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Author: H.R. Rookmaaker
Publisher: John Benjamins Publishing
ISBN: 9027279896
Category : Literary Criticism
Languages : en
Pages : 226
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Book Description
This study describes in detail the development of Coleridge’s attitude to nature as it is reflected in his poetry. It analyses the different stages of Coleridge’s search for a meaningful relation to nature from an uncritical adoption of the eighteenth century conventions in his early poetry to a projectionist view in his poems of 1802. It offers challenging new readings of some of Coleridge’s major poems like ‘The Ancient Mariner’ and ‘Dejection: an Ode’, and tries to rehabilitate some minor ones, like ‘The Picture’. Attention is also paid to his relation with Wordsworth. It discusses in detail the philosophical background of Coleridge’s views and considers the contribution of German thought to his development. As a whole this study affords a new insight into the genesis of romanticism in England.
Author: H.R. Rookmaaker
Publisher: John Benjamins Publishing
ISBN: 9027279896
Category : Literary Criticism
Languages : en
Pages : 226
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Book Description
This study describes in detail the development of Coleridge’s attitude to nature as it is reflected in his poetry. It analyses the different stages of Coleridge’s search for a meaningful relation to nature from an uncritical adoption of the eighteenth century conventions in his early poetry to a projectionist view in his poems of 1802. It offers challenging new readings of some of Coleridge’s major poems like ‘The Ancient Mariner’ and ‘Dejection: an Ode’, and tries to rehabilitate some minor ones, like ‘The Picture’. Attention is also paid to his relation with Wordsworth. It discusses in detail the philosophical background of Coleridge’s views and considers the contribution of German thought to his development. As a whole this study affords a new insight into the genesis of romanticism in England.
Author: Robert J. Richards
Publisher: University of Chicago Press
ISBN: 0226712184
Category : Literary Criticism
Languages : en
Pages : 609
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Book Description
"All art should become science and all science art; poetry and philosophy should be made one." Friedrich Schlegel's words perfectly capture the project of the German Romantics, who believed that the aesthetic approaches of art and literature could reveal patterns and meaning in nature that couldn't be uncovered through rationalistic philosophy and science alone. In this wide-ranging work, Robert J. Richards shows how the Romantic conception of the world influenced (and was influenced by) both the lives of the people who held it and the development of nineteenth-century science. Integrating Romantic literature, science, and philosophy with an intimate knowledge of the individuals involved—from Goethe and the brothers Schlegel to Humboldt and Friedrich and Caroline Schelling—Richards demonstrates how their tempestuous lives shaped their ideas as profoundly as their intellectual and cultural heritage. He focuses especially on how Romantic concepts of the self, as well as aesthetic and moral considerations—all tempered by personal relationships—altered scientific representations of nature. Although historians have long considered Romanticism at best a minor tributary to scientific thought, Richards moves it to the center of the main currents of nineteenth-century biology, culminating in the conception of nature that underlies Darwin's evolutionary theory. Uniting the personal and poetic aspects of philosophy and science in a way that the German Romantics themselves would have honored, The Romantic Conception of Life alters how we look at Romanticism and nineteenth-century biology.
Author: Hendrik Roelof Rookmaaker
Publisher: John Benjamins Publishing
ISBN: 9789027222152
Category : Poetry
Languages : en
Pages : 232
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Book Description
This study describes in detail the development of Coleridge's attitude to nature as it is reflected in his poetry. It analyses the different stages of Coleridge's search for a meaningful relation to nature from an uncritical adoption of the eighteenth century conventions in his early poetry to a projectionist view in his poems of 1802. It offers challenging new readings of some of Coleridge's major poems like 'The Ancient Mariner' and 'Dejection: an Ode', and tries to rehabilitate some minor ones, like 'The Picture'. Attention is also paid to his relation with Wordsworth. It discusses in detail the philosophical background of Coleridge's views and considers the contribution of German thought to his development. As a whole this study affords a new insight into the genesis of romanticism in England.
Author: Uttara Natarajan
Publisher: John Wiley & Sons
ISBN: 0470766352
Category : Literary Criticism
Languages : en
Pages : 360
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Book Description
This welcome addition to the Blackwell Guides to Criticism series provides students with an invaluable survey of the critical reception of the Romantic poets. Guides readers through the wealth of critical material available on the Romantic poets and directs them to the most influential readings Presents key critical texts on each of the major Romantic poets – Blake, Wordsworth, Coleridge, Byron, Shelley and Keats – as well as on poets of more marginal canonical standing Cross-referencing between the different sections highlights continuities and counterpoints
Author: David Pepper
Publisher: Routledge
ISBN: 1134933142
Category : Business & Economics
Languages : en
Pages : 385
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Book Description
Examining key environmentalist ideas within their social and historical context, this book analyses the diverse views within the science/nature debate ,addresses questions of social change and suggests how to establish the desired ecological society.
