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Author: Mara Polgovsky Ezcurra
Publisher: Rutgers University Press
ISBN: 1978802048
Category : Art
Languages : en
Pages : 291
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Book Description
Shortlisted for the 2020 Association for the Study of the Arts of the Present Book Prize Winner of the 2019 Art Journal Prize from the College Art Association What is the role of pleasure and pain in the politics of art? In Touched Bodies, Mara Polgovsky Ezcurra approaches this question as she examines the flourishing of live and intermedial performance in Latin America during times of authoritarianism and its significance during transitions to democracy. Based on original documents and innovative readings, her book brings politics and ethics to the discussion of artistic developments during the “long 1980s”. She describes the rise of performance art in the context of feminism, HIV-activism, and human right movements, taking a close look at the work of Diamela Eltit and Raúl Zurita from Chile, León Ferrari and Liliana Maresca from Argentina, and Marcos Kurtycz, the No Grupo art collective, and Proceso Pentágono from Mexico. The comparative study of the work of these artists attests to a performative turn in Latin American art during the 1980s that, like photography and film before, recast the artistic field as a whole, changing the ways in which we perceive art and understand its role in society.
Author: Mara Polgovsky Ezcurra
Publisher: Rutgers University Press
ISBN: 1978802048
Category : Art
Languages : en
Pages : 291
Get Book Here
Book Description
Shortlisted for the 2020 Association for the Study of the Arts of the Present Book Prize Winner of the 2019 Art Journal Prize from the College Art Association What is the role of pleasure and pain in the politics of art? In Touched Bodies, Mara Polgovsky Ezcurra approaches this question as she examines the flourishing of live and intermedial performance in Latin America during times of authoritarianism and its significance during transitions to democracy. Based on original documents and innovative readings, her book brings politics and ethics to the discussion of artistic developments during the “long 1980s”. She describes the rise of performance art in the context of feminism, HIV-activism, and human right movements, taking a close look at the work of Diamela Eltit and Raúl Zurita from Chile, León Ferrari and Liliana Maresca from Argentina, and Marcos Kurtycz, the No Grupo art collective, and Proceso Pentágono from Mexico. The comparative study of the work of these artists attests to a performative turn in Latin American art during the 1980s that, like photography and film before, recast the artistic field as a whole, changing the ways in which we perceive art and understand its role in society.
Author: Gabriele Brandstetter
Publisher: Walter de Gruyter
ISBN: 3110292041
Category : Music
Languages : en
Pages : 332
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Book Description
Touch is a fundamental element of dance. The (time) forms and contact zones of touch are means of expression both of self-reflexivity and the interaction of the dancers. Liberties and limits, creative possibilities and taboos of touch convey insights into the ‘aisthesis’ of the different forms of dance: into their dynamics and communicative structure, as well as into the production and regulation of affects. Touching and Being Touched assembles seventeen interdisciplinary papers focusing on the question of how forms and practices of touch are connected with the evocation of feelings. Are these feelings evoked in different ways in tango, Contact improvisation, European and Japanese contemporary dance? The contributors to this volume (dance, literature, and film scholars as well as philosophers and neuroscientists) provide in-depth discussions of the modes of transfer between touch and being touched. Drawing on the assumptions of various theories of body, emotion, and senses, how can we interpret the processes of tactile touch and of being touched emotionally? Is there a specific spectrum of emotions activated during these processes (within both the spectator and the dancer)? How can the relationship of movement, touch, and emotion be analyzed in relation to kinesthesia and empathy?
Author: Ann Gagné
Publisher: Rowman & Littlefield
ISBN: 1793617317
Category : Literary Criticism
Languages : en
Pages : 151
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Book Description
Embodying the Tactile in Victorian Literature: Touching Bodies/Bodies Touching explores the importance of sensory studies in mid to late-Victorian literature. Ann Gagné reconciles the social and cultural issues surrounding embodiment, particularly gendered embodiment, through the lens of tactility and how touch can function as embodied residue. The main focus on tactility highlights bodily interactions through narrative description and positions lived experience as narrated and witnessed on the body through touch. By exploring four distinct types of tactility—reciprocal touch, architectural touch, self-touch, and telepathic touch—found in Victorian literature, Gagné reveals a larger social and cultural focus on ethics, care, the built environment, and pedagogy. Through analyses of more canonical texts such as Goblin Market alongside lesser known works by canonical authors such as Wilkie Collins’s “Mrs. Zant and the Ghost,” Gagné demonstrates how these same sensory considerations continue to be important today.
