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Author: Tatiana D. McInnis
Publisher: University Press of Florida
ISBN: 0813072557
Category : Literary Criticism
Languages : en
Pages : 195
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Book Description
How portrayals of anti-Blackness in literature and film challenge myths about South Florida history and culture In this book, Tatiana McInnis examines literary and cultural representations of Miami alongside the city’s material realities to challenge the image of South Florida as a diverse cosmopolitan paradise. McInnis discusses how this favorable “melting pot” narrative depends on the obfuscation of racialized violence against people of African descent. Analyzing novels, short stories, and memoirs by Edwidge Danticat, M.J. Fievre, Carlos Moore, Carlos Eire, Patricia Stephens Due, and Tananarive Due, as well as films such as Dawg Fight and Moonlight, McInnis demonstrates how these creations push back against erasure by representing the experiences of Black Americans and immigrants from Caribbean nations. McInnis considers portrayals of state-sanctioned oppression, residential segregation, violent detention of emigres, and increasing wealth gaps and concludes that celebrations of Miami’s diversity disguise the pervasive, adaptive nature of white supremacy and anti-Blackness. To Tell a Black Story of Miami offers a model of how to use literature as a primary archive in urban studies. It draws attention to the similarities and divergences between Miami’s Black diasporic communities, a historically underrepresented demographic in popular and scholarly awareness of the city. Increasing understanding of Miami’s political, social, and economic inequities, this book brings greater nuance to traditional narratives of exceptionalism in cities and regions. Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
Author: Tatiana D. McInnis
Publisher: University Press of Florida
ISBN: 0813072557
Category : Literary Criticism
Languages : en
Pages : 195
Get Book Here
Book Description
How portrayals of anti-Blackness in literature and film challenge myths about South Florida history and culture In this book, Tatiana McInnis examines literary and cultural representations of Miami alongside the city’s material realities to challenge the image of South Florida as a diverse cosmopolitan paradise. McInnis discusses how this favorable “melting pot” narrative depends on the obfuscation of racialized violence against people of African descent. Analyzing novels, short stories, and memoirs by Edwidge Danticat, M.J. Fievre, Carlos Moore, Carlos Eire, Patricia Stephens Due, and Tananarive Due, as well as films such as Dawg Fight and Moonlight, McInnis demonstrates how these creations push back against erasure by representing the experiences of Black Americans and immigrants from Caribbean nations. McInnis considers portrayals of state-sanctioned oppression, residential segregation, violent detention of emigres, and increasing wealth gaps and concludes that celebrations of Miami’s diversity disguise the pervasive, adaptive nature of white supremacy and anti-Blackness. To Tell a Black Story of Miami offers a model of how to use literature as a primary archive in urban studies. It draws attention to the similarities and divergences between Miami’s Black diasporic communities, a historically underrepresented demographic in popular and scholarly awareness of the city. Increasing understanding of Miami’s political, social, and economic inequities, this book brings greater nuance to traditional narratives of exceptionalism in cities and regions. Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
Author: Marvin Dunn
Publisher: University Press of Florida
ISBN: 0813059577
Category : History
Languages : en
Pages : 301
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Book Description
The first book devoted to the history of African Americans in south Florida and their pivotal role in the growth and development of Miami, Black Miami in the Twentieth Century traces their triumphs, drudgery, horrors, and courage during the first 100 years of the city's history. Firsthand accounts and over 130 photographs, many of them never published before, bring to life the proud heritage of Miami's black community. Beginning with the legendary presence of black pirates on Biscayne Bay, Marvin Dunn sketches the streams of migration by which blacks came to account for nearly half the city’s voters at the turn of the century. From the birth of a new neighborhood known as "Colored Town," Dunn traces the blossoming of black businesses, churches, civic groups, and fraternal societies that made up the black community. He recounts the heyday of "Little Broadway" along Second Avenue, with photos and individual recollections that capture the richness and vitality of black Miami's golden age between the wars. A substantial portion of the book is devoted to the Miami civil rights movement, and Dunn traces the evolution of Colored Town to Overtown and the subsequent growth of Liberty City. He profiles voting rights, housing and school desegregation, and civil disturbances like the McDuffie and Lozano incidents, and analyzes the issues and leadership that molded an increasingly diverse community through decades of strife and violence. In concluding chapters, he assesses the current position of the community--its socioeconomic status, education issues, residential patterns, and business development--and considers the effect of recent waves of immigration from Latin America and the Caribbean. Dunn combines exhaustive research in regional media and archives with personal interviews of pioneer citizens and longtime residents in a work that documents as never before the life of one of the most important black communities in the United States.