Author: Meyer Howard Abrams
Publisher: W. W. Norton & Company
ISBN: 9780393006094
Category : Romanticism
Languages : en
Pages : 564
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Book Description
Author: Mary Jacobus
Publisher: University of Chicago Press
ISBN: 0226390667
Category : Art
Languages : en
Pages : 232
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Book Description
Here, Jacobus discusses objects and attributes that test our perceptions and preoccupy both Romantic poetry and modern philosophy. John Clare, John Constable, W.G. Sebald, and Gerhard Richter make appearances around the central figure of William Wordsworth as Jacobus explores trees, rocks, clouds, and sleep in their work.
Author: Robert Sayre
Publisher: Routledge
ISBN: 1000721760
Category : Literary Criticism
Languages : en
Pages : 216
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Book Description
Romantic Anti-capitalism and Nature examines the deep connections between the romantic rebellion against modernity and ecological concern with modern threats to nature. The chapters deal with expressions of romantic culture from a wide variety of different areas: travel writing, painting, utopian vision, cultural studies, political philosophy, and activist socio-political writing. The authors discuss a highly diverse group of figures - William Bartram, Thomas Cole, William Morris, Walter Benjamin, Raymond Williams, and Naomi Klein - from the late eighteenth to the early twenty-first century. They are rooted individually in English, American, and German cultures, but share a common perspective: the romantic protest against modern bourgeois civilisation and its destruction of the natural environment. Although a rich ecocritical literature has developed since the 1990s, particularly in the United States and Britain, that addresses many aspects of ecology and its intersection with romanticism, they almost exclusively focus on literature, and define romanticism as a limited literary period of the late eighteenth and early nineteenth centuries. This study is one of the first to suggest a much broader view of the romantic relation to ecological discourse and representation, covering a range of cultural creations and viewing romanticism as a cultural critique, or protest against capitalist-industrialist modernity in the name of past, pre-modern, or pre-capitalist values. This book will be of great interest to students and scholars of ecology, romanticism, and the history of capitalism.
Author: Marcus Nordlund
Publisher: Northwestern University Press
ISBN: 0810124238
Category : Drama
Languages : en
Pages : 245
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Book Description
The best conception of love, Marcus Nordlund contends, and hence the best framework for its literary analysis, must be a fusion of evolutionary, cultural, and historical explanation. It is within just such a bio-cultural nexus that Nordlund explores Shakespeare’s treatment of different forms of love. His approach leads to a valuable new perspective on Shakespearean love and, more broadly, on the interaction between our common humanity and our historical contingency as they are reflected, recast, transformed, or even suppressed in literary works. After addressing critical issues about love, biology, and culture raised by his method, Nordlund considers four specific forms of love in seven of Shakespeare’s plays. Examining the vicissitudes of parental love in Titus Andronicus and Coriolanus, he argues that Shakespeare makes a sustained inquiry into the impact of culture and society upon the natural human affections. King Lear offers insight into the conflicted relationship between love and duty. In two problem plays about romantic love, Troilus and Cressida and All’s Well that Ends Well, the tension between individual idiosyncrasies and social consensus becomes especially salient. And finally, in Othello and The Winter’s Tale, Nordlund asks what Shakespeare can tell us about the dark avatar of jealousy.
Author: Shierry Weber Nicholsen
Publisher: MIT Press
ISBN: 9780262250436
Category : Science
Languages : en
Pages : 236
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Book Description
A psychological exploration of how the love of nature can coexist in our psyches with apathy toward environmental destruction. Virtually everyone values some aspect of the natural world. Yet many people are surprisingly unconcerned about environmental issues, treating them as the province of special interest groups. Seeking to understand how our appreciation for the beauty of nature and our indifference to its destruction can coexist in us, Shierry Weber Nicholsen explores dimensions of our emotional experience with the natural world that are so deep and painful that they often remain unspoken. The Love of Nature and the End of the World is a gathering of meditations and collages. Its evocations of our emotional attachment to the natural world and the emotional impact of environmental deterioration are meant to encourage individual and collective reflection on a difficult dilemma. Nicholsen draws on work in environmental philosophy and ecopsychology; the writings of psychoanalytic thinkers such as Wilfred Bion, Donald Meltzer, and D. W. Winnicott; and ideas from Buddhist and Sufi traditions. She shows how our emotional responses to the vulnerabilities of the natural world range from intense caring and compassion, through grief and outrage, to diffuse depression. Individual chapters focus on silence and the process whereby we move from the unspoken to the spoken, the love of nature, the "perceptual reciprocity" with the natural world to which we might mature, beauty in the human and natural realms, the psychological impact of the destruction of the natural world, and reflections on the future.