Author: Anthony Brand
Publisher: Taylor & Francis
ISBN: 1000828492
Category : Architecture
Languages : en
Pages : 390
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Book Description
This book is about perception, emotion, and affect in architecture: how and why we feel the way that we do and the ways in which our surroundings and bodies contribute to this. Our experience of architecture is an embodied one, with all our senses acting in concert as we move through time and space. The book picks up where much of the critique of architectural aestheticism at the end of the twentieth century left off: illustrating the limitations and potential consequences of attending to architecture as the visually biased practice which has steadily become the status quo within both industry and education. It draws upon interdisciplinary research to elucidate the reasons why this is counter-productive to the creation of meaningful places and to articulate the embodied richness of our touching encounters. A "felt-phenomenology" is introduced as a more-than visual alternative capable of sustaining our physical, emotional, and psychological well-being. By recognising the reciprocal and participatory relationship that exists between atmospheric affect and our (phenomenological) bodies, we begin to appreciate the manifold ways in which we touch, and are touched, by our built environment. As such, Touching Architecture will appeal to those with an interest in architectural history and theory as well as those interested in the topic of atmospheres, affect, and embodied perception.
Author: Amanda Montei
Publisher: Beacon Press
ISBN: 0807013277
Category : Family & Relationships
Languages : en
Pages : 258
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Book Description
In this stunning blend of memoir, theory, and cultural criticism, a new mother examines the intersection between misogyny and motherhood, considering how caregivers can take back their bodies and pass on a language of consent to their children Motherhood and the culture of misogyny in America are not often explored in tandem. The connection is women’s bodies. When Amanda Montei became a parent, she struggled with the physicality of caring for children, but even more with the growing lack of autonomy she felt in her personal and professional life. The conditions of modern American parenthood—the lack of paid leave and affordable childcare, the isolation and alienation, the distribution of labor in her home, and the implicit demands of marriage—were not what she had expected. After #MeToo, however, she began to see a connection between how women were feeling in motherhood and the larger culture of assault in which she had grown up. In American society, women are expected to prioritize their children, often by pushing their bodies to the limit and ignoring their own desires and needs. As she struggled to adjust to the new demands on her body, this stirred memories of being used, violated, and seen by men. She had the desperate urge to finally say no, though she didn’t know how, or to whom she might say it. Written with the intellectual and emotional precision of writers like Roxane Gay and Leslie Jamison, and drawing on classic feminist thinkers such as bell hooks, Silvia Federici, and Adrienne Rich, as well as on popular culture from The Bachelor to Look Who’s Talking, Montei draws connections between caregiving, consent, reproductive control, and the sacrifices women are expected to make throughout their lives. Exploring the stories we tell about psychology, childbirth, sexuality, the family, the overwhelm mothers feel trying to be “good,” and the tender bonds that form between parent and child, Touched Out delivers a powerful critique of American rape culture and its continuation in the institution of motherhood, and considers what it really means to care in America.
Author: Mark Paterson
Publisher: Routledge
ISBN: 1317009703
Category : Social Science
Languages : en
Pages : 288
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Book Description
Given that touch and touching is so central to everyday embodied existence, why has it been largely ignored by social scientists for so long? What is the place of touch in our mixed spaces of sociality, work, domesticity, recreation, creativity or care? What conceptual resources and academic languages can we reach towards when approaching tactile activities and somatic experiences through the body? How is this tactile landscape gendered? How is touch becoming revisited and revalidated in late capitalism through animal encounters, tourism, massage, beauty treatments, professional medicine, everyday spiritualities or the aseptic touch-free spaces of automated toilets? How is touch placed and valued within scholarly fieldwork and research itself, integral as it is to the production of embodied epistemologies? How is touch involved in such aesthetic experiences as shaping objects in sand, or encountering fleshly bodies within a painting? The goal of this edited collection, Touching Space, Placing Touch is twofold: 1. To further advance theoretical and empirical understanding of touch in social science scholarship by focussing on the differential social and cultural meanings of touching and the places of touch. 2. To develop a multi-faceted and interdisciplinary explanations of touch in terms of individual and social life, personal experiences and tasks, and their related cultural contexts. The twelve essays in this volume provide a rich combination of theoretical resources, methodological approaches and empirical investigation. Each chapter takes a distinct aspect of touch within a particular spatial context, exploring this through a mixture of sustained empirical work, critical theories of embodiment, philosophical and psychoanalytic approaches to gendered touch and touching, or the relationship between visual and non-visual culture, to articulate something of the variety and variability of touching experiences. The contributors are a mixture of established and emerging researchers within a growing interdisciplinary field of scholarship, yet the volume has a strong thematic identity and therefore represents the formative collection concerning the multiple senses of touch within social science scholarship at this time.
Author: Reginald A. Ray, Ph.D.