Author: Tatiana Danielle McInnis
Publisher:
ISBN: 9780813067605
Category : African Americans
Languages : en
Pages : 0
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Book Description
This publication examines literary and cultural representations of Miami alongside the city's material realities to challenge the image of South Florida as a diverse cosmopolitan paradise. Tatiana McInnis discusses how this favorable 'melting pot' narrative depends on the obfuscation of racialized violence against people of African descent.
Author: Marvin Dunn
Publisher:
ISBN: 9781519372673
Category :
Languages : en
Pages : 344
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Book Description
I know Florida. I was born in Florida during the reign of Jim Crow and have lived to see black astronauts blasted into the heavens from Cape Canaveral. For three quarters of a century I have lived mostly in Florida. I have seen her flowers and her warts. This book is about both. People of African descent have been in Florida from the arrival of Ponce de Leon in 1513, yet our presence in the state is virtually hidden. A casual glance at most Florida history books depict African Americans primarily as laborers who are shown as backdrops to white history. The history of blacks in Florida has been deliberately distorted, omitted and marginalized. We have been denied our heroes and heroines. Our stories have mainly been left untold. This book lifts the veil from some of these stories and places African Americans in the very marrow of Florida history.
Author: Alan A. Aja
Publisher: Springer
ISBN: 1137570458
Category : Social Science
Languages : en
Pages : 265
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Book Description
This book explores the reception experiences of post-1958 Afro-Cubans in South Florida in relation to their similarly situated “white” Cuban compatriots. Utilizing interviews, ethnographic observations, and applying Census data analyses, Aja begins not with the more socially diverse 1980 Mariel boatlift, but earlier, documenting that a small number of middle-class Afro-Cuban exiles defied predominant settlement patterns in the 1960 and 70s, attempting to immerse themselves in the newly formed but ultimately racially exclusive “ethnic enclave.” Confronting a local Miami Cuban “white wall” and anti-black Southern racism subsumed within an intra-group “success” myth that equally holds Cubans and other Latin Americans hail from “racial democracies,” black Cubans immigrants and their children, including subsequent waves of arrival and return-migrants, found themselves negotiating the boundaries of being both “black” and “Latino” in the United States.
Author: Charles M. Blow
Publisher: Houghton Mifflin Harcourt
ISBN: 0544228049
Category : Biography & Autobiography
Languages : en
Pages : 243
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Book Description
A respected journalist describes the abuse he suffered at the hands of a close family relative, the effect this had on his formative years and how he overcame the anger and self-doubt it left behind.
Author: Les Standiford
Publisher:
ISBN: 9781617758065
Category : Miami (Fla.)
Languages : en
Pages : 0
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Book Description
"Akashic Books continues its award-winning series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each book comprises stories set in a distinct neighborhood or location within the respective city. The best-selling original Miami Noir, edited by Les Standiford and published in 2006, featured brand-new stories from some of the city's best living writers. Now, in Miami Noir: The Classics, Standiford has turned his eye toward the outstanding noir fiction of yesteryear. Featuring classic noir fiction from: Marjory Stoneman Douglas, Elmore Leonard, Lester Dent, Zora Neale Hurston, Brett Halliday, Damon Runyon, Edna Buchanan, James Carlos Blake, Douglas Fairbairn, Charles Willeford, T.J. MacGregor, Lynne Barrett, Les Standiford, Preston L. Allen, John Dufresne, Vicki Hendricks, Christine Kling, Carolina Garcia-Aguilera, and David Beaty"--
Author: Jamel Brinkley
Publisher: Graywolf Press
ISBN: 1555979955
Category : Fiction
Languages : en
Pages : 262
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Book Description
FINALIST FOR THE NATIONAL BOOK AWARD FOR FICTION In the nine expansive, searching stories of A Lucky Man, fathers and sons attempt to salvage relationships with friends and family members and confront mistakes made in the past. An imaginative young boy from the Bronx goes swimming with his group from day camp at a backyard pool in the suburbs, and faces the effects of power and privilege in ways he can barely grasp. A teen intent on proving himself a man through the all-night revel of J’Ouvert can’t help but look out for his impressionable younger brother. A pair of college boys on the prowl follow two girls home from a party and have to own the uncomfortable truth of their desires. And at a capoeira conference, two brothers grapple with how to tell the story of their family, caught in the dance of their painful, fractured history. Jamel Brinkley’s stories, in a debut that announces the arrival of a significant new voice, reflect the tenderness and vulnerability of black men and boys whose hopes sometimes betray them, especially in a world shaped by race, gender, and class—where luck may be the greatest fiction of all.
