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Author: Seiji M. Lippit
Publisher: Columbia University Press
ISBN: 0231125305
Category : Education
Languages : en
Pages : 321
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Book Description
Lippit offers the first book-length study in English of Japanese modernist fiction from the 1920s to the 1930s. Through close readings of four leading figures of this movement--Akutagawa, Yokomitsu, Kawabata, and Hayashi--Lippit aims to establish a theoretical and historical framework for the analysis of Japanese modernism.
Author: Seiji M. Lippit
Publisher: Columbia University Press
ISBN: 0231125305
Category : Education
Languages : en
Pages : 321
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Book Description
Lippit offers the first book-length study in English of Japanese modernist fiction from the 1920s to the 1930s. Through close readings of four leading figures of this movement--Akutagawa, Yokomitsu, Kawabata, and Hayashi--Lippit aims to establish a theoretical and historical framework for the analysis of Japanese modernism.
Author: Roy Starrs
Publisher: Global Oriental
ISBN: 9004211306
Category : History
Languages : en
Pages : 561
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Book Description
Edited by Roy Starrs, this collection of essays by an international group of leading Japan scholars presents new research and thinking on Japanese modernism, a topic that has been increasingly recognized in recent years to be key to an understanding of contemporary Japanese culture and society. By adopting an open, multidisciplinary, and transnational approach to this multifaceted topic, the book sheds new light both on the specific achievements and on the often-unexpected interrelationships of the writers, artists and thinkers who helped to define the Japanese version of modernism and modernity. Specific topics addressed include the literary modernism of major writers such as Akutagawa, Kawabata, Kajii, Miyazawa, and Murakami, avant-garde modernism in painting, music, theatre, and in the performance art of Yoko Ono, and the everyday modernism of popular culture and of new urban activities such as shopping and sports.
Author: Erin Schoneveld
Publisher: BRILL
ISBN: 9004393633
Category : Art
Languages : en
Pages : 274
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Book Description
Shirakaba and Japanese Modernism examines the most significant Japanese art and literary magazine of the early twentieth century, Shirakaba (White Birch, 1910–1923). In this volume Erin Schoneveld explores the fluid relationship that existed between different types of modern visual media, exhibition formats, and artistic practices embraced by the Shirakaba-ha (White Birch Society). Schoneveld provides a new comparative framework for understanding how the avant-garde pursuit of individuality during Japan’s Taishō period stood in opposition to state-sponsored modernism and how this played out in the emerging media of art magazines. This book analyzes key moments in modern Japanese art and intellectual history by focusing on the artists most closely affiliated with Shirakaba, including Takamura Kōtarō, Umehara Ryūzaburō, and Kishida Ryūsei, who selectively engaged with and transformed modernist idioms of individualism and self-expression to create a new artistic style that gave visual form to their own subjective reality. Drawing upon archival research that includes numerous articles, images, and exhibitions reviews from Shirakaba, as well as a complete translation of Yanagi Sōetsu’s seminal essay, “The Revolutionary Artist” (Kakumei no gaka), Schoneveld demonstrates that, contrary to the received narrative that posits Japanese modernism as merely derivative, the debate around modernism among Japan’s early avant-garde was lively, contested, and self-reflexive.
Author: Charles Exley
Publisher: BRILL
ISBN: 9004309500
Category : Literary Criticism
Languages : en
Pages : 186
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Book Description
In Satō Haruo and Modern Japanese Literature, Charles Exley offers the first comprehensive examination of Satō’s literary oeuvre from the 1910s through the 1930s. The study examines the ways in which selected novels and short stories interact with cultural discourses of the time, including the fantastic, the discourse on melancholy and mental illness, detective fiction and early film, colonial encounter and critique of civilization, and hysteria and psychoanalysis. Exley’s alignment of Satō’s fictional work with its cultural and historical context illustrates the complex ways in which Satō’s aesthetic projections derived from and comment on Japan’s experience with modernization during the twentieth century.
Author: Kōjin Karatani
Publisher: Columbia University Press
ISBN: 0231157290
Category : History
Languages : en
Pages : 274
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Book Description
Kojin Karatani wrote the essays in History and Repetition during a time of radical historical change, triggered by the collapse of the Cold War and the death of the Showa emperor in 1989. Reading Karl Marx in an original way, Karatani developed a theory of history based on the repetitive cycle of crises attending the expansion and transformation of capital. His work led to a rigorous analysis of political, economic, and literary forms of representation that recast historical events as a series of repeated forms forged in the transitional moments of global capitalism. History and Repetition cemented Karatani's reputation as one of Japan's premier thinkers, capable of traversing the fields of philosophy, political economy, history, and literature in his work. The first complete translation of History and Repetition into English, undertaken with the cooperation of Karatani himself, this volume opens with his innovative reading of The Eighteenth Brumaire of Louis Bonaparte, tracing Marx's early theoretical formulation of the state. Karatani follows with a study of violent crises as they recur after major transitions of power, developing his theory of historical repetition and introducing a groundbreaking interpretation of fascism (in both Europe and Japan) as the spectral return of the absolutist monarch in the midst of a crisis of representative democracy. For Karatani, fascism represents the most violent materialization of the repetitive mechanism of history. Yet he also seeks out singularities that operate outside the brutal inevitability of historical repetition, whether represented in literature or, more precisely, in the process of literature's demise. Closely reading the works of Oe Kenzaburo, Mishima Yukio, Nakagami Kenji, and Murakami Haruki, Karatani compares the recurrent and universal with the singular and unrepeatable, while advancing a compelling theory of the decline of modern literature. Merging theoretical arguments with a concrete analysis of cultural and intellectual history, Karatani's essays encapsulate a brilliant, multidisciplinary perspective on world history.