Publisher: Sounds True
ISBN: 1591798434
Category : Religion
Languages : en
Pages : 0
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Book Description
What does it mean to "meditate with the body"? Until you answer this question, explains Reggie Ray, meditation may be no more than a mental gymnastic —something you can practice for years without fruitful results. In Touching Enlightenment, the esteemed author of five books about Buddhist history and practice guides you back to the original practice of the Buddha: a systematic process that results in a profound awareness in your body rather than in your head. Combining the scholarship that has earned him international renown with original insights from nearly four decades practicing and teaching meditation, Reggie Ray invites you to explore: How to enter fully into communion with your embodied natureThe insights of Tibetan yoga, from guidance on breathing and working with discomfort to its challenge to modern practitioners on the path to realizationWhy "rejected" experience becomes imprinted in the body —and how to receive it anew to reconstitute your human way of being Karma of cause and karma of result —taking full responsibility for your lifeYour three bodies—the physical, the interpersonal, and the cosmic "To be awake, to be enlightened, is to be fully and completely embodied. To be fully embodied means to be at one with who we are, in every respect, including our physical being, our emotions, and the totality of our karmic situation," writes Reggie Ray. In Touching Enlightenment, he offers you a map of unprecedented clarity and power for embarking on the journey toward ultimate realization in and through the body.
Author: Asta Cekaite
Publisher: Routledge
ISBN: 1000069583
Category : Language Arts & Disciplines
Languages : en
Pages : 343
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Book Description
Rooted in multimodal conversation analysis and based on video recordings of naturally occurring social interactions, this book presents a novel analytical perspective for the study of touch. The authors focus on how different forms of touch are interactionally organized in everyday, institutional, and professional practices, showing how touch is multimodally achieved in social interaction, how it acquires its significance, how it is embedded in the current activity and in its social context, and how it is systematically intertwined with talk, facial expressions, and body posture. Including work by a wide range of renowned researchers, this volume provides rich visual illustrations of situations featuring touch as a social and intersubjective practice. The studies make a compelling contribution to the field by clearly examining and demonstrating the social meaning of touch for the participants in social interaction in a broad range of contexts. Presenting a new methodology for the study of touch, this is key reading for all researchers and scholars working in conversation analysis, multimodality, and related areas.
Author: Karen Sánchez-Eppler
Publisher: Univ of California Press
ISBN: 9780520079595
Category : Literary Criticism
Languages : en
Pages : 212
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Book Description
"Extremely well researched, finely nuanced, and clearly written. . . . Her analyses are stunning. . . . This study juxtaposes consideration of non-canonical works with canonical works to produce remarkable insights about the politics of the body during an intensely political period of the nineteenth century."--Barbara Christian, author of "Black Women Novelists" "A superb contribution. . . a highly important study that will make its mark on the fields of American literary and cultural studies. In addition, Sanchez-Eppler performs an extremely valuable political service in exposing the 'asymmetries' between white and Black women in feminist-abolitionist discourse and the manner in which 'moments of identification' become 'acts of appropriation.' This issue continues to be relevant to feminists today. Her extension of this insight to Whitman's 'poetics of merger' is also provocative, adding another dimension to the cautionary enterprise of assessing the limitations of white radicalism."--Carolyn L. Karcher, editor of "Lydia M. Child's Hobomok and Other Writings on Indians" "This book is an insightful, lucid, and persuasive discussion of the tension between the abstract language of the state and the disruptive discourses of abolitionism and feminism. It promises to have a profound impact upon the ways in which teachers, scholars, students, and general readers conceptualize nineteenth-century U. S. literature and culture."--Valerie Smith, author of "Self-Discovery and Authority in Afro-American Narrative"
Author: Brendan Keogh
Publisher: MIT Press
ISBN: 0262345447
Category : Games & Activities
Languages : en
Pages : 249
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Book Description
An investigation of the embodied engagement between the playing body and the videogame: how player and game incorporate each other. Our bodies engage with videogames in complex and fascinating ways. Through an entanglement of eyes-on-screens, ears-at-speakers, and muscles-against-interfaces, we experience games with our senses. But, as Brendan Keogh argues in A Play of Bodies, this corporal engagement goes both ways; as we touch the videogame, it touches back, augmenting the very senses with which we perceive. Keogh investigates this merging of actual and virtual bodies and worlds, asking how our embodied sense of perception constitutes, and becomes constituted by, the phenomenon of videogame play. In short, how do we perceive videogames? Keogh works toward formulating a phenomenology of videogame experience, focusing on what happens in the embodied engagement between the playing body and the videogame, and anchoring his analysis in an eclectic series of games that range from mainstream to niche titles. Considering smartphone videogames, he proposes a notion of co-attentiveness to understand how players can feel present in a virtual world without forgetting that they are touching a screen in the actual world. He discusses the somatic basis of videogame play, whether games involve vigorous physical movement or quietly sitting on a couch with a controller; the sometimes overlooked visual and audible pleasures of videogame experience; and modes of temporality represented by character death, failure, and repetition. Finally, he considers two metaphorical characters: the “hacker,” representing the hegemonic, masculine gamers concerned with control and configuration; and the “cyborg,” less concerned with control than with embodiment and incorporation.
