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Author: Thomas Munro
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 400
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Author: Thomas Munro
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 400
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Book Description
Author: Thomas Munro
Publisher:
ISBN:
Category :
Languages : en
Pages : 371
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![Towards Science in Aesthetics. Selected Essays. [With Illustrations and Musical Notes.]. PDF](https://books.google.com/books/content/images/frontcover/hACfoAEACAAJ?fife=w80-h100)
Author: Thomas Munro (Curator of Education at the Cleveland Museum of Art.)
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Thomas Munro
Publisher: Literary Licensing, LLC
ISBN: 9781258163785
Category :
Languages : en
Pages : 384
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Book Description
Author: Edward Sapir
Publisher: Univ of California Press
ISBN: 9780520055940
Category : Language Arts & Disciplines
Languages : en
Pages : 638
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"For sheer brilliance Edward Sapir is unsurpassed by any American anthropologist, living or dead."—Cylde Kluckhohn, Harvard University
Author: Arthur P. Shimamura
Publisher: OUP USA
ISBN: 0199732140
Category : Medical
Languages : en
Pages : 421
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Book Description
What do we do when we view a work of art? What does it mean to have an 'aesthetic' experience? Are such experiences purely in the eye of the beholder? This book addresses the nature of aesthetic experience from the perspectives of philosophy psychology and neuroscience.
Author: Ernst Bloch
Publisher: MIT Press
ISBN: 9780262521390
Category : Philosophy
Languages : en
Pages : 360
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Book Description
Essays in aesthetics by the philosopher Ernst Bloch that belong to the tradition of cultural criticism represented by Georg Lukács, Theodor Adorno, and Walter Benjamin. The aesthetic essays of the philosopher Ernst Bloch (1885–1977) belong to the rich tradition of cultural criticism represented by Georg Lukács, Theodor Adorno, and Walter Benjamin. Bloch was a significant creative source for these thinkers, and his impact is nowhere more evident than in writings on art. Bloch was fascinated with art as a reflection of both social realities and human dreams. Whether he is discussing architecture or detective novels, the theme that drives his work is always the same—the striving for "something better," for a "homeland" that is more socially aware, more humane, more just. The book opens with an illuminating discussion between Bloch and Adorno on the meaning of utopia; then follow twelve essays written between 1930 and 1973 on topics such as aesthetic theory, genres such as music, painting, theater, film, opera, poetry, and the novel, and perhaps most important, popular culture in the form of fairy tales, detective stories, and dime novels. The MIT Press has previously published Ernst Bloch's Natural Law and Human Dignity and his magnum opus, The Principle of Hope. The Utopian Function of Art and Literature is included in the series Studies in Contemporary German Social Thought, edited by Thomas McCarthy.
Author: Monroe C. Beardsley
Publisher:
ISBN: 9780801412509
Category : Art
Languages : en
Pages : 0
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Book Description
Essays explore the philosophy of art, the definition of a work of art, the aims of art criticism, and the nature of creativity
Author: Cyril Stanley Smith
Publisher: Mit Press
ISBN: 9780262690829
Category : Philosophy
Languages : en
Pages : 424
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Book Description
&"As an old admirer of Cyril Smith, I'm delighted to learn that a collection of his essays on the arts will be published. They are a unique body of work which only he could have produced.&" &-Meyer Schapiro Science, art, and history all share common or analogous patterns of hierarchical order that are embedded into the structure of the material world as well. This is a central insight of these essays by a generalist who has also spent a lifetime working in his specialty, the nature of materials. To Cyril Stanley Smith, the transformation of metals from one state to another, or the contrasts at one level that merge through repetition into uniformity at a higher level, carries solid metaphorical implications for the human condition. Cyril Stanley Smith's own expansion of outlook to encompass successively technology, science, history, and art is loosely implicit in the chronological ordering of the fourteen essays included in this volume and explicitly developed in one of them that &"comes as close to an autobiography as I am ever likely to write&" and traces the evolution of Smith's ideas on science and art. Trained as an industrial metallurgist, Smith turned to the purely scientific study of the structure of metals and alloys after his experience at Los Alamos during World War II, drawn in part by his delight in the intrinsic beauty of these structural manifestations of symmetry and natural design. A growing interest in the history of the science and technology of materials led him to consult the artifactual evidence&-the art objects in museums that either greatly predate written historical records or provide, through scientific examination, more reliable information than do the surviving documents of their period. This direct contact with fine or formal art only reinforced Smith's intuition that the aesthetic impulse is at play over the full range of human activity, whether it leads to the making of a bronze sculpture, a scientific theory, or a social reorganization. A variety of investigations of art objects is cited in the text, and the author regards the accompanying illustrations to be as important as the text. In particular, the essays make the case that historically many advances and discoveries regarding metals and ceramics came about through aesthetic curiosity and the desire to improve works of fine and decorative art, rather than through scientific investigation or in response to the need for products having practical utility. Many techniques and even whole industries, Smith writes, began with the making and reproduction of art works. Other essays deal with the emerging understanding of the remarkable properties of steel, the positive uses of corrosion, ancient casting and molding techniques, and the connection between attempts to reproduce oriental porcelain in Europe and modern geological ideas. Still others are more philosophical in approach.
Author: Henry Webster Parker
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 262
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