Author: Michael Gardiner
Publisher: Routledge
ISBN: 1351757466
Category : Literary Criticism
Languages : en
Pages : 270
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Book Description
This book describes firstly a Japanese modernity which is readable not only as a modernising, but also as a Britishing, and secondly modernist attempts to overhaul this British universalism in some well-known and some less-known Japanese texts. From the mid-nineteenth century, and particularly as hastened by the spectre of China in the First Opium War, Japan’s modernity was bound up with a convergence with British Newtonian cosmology, something underscored by the British presence in Meiji Japan and the British education of key Meiji state-makers. Moreover the thinking behind Britain’s own unification in the long eighteenth century, particularly the Scottish Enlightenment, is echoed strikingly faithfully in the 1860s-70s work of Fukuzawa Yukichi, Nakamura Masanao, and other writers in the ‘Japanese Enlightenment’. However, from around the end of the Meiji era, we can see a concerted and pointed response to this British universalism, its historiography, its basis in the sovereign individual subject, and its spatial mapping of the world. Elements of this response can be read in texts including Natsume Sōseki’s Kokoro, Watsuji Tetsurō’s Fūdo (Climate and Culture), Tanizaki Jun’ichirō’s In’ei Raisan (In Praise of Shadows), Kawabata Yasunari’s Yukiguni (Snow Country), and various work of the mid-period Kyoto School. Rarely understood in terms of its British specificity, this response should have something to say to modernist studies more generally, since it aimed at a pluralism and de-universalisation that was difficult for mainstream British modernism itself. Indeed the strength of this de-universalisation may be precisely why these ‘native’ Japanese modernist tendencies have not much been accepted as modernism within the Anglophone academy, despite this field’s apparent widening of its ground in the twenty-first century.
Author: Rachael Hutchinson
Publisher: Routledge
ISBN: 1134233914
Category : History
Languages : en
Pages : 363
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Book Description
Representing the Other in Modern Japanese Literature looks at the ways in which authors writing in Japanese in the twentieth century constructed a division between the ‘Self’ and the ‘Other’ in their work. Drawing on methodology from Foucault and Lacan, the clearly presented essays seek to show how Japanese writers have responded to the central question of what it means to be ‘Japanese’ and of how best to define their identity. Taking geographical, racial and ethnic identity as a starting point to explore Japan's vision of 'non-Japan', representations of the Other are examined in terms of the experiences of Japanese authors abroad and in the imaginary lands envisioned by authors in Japan. Using a diverse cross-section of writers and texts as case studies, this edited volume brings together contributions from a number of leading international experts in the field and is written at an accessible level, making it essential reading for those working in Japanese studies, colonialism, identity studies and nationalism.
Author: J. Scott Miller
Publisher: Rowman & Littlefield
ISBN: 1538124424
Category : Performing Arts
Languages : en
Pages : 263
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Book Description
With the Meiji Restoration in 1868, Japan opened its doors to the West and underwent remarkable changes as it sought to become a modern nation. Accompanying the political changes that Western trade ushered in were widespread social and cultural changes. Newspapers, novels, poems, and plays from the Western world were soon adapted and translated into Japanese. The combination of the rich storytelling tradition of Japan with the realism and modernism of the West produced some of the greatest literature of the modern age. Historical Dictionary of Modern Japanese Literature and Theater, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 500 cross-referenced entries authors, literary and historical developments, trends, genres, and concepts that played a central role in the evolution of modern Japanese literature.
Author: Angela Yiu
Publisher: University of Hawaii Press
ISBN: 9780824838010
Category : Literary Collections
Languages : en
Pages : 284
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Book Description
A 29th-century dystopian society seen through the eyes of a mutant-cum-romantic poet; a post-impressionist landscape of orbs and cubes experienced by a wandering underdog; an imaginary sick room generated entirely from sounds reaching the ears of an invalid: These and other haunting re-presentations of time and space constitute the Japanese modernist landscape depicted in this volume of stories from the 1910s to the 1930s. The fourteen stories selected for this anthology—by both relatively unknown and “must-read” authors—experiment with a protean modernist style in the vivacious period between the nation-building Meiji and the early years of Showa. The writers capture imaginary temporal and spatial dimensions that embody forms of futuristic urban space, colonial space, utopia, dystopia, and heterotopia. Their work invites readers to abandon the conventional naturalistic approach to spatial and temporal representations and explore how the physical and empirical experience of time and space is distorted and reconfigured through the prism of modernist Japanese prose. An introduction and prefatory materials provide historical and critical context for Japanese modernism, making Three-Dimensional Reading a valuable teaching text not only for the study of modern Japanese literature, but for world literature, global modernism, and utopian studies as well. The volume also includes drawings by contemporary artist Sakaguchi Kyōhei, whose ability to create a stunning visual reality beyond the borders of time and place is a testament to the power and reverberations of the modernist imagination.
Author: Leith Morton
Publisher: University of Michigan Press
ISBN: 0472055755
Category : History
Languages : en
Pages : 414
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Book Description
Explores romantic love in modern Japanese literature through the work of the leading poet in the Myōjō circle
