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Author: J. Saunders Redding
Publisher: Cornell University Press
ISBN: 1501732145
Category : Literary Criticism
Languages : en
Pages : 179
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Book Description
This classic study of American Black poetry, first published in 1939 and long out of print, is the work of perhaps the pre-eminent figure in Black Studies of the past two generations. A major contribution to the history of Black thought in America, it ranges widely, beginning in the late eighteenth century with Jupiter Hammon, the first American Black writer, and ending in the 1930s with Countee Cullen and Langston Hughes.
Author: J. Saunders Redding
Publisher: Cornell University Press
ISBN: 1501732145
Category : Literary Criticism
Languages : en
Pages : 179
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Book Description
This classic study of American Black poetry, first published in 1939 and long out of print, is the work of perhaps the pre-eminent figure in Black Studies of the past two generations. A major contribution to the history of Black thought in America, it ranges widely, beginning in the late eighteenth century with Jupiter Hammon, the first American Black writer, and ending in the 1930s with Countee Cullen and Langston Hughes.
Author: Jay Saunders Redding
Publisher:
ISBN: 9780801419829
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
This classic study of American Black poetry, first published in 1939 and long out of print, is the work of perhaps the pre-eminent figure in Black Studies of the past two generations. A major contribution to the history of Black thought in America, it ranges widely, beginning in the late eighteenth century with Jupiter Hammon, the first American Black writer, and ending in the 1930s with Countee Cullen and Langston Hughes.
Author: Michael S. Harper
Publisher: Vintage
ISBN: 030776513X
Category : Poetry
Languages : en
Pages : 450
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Book Description
In The Vintage Book of African American Poetry, editors Michael S. Harper and Anthony Walton present the definitive collection of black verse in the United States--200 years of vision, struggle, power, beauty, and triumph from 52 outstanding poets. From the neoclassical stylings of slave-born Phillis Wheatley to the wistful lyricism of Paul Lawrence Dunbar . . . the rigorous wisdom of Gwendolyn Brooks...the chiseled modernism of Robert Hayden...the extraordinary prosody of Sterling A. Brown...the breathtaking, expansive narratives of Rita Dove...the plaintive rhapsodies of an imprisoned Elderidge Knight . . . The postmodern artistry of Yusef Komunyaka. Here, too, is a landmark exploration of lesser-known artists whose efforts birthed the Harlem Renaissance and the Black Arts movements--and changed forever our national literature and the course of America itself. Meticulously researched, thoughtfully structured, The Vintage Book of African-American Poetry is a collection of inestimable value to students, educators, and all those interested in the ever-evolving tradition that is American poetry.
Author: Keith D. Leonard
Publisher: University of Virginia Press
ISBN: 9780813925066
Category : Literary Criticism
Languages : en
Pages : 300
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Book Description
In Fettered Genius, Keith D. Leonard identifies how African American poets' use and revision of traditional poetics constituted an antiracist political agency. Comparing this practice to the use of poetic mastery by the ancient Celtic bards to resist British imperialism, Leonard shows how traditional poetics enable African American poets to insert racial experience, racial protest, and African American culture into public discourse by making them features of validated artistic expression. As with the Celtic bards, these poets' artistry testified to their marginalized people's capacity for imagination and reason within and against the terms of the dominant culture. In an ambitious survey that moves from slavery to the cultural nationalism of the 1960s, Leonard examines numerous poets, placing each in the context of his or her time to demonstrate the antiracist meaning of their accomplishments. The book offers new insight on the conservatism of Phillis Wheatley, Paul Laurence Dunbar, and the genteel members of the Harlem Renaissance, how their rage for assimilation functioned to refute racist notions of difference and, paradoxically, to affirm a distinctive racial experience as valid material for poetry. Leonard also demonstrates how the more progressive and ethnically distinctive poetics of Langston Hughes, Sterling Brown, Gwendolyn Brooks, Robert Hayden, and Melvin B. Tolson share some of the same ambivalence about cultural achievement as those of the earlier poets. They also have in common the self-conscious pursuit of an affirmation of the African American self through the substitution of African American vernacular language and cultural forms for traditional poetic themes and forms. The evolution of these poetics parallels the emergence of notions of ethnic identity over racial identity and, indeed, in some ways even motivated this shift. Leonard recognizes poetic mastery as the African American bardic poet's most powerful claim of ethnic tradition and of social belonging and clarifies the full hybrid complexity of African American identity that makes possible this political self-assertion. The development that is traced in Fettered Genius illustrates nothing less than the defining artistic coherence and political significance of the African American poetic tradition.
Author: D. Quentin Miller
Publisher: Routledge
ISBN: 1135037515
Category : Literary Criticism
Languages : en
Pages : 195
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Book Description
The Routledge Introduction to African American Literature considers the key literary, political, historical and intellectual contexts of African American literature from its origins to the present, and also provides students with an analysis of the most up-to-date literary trends and debates in African American literature. This accessible and engaging guide covers a variety of essential topics such as: Vernacular, Oral, and Blues Traditions in Literature Slave Narratives and Their Influence The Harlem Renaissance Mid-twentieth century black American Literature Literature of the civil rights and Black Power era Contemporary African American Writing Key thematic and theoretical debates within the field Examining the relationship between the literature and its historical and sociopolitical contexts, D. Quentin Miller covers key authors and works as well as less canonical writers and themes, including literature and music, female authors, intersectionality and transnational black writing.
Author: Maurice A. Lee
Publisher: Universitat de València
ISBN: 8437085446
Category : Literary Criticism
Languages : en
Pages : 157
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Book Description
Aquest llibre explora l'estètica de LeRoi Jones / Amiri Baraka des dels seus primers dies com poeta 'beat' fins a l'actualitat. Baraka ha estat considerat com el poeta rebel, el que sempre ataca la política, denuncia l'abús de poder i les errònies polítiques administratives dels Estats Units. Aquest volum examina alguns dels més importants assajos i obres de ficció, amb l'objectiu de clarificar la importància en el desenvolