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Author: Mattias Lundberg
Publisher: Ashgate Publishing, Ltd.
ISBN: 9781409407867
Category : Music
Languages : en
Pages : 352
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Book Description
Dr Mattias Lundberg investigates the historical role of a deviant psalm-tone, the tonus peregrinus, focusing on its applications in polyphonic music within all major branches of Western liturgy. Throughout the remarkably persistent tradition of applying this melody to polyphony, from the ninth century right up to the twenty-first, coeval music theory is able to shed light on the problems it has posed to modal and tonal practice at various historical stages.
Author: Mattias Lundberg
Publisher: Ashgate Publishing, Ltd.
ISBN: 9781409407867
Category : Music
Languages : en
Pages : 352
Get Book Here
Book Description
Dr Mattias Lundberg investigates the historical role of a deviant psalm-tone, the tonus peregrinus, focusing on its applications in polyphonic music within all major branches of Western liturgy. Throughout the remarkably persistent tradition of applying this melody to polyphony, from the ninth century right up to the twenty-first, coeval music theory is able to shed light on the problems it has posed to modal and tonal practice at various historical stages.
Author: Mattias Lundberg
Publisher: Routledge
ISBN: 1317009843
Category : Music
Languages : en
Pages : 364
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Book Description
Mattias Lundberg investigates the historical role of a deviant psalm-tone, the tonus peregrinus, focusing on its applications in polyphonic music within all major branches of Western liturgy. Throughout the remarkably persistent tradition of applying this melody to polyphony, from the ninth century right up to the twenty-first, coeval music theory is able to shed light on the problems it has posed to modal and tonal practice at various historical stages. The musical settings studied hold up a mirror to the general development of psalmody, concerning practices of organum, diverse regional forms of fauxbourdon, cantus firmus composition, free imitation, parody, fugue, quodlibet, monody, and many other compositional techniques where the unique features of the psalm-tone have necessitated modification of existing practices. The conclusions drawn reveal a musico-liturgical tradition that was not in real danger of extinction until the general decline of Western liturgy that followed in the eighteenth century, at which point the historiography of the tonus peregrinus became a factor stimulating scholarly and musical interest in its alleged pre-Christian origins. Lundberg demonstrates that the succession of works based on the tonus peregrinus often preserved a distinctly conservative musical and theological conception even during periods of drastic liturgical reform.
Author: Graham O'Reilly
Publisher: Boydell & Brewer
ISBN: 1783274875
Category : Music
Languages : en
Pages : 378
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Book Description
The Miserere by Italian composer Gregorio Allegri (1582-1652) is one of the most popular, oft performed and recorded choral pieces of late Renaissance/early Baroque music. Yet the piece known today bears little resemblanceto Allegri's original or to the piece as it was performed before 1870. The Miserere attributed to the Italian composer Gregorio Allegri (1582-1652) is one of the most popular, often performed and recorded choral pieces of late Renaissance/early Baroque music. It was composed during the reign of Pope Urban VIII in the 1630s, for the exclusive use of the Papal Choir in the Sistine Chapel during Holy Week, the last of thirteen surviving Misereres sung at the services of Tenebræ since 1514. When the young Mozart visited Rome, so the story goes, he transcribed it from memory, risking excommunication but helping posterity to reclaim the piece. Yet the Miserere known today bears little resemblance to Allegri's original or to its method of performance before 1900. This book is the first detailed account of this iconic work's performance history in the Sistine Chapel, in particular focussing on its heyday in the eighteenth and nineteenth centuries. Rather than looking at the Miserere as a work on paper, the key to its genesis - as this book reveals - can only be found in a performance context. The book includes consideration both of the implications of that context in recreating it for performance, and of the history and practice of the "English Miserere" - the version commonly heard today. Appendices present key source transcriptions and two performance editions.
Author: Peter Bennett
Publisher: Cambridge University Press
ISBN: 1108905072
Category : Music
Languages : en
Pages : 339
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Book Description
What role did sacred music play in mediating Louis XIII's grip on power in the early seventeenth century? How can a study of music as 'sounding liturgy' contribute to the wider discourse on absolutism and 'the arts' in early modern France? Taking the scholarship of the so-called 'ceremonialists' as a point of departure, Peter Bennett engages with Weber's seminal formulation of power to consider the contexts in which liturgy, music and ceremonial legitimated the power of a king almost continuously engaged in religious conflict. Numerous musical settings show that David, the psalmist, musician, king and agent of the Holy Spirit, provided the most enduring model of kingship; but in the final decade of his life, as Louis dedicated the Kingdom to the Virgin Mary, the model of 'Christ the King' became even more potent – a model reflected in a flowering of musical publication and famous paintings by Vouet and Champaigne.
Author: Markus Rathey
Publisher: Yale University Press
ISBN: 0300219512
Category : Music
Languages : en
Pages : 247
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Book Description
Every year, Johann Sebastian Bach’s major vocal works are performed to mark liturgical milestones in the Christian calendar. Written by a renowned Bach scholar, this concise and accessible book provides an introduction to the music and cultural contexts of the composer’s most beloved masterpieces, including the Magnificat, Christmas Oratorio, and St. John Passion. In addition to providing historical information, each chapter highlights significant aspects—such as the theology of love—of a particular piece. This penetrating volume is the first to treat the vocal works as a whole, showing how the compositions were embedded in their original performative context within the liturgy as well as discussing Bach’s musical style, from the detailed level of individual movements to the overarching aspects of each work. Published in the approach to Easter when many of these vocal works are performed, this outstanding volume will appeal to casual concertgoers and scholars alike.
Author: Nicholas Baragwanath
Publisher:
ISBN: 0197514081
Category : Education
Languages : en
Pages : 433
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Book Description
In this first-ever book on the solfeggio tradition, one of the pillars of eighteenth-century music education, author Nicholas Baragwanath illuminates how performers and composers developed their exceptional skills in improvising and inventing melodies.
Author: Rev. Joseph L. Ponessa, SSD
Publisher: Emmaus Road Publishing
ISBN: 1941447201
Category : Religion
Languages : en
Pages : 357
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Book Description
Many nations had poet kings, but ancient Israel is probably unique in having a poet as founder of the royal house. According to Scripture the young David sang psalms while in hiding, and the elderly David wrote many psalms and encouraged others to do so. With this example before them, the Hebrews became a highly poetical people. They sang psalms in their temple and in their homes, and were famed for their songs even as exiles in Babylon: “There our captors asked us for words of song, and our wardens for joyful song: ‘Oh, sing to us a song of Zion!’” (Psalm 137:3). The psalms hold many more names and titles of God than have been transmitted. These theological phrases are among the most important, because this is sacred poetry. Chant enthusiasts and scholars will know that the peregrine chant tones come from the Gregorian repertory. Jewish historians or musicologists will find great interest in these translated psalms since the tones come also from the Jewish repertory.
Author: Michael R. Dodds
Publisher: Oxford University Press
ISBN: 0199338159
Category : Music
Languages : en
Pages : 513
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Book Description
From Modes to Keys in Early Modern Music Theory addresses one of the broadest and most elusive open topics in music history: the transition from the Renaissance modes to the major and minor keys of the high Baroque. Through deep engagement with the corpus of Western music theory, author Michael R. Dodds presents a model to clarify the factors of this complex shift.
Author: Peter Pesic
Publisher: MIT Press
ISBN: 0262543907
Category : Music
Languages : en
Pages : 357
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Book Description
A wide-ranging exploration of how music has influenced science through the ages, from fifteenth-century cosmology to twentieth-century string theory. In the natural science of ancient Greece, music formed the meeting place between numbers and perception; for the next two millennia, Pesic tells us in Music and the Making of Modern Science, “liberal education” connected music with arithmetic, geometry, and astronomy within a fourfold study, the quadrivium. Peter Pesic argues provocatively that music has had a formative effect on the development of modern science—that music has been not just a charming accompaniment to thought but a conceptual force in its own right. Pesic explores a series of episodes in which music influenced science, moments in which prior developments in music arguably affected subsequent aspects of natural science. He describes encounters between harmony and fifteenth-century cosmological controversies, between musical initiatives and irrational numbers, between vibrating bodies and the emergent electromagnetism. He offers lively accounts of how Newton applied the musical scale to define the colors in the spectrum; how Euler and others applied musical ideas to develop the wave theory of light; and how a harmonium prepared Max Planck to find a quantum theory that reengaged the mathematics of vibration. Taken together, these cases document the peculiar power of music—its autonomous force as a stream of experience, capable of stimulating insights different from those mediated by the verbal and the visual. An innovative e-book edition available for iOS devices will allow sound examples to be played by a touch and shows the score in a moving line.
Author: Jeremy L. Smith
Publisher: Boydell & Brewer
ISBN: 1783270829
Category : Literary Criticism
Languages : en
Pages : 339
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Book Description
The author offers close examination of the English-language songs of Byrd published in the late 1580s, looking at the music, texts, politics, and other aspects of the songs.