Author: Nicholas Griffin
Publisher: 37 Ink
ISBN: 1501191020
Category : History
Languages : en
Pages : 336
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Book Description
In the tradition of The Wire, the harrowing story of the cinematic transformation of Miami, one of America’s most bustling cities—rife with a drug epidemic, a burgeoning refugee crisis, and police brutality—from journalist and award-winning author Nicholas Griffin Miami, Florida, famed for its blue skies and sandy beaches, is one of the world’s most popular vacation destinations, with nearly twenty-three million tourists visiting annually. But few people have any idea how this unofficial capital of Latin America came to be. The Year of Dangerous Days is a fascinating chronicle of a pivotal but forgotten year in American history. With a cast that includes iconic characters such as Jimmy Carter, Fidel Castro, and Janet Reno, this slice of history is brought to life through intertwining personal stories. At the core, there’s Edna Buchanan, a reporter for the Miami Herald who breaks the story on the wrongful murder of a black man and the shocking police cover-up; Captain Marshall Frank, the hardboiled homicide detective tasked with investigating the murder; and Mayor Maurice Ferré, the charismatic politician who watches the case, and the city, fall apart. On a roller coaster of national politics and international diplomacy, these three figures cross paths as their city explodes in one of the worst race riots in American history as more than 120,000 Cuban refugees land south of Miami, and as drug cartels flood the city with cocaine and infiltrate all levels of law enforcement. In a battle of wills, Buchanan has to keep up with the 150 percent murder rate increase; Captain Frank has to scrub and rebuild his homicide bureau; and Mayor Ferré must find a way to reconstruct his smoldering city. Against all odds, they persevere, and a stronger, more vibrant Miami begins to emerge. But the foundation of this new Miami—partially built on corruption and drug money—will have severe ramifications for the rest of the country. Deeply researched and covering many timely issues including police brutality, immigration, and the drug crisis, The Year of Dangerous Days is both a clarion call and a re-creation story of one of America’s most iconic cities.
Author: Ricardo Gonzalez Zayas
Publisher:
ISBN:
Category :
Languages : en
Pages : 182
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Book Description
The early migration of Cuban refugees to the United States after the ascent to power of the Cuban Revolution in 1959, was made up in disproportionate numbers by white (or lighter skin) Cubans. As part of that migration, Operación Pedro Pan reflected the racial make-up of those seeking to leave the island. In Black Pedro Pan, the author recounts his childhood and major family influences that gave shape to his life. As he entered his teenage years, his life is abruptly interrupted by his participation in Operacion Pedro Pan, a program that saw the mass exodus of over 14,000 unaccompanied Cuban minors ages 6 to 18 to the United States, where the vast majority were received and sheltered by the Catholic Welfare Bureau. He then briefly describes his participation in the program, his personal experiences and observations after his reunification with his exiled parents at age 17. As he continues his life's journey, he offers, through a series of vignettes and anecdotes, his outlook on racial issues in general, his insights into the Cuban exile and African-American communities and the relationship between the two, and, from a distance, his impressions on the state of his native country, all from the perspective of a Black Cuban (or perhaps as appropriate, a Cuban Black).
