postmodern theory's fascination with theater
Author: The Other Journal
Publisher: Wipf and Stock Publishers
ISBN: 1620329840
Category : Religion
Languages : en
Pages : 111
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Book Description
Nothing embodies the mystery of faith quite like prayer. Although sometimes an elusive practice that may baffle and confuse, prayer is not otherworldly, for it is in prayer, in talking and listening to our infinite, loving creator, that we truly find our way in this world. In the twenty-first issue of The Other Journal, contributors consider the transformative mystery of prayer in all its questions and practicalities. They carefully think through intercessory prayer and prayerful political theology and what it means to commune with God and one another. They dance, laugh, and pray like fools. The issue features essays and reviews by Emmanuel Katongole, Erin Lane, Timothy McGee, L. Roger Owens, Andrew Prevot, Carl Raschke, and Lauren Smelser White; interviews by Kate Rae Davis, Ashleigh Elser, Jen Grabarczyk, and SueJeanne Koh with Sarah Coakley, Peter Ochs, Dominique Ovalle, and Richard Twiss; and fiction, creative nonfiction, and poetry by Mary M. Brown, Kate Rae Davis, Denise Frame Harlan, Katie Manning, Tania Moore, Jillena Rose, Nicholas Samaras, and Robert Vander Lugt.
Author: W. David Soud
Publisher: Oxford University Press
ISBN: 0191083348
Category : Literary Criticism
Languages : en
Pages : 318
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Book Description
Recent critical studies of late modernism have explored the changing sense of both history and artistic possibility that emerged in the years surrounding World War II. However, relatively little attention has been devoted to the impact of poets' theological deliberations on their visions of history and their poetic strategies. Divine Cartographies: God, History, and Poiesis in W. B. Yeats, David Jones, and T. S. Eliot triangulates key texts as attempts to map theologically driven visions of the relation between history and eternity. W. David Soud considers several poems of Yeats's final and most fruitful engagement with Indic traditions, Jones's The Anathemata, and Eliot's Four Quartets. For these three poets, working at the height of their powers, that project was inseparable from reflection on the relation between the individual self and God; it was also bound up with questions of theodicy, subjectivity, and the task of the poet in the midst of historical trauma. Drawing on the fields of Indology, theology, and history of religions as well as literary criticism, Soud explores in depth and detail how, in these texts, theology is poetics.
Author: John Whittier-Ferguson
Publisher: Cambridge University Press
ISBN: 1316061612
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
This wide-ranging study of the late poetry and prose of Virginia Woolf, T. S. Eliot, Gertrude Stein, and Wyndham Lewis brings together works from the 1930s and 1940s - writings composed by authors self-consciously entering middle to old age and living through years when civilization seemed intent on tearing itself to pieces for the second time in their adult lives. Profoundly revising their earlier work, these artists asked how their writing might prove significant in a time that Woolf described, in a diary entry from 1938, as '1914 but without even the illusion of 1914. All slipping consciously into a pit'. This late modern writing explores mortality, the frailties of culture, and the potential consolations and culpabilities of aesthetic form. Such writing is at times horrifying and objectionable and at others deeply moving, different from the earlier works which first won these writers their fame.
Author: Demetres P. Tryphonopoulos
Publisher: Bloomsbury Publishing USA
ISBN: 0313061432
Category : Literary Criticism
Languages : en
Pages : 363
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Book Description
Ezra Pound forever changed the course of poetry. The author of a vast body of literature, his enormous range of references and use of multiple languages make him one of the most obscure authors and—because of his Fascism, anti-Semitism, and questionable sanity—one of the most controversial. This encyclopedia is a concise yet comprehensive guide to his life and writings. Included are more than 250 alphabetically arranged entries on such topics as Arabic history, Chinese translation, dance, Hilda Doolittle, Egyptian literature, Robert Frost, and Pound's publications. The entries are written by roughly 100 expert contributors and cite works for further reading. Ezra Pound forever changed the course of poetry. His vast body of poetry and critical works make him one of the 20th century's most prolific writers, and his influence has shaped later poets, great and small. His enormous range of references, deliberate obscurity, and use of multiple languages make him one of the most difficult authors and— because of his Fascism, anti-Semitism, and questionable sanity—one of the most controversial figures in American literary history. This encyclopedia is a concise yet comprehensive guide to his life and writings.
Author:
Publisher: BRILL
ISBN: 9004486321
Category : Literary Criticism
Languages : en
Pages : 355
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Book Description
From Tottel's Miscellany (1557) to the last twentieth-century Oxford Book of English Verse (1999), anthologies have been a prime institution for the preservation and mediation of poetry. The importance of anthologies for creating and re-creating the canon of English poetry, for introducing ‘new' programmes of poetry, as a record of changing poetic fashions, audience tastes and reading practices, or as a profitable literary commodity has often been asserted. Despite its impact, however, the poetry anthology in itself has attracted surprisingly little critical interest in Britain or elsewhere in the English-speaking world. This volume is the first publication to explore the largely unmapped field of poetry anthologies in Britain. Essays written from a wide range of perspectives in literary and cultural studies, and the point of view of poets, editors, publishers and cultural institutions, aim to do justice to the typological, functional and historical variety with which this form of publication has manifested itself - from early modern print culture to the postmodern age of the world wide web.
Author: A. David Moody
Publisher: Oxford University Press
ISBN: 0191090034
Category : Biography & Autobiography
Languages : en
Pages :
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Book Description
This first volume of what will be a full-scale portrait presents Ezra Pound as a very determined and energetic young genius setting out to make his way both as a poet and as a force for civilization in England and America in the years before, during and just after the 1914-18 war. In a clear and lively narrative A. David Moody weaves a story of Pound's early life and loves; of his education in America; of his apprentice years in London, devoted to training himself to be as a good and powerful a poet as he had it in him to become; of his learning there from W. B.Yeats and Ford Madox Hueffer, then forming his own Imagiste group, and going on from that to join with Wyndham Lewis in his Vorticism, and to link up also with James Joyce and T. S. Eliot to create the modernist vortex in the midst of the 1914-18 war. We see Pound scraping a living by writing prose for individualist and socialist periodicals, and emerging as not only an inspired literary critic, but as a critic of music and society as well. Above all, Moody shows Pound's evolution as a poet from the derivative idealism and aestheticism of his precocious youth into the truly original author of Homage to Sextus Propertius and Hugh Selwyn Mauberley. We find Pound established by 1920 as a force for revolution in poetry; as a force for the liberation of the individual from stifling conventions; and as a force for renaissance in America. We find him becoming committed, moreover, to the reform of the capitalist system in the name of economic justice for all. This is the first biography to put Pound's poetry at the heart of his existence, where he himself placed it, and to view his extraordinarily active life, his loves, and his creative effort, as a single complex drama. The altogether new and comprehensive account of all of his poems, from the earliest through Cathay and up to Hugh Selwyn Mauberley and the first Cantos, will illuminate his poetry and make it more accessible. With that there is an exceptionally clear and cogent analysis of the ideas informing his Imagisme and his Vorticism; and of the ideas informing his commitments to the freedom and fulfilment of the individual, to a cultural renaissance, and to social and economic reform. The poetry, the prose writings, and the personal life are all woven together into a brilliant narrative portrait of the poet as a young man. The second volume, The Epic Years, carries on the narrative of his life and works from 1921, the year in which he took up residence in Paris.
