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Author: Clarence Grant Hamilton
Publisher:
ISBN:
Category : Piano
Languages : en
Pages : 92
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Book Description
Author: Clarence Grant Hamilton
Publisher:
ISBN:
Category : Piano
Languages : en
Pages : 92
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Book Description
Author: Clarence Grant Hamilton
Publisher: Ams PressInc
ISBN: 9780404129507
Category : Music
Languages : en
Pages : 72
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Book Description
Author: Clarence G. Hamilton
Publisher: Courier Corporation
ISBN: 0486320979
Category : Music
Languages : en
Pages : 81
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Book Description
This book instructs pianists on how to manipulate piano keys to produce every variety of tone, including note values, pulsation in music, phrases, dynamic contrasts and shadings, tempo, color, and style.
Author: Otto Ortmann
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 222
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Author: Adolph Friedrich Christiani
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 320
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Book Description
In writing this work, I had not only the object in view of providing for those interested in the subject a book of reference, containing a systematic exposition of the principles of expression in pianoforte playing, but I also wished to dispel the erroneous popular belief, that expression is a manifestation of feeling only, or that feeling is the sole basis of expression. I shall endeavor to prove that intelligence, not feeling, is the chief requirement in expression. - Preface.
Author: Madeline Bruser
Publisher: Crown
ISBN: 0307833747
Category : Music
Languages : en
Pages : 289
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Book Description
An illustrated guide for the amateur and professional musician that teaches us how to transform practicing from an often laborious activity into an exhilarating and rewarding experience Foreword by Yehudi Menuhin • “Give this book to any musician you love and to any person who loves what music does for them and for the world.”—Richard Stoltzman, clarinetist In The Art of Practicing, acclaimed pianist and teacher Madeline Bruser combines physiological and meditative principles to help musicians release physical and mental tension and unleash their innate musical talent. She offers practical techniques for cultivating free and natural movement, a keen enjoyment of sounds and sensations, a clear and relaxed mind, and an open heart and she explains how to: • Prepare the body and mind to practice with ease • Understand the effect of posture on flexibility and expressiveness • Make efficient use of the hands and arms • Employ listening techniques to improve coordination • Increase the range of color and dynamics by using less effort • Cultivate rhythmic vitality • Perform with confidence, warmth, and freedom Complete with photographs to show essential points of posture and movement for a variety of instruments, this is the definitive guide to turning practice from a sometimes frightening, monotonous chore to a fun, fulfilling activity.
Author: György Sándor
Publisher: Cengage Learning
ISBN:
Category : Education
Languages : en
Pages : 264
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Book Description
ON PIANO PLAYING begins with a revealing introduction to the fundamental relationships among motions and emotions, the keyboard itself and the human performing mechanism - the physical equipment that is used to make music. Here Sandor explains the role each plays in performance, pointing out typical mistakes and misconceptions that get in the way of virtually every pianist. He then discusses the basic technical patterns: free fall, scales and arpeggios, rotation, staccato, and thrust. Aided by carefully designed exercises, he shows how to execute physical movements to build muscle tone, sharpen coordination, and increase strength and flexibility. The exercises are based on common-sense principles of anatomy and physiology. Sandor next applies these patterns to the classic repertoire, showing how to play the exposition of Beethoven's WALDSTEIN sonata, for example. The emphasis in this section is on simplicity of motion and movement, and on ways to integrate motions to optimal effect - how to identify the technical patterns of a score and put them in the service of musical interpretation. No pianist, Sandor demonstrates, need suffer fatigue or exhaustion from playing a difficult piece. He shows that strength alone is not enough; the ability to use different muscles of the upper arm - is essential if practice is to be something more than a mechanical warming-up exercise. Special attention is given to problems of interpretation and performance as well: pedalling, variants, the development of precise musical diction and a singing piano tone, and much more. And he explores the common psychological challenges of public performance as well. Complete with line drawings, photographs, and many musical examples, ON PIANO PLAYING provides the means for mastering the complexities and intricacies of good musicianship. It offers an accessible, intriguing, and effective program for developing the fundamental skills that are the building blocks of good music-making.
Author: Tobias Matthay
Publisher:
ISBN:
Category : Piano
Languages : en
Pages : 162
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Author: Tobias Matthay
Publisher:
ISBN: 9781628450224
Category :
Languages : en
Pages : 158
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Book Description
Relaxation Studies in the Muscular Discriminations Required for Touch, Agility, and Expression in Pianoforte Playing By Tobias Matthay Contents Part I--The Chief Muscular Tests and other Permanent Daily Studies -Set I-Freeing or "Balancing" exercises -Set II-The "Aiming" exercises -Set III-The "Throw-off" exercises -Set IV-Rotation exercises Part II--Preparatory Exercises -Set V-For the study of Hand-release -Set VI-For the study of Fore-arm release -Set VII-For the study of Upper-arm release -Set VIII-For the study of Shoulder-release -Set IX-For the study of Fore-arm action, in conjunction with Upper-arm inaction Part III--Special Exercises -Set X-For the study of Finger-action and its cessation -Set XI-For Hand-action and its cessation -Set XII-For the further study of Fore-arm action -Set XIII-Agility Training Exercises -Set XIV-For the study of Hand-force elimination -Set XV-For the study of Octave-playing -Set XVI-For the study of Finger-individualization -Set XVII-For the study of horizontal freedom of thumb and hand -Set XVIII-For attuning Finger, Hand and Arm vibrations -Set XIX-For the study of tonal individualization between the fingers -Set XX-For some subsidiary actions -Set XXI-For the study of Pedalling Preface At last I am able to offer my readers the exercise-material for the study, retention and direct teaching of the muscular expertnesses required in Piano Technique, as promised in my **Act of Touch" and **First Principles of Piano-playing." Here I must once again insist that no special exercises are required in making use of those teachings. My * 'Method" - of teaching - does not consist in the use of any special exercises, nor even of mere explanation of and attention to ''rules." It consists in giving properly selected pieces of actual music, to the student, and while making clear to him the interpretative requirements of such actual music, it consists in showing him at the same time how to conquer the difficulties of its performance - the technical and interpretative difficulties therein met with. Studies and Exercises are then given to serve as concentrated material for the study of the difficulties found to be barring the way, the nature of which difficulties having been previously fully explained to the student. I do not approve of any "method" which separates the study of Execution from the study of Music. The two things, although quite distinct, should nevertheless be always studied conjointly as far as possible. Since we must acquire such habits that our musical sense will in the end serve to prompt the requisite technique, it is necessary that we... ------------------------------------------------------------------------------------------------------------------------------------------ Windham Press is committed to bringing the lost cultural heritage of ages past into the 21st century through high-quality reproductions of original, classic printed works at affordable prices. This book has been carefully crafted to utilize the original images of antique books rather than error-prone OCR text. This also preserves the work of the original typesetters of these classics, unknown craftsmen who laid out the text, often by hand, of each and every page you will read. Their subtle art involving judgment and interaction with the text is in many ways superior and more human than the mechanical methods utilized today, and gave each book a unique, hand-crafted feel in its text that connected the reader organically to the art of bindery and book-making. We think these benefits are worth the occasional imperfection resulting from the age of these books at the time of scanning, and their vintage feel provides a connection to the past that goes beyond the mere words of the text.
Author: Josef Hofmann
Publisher:
ISBN:
Category : Piano
Languages : en
Pages : 116
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Book Description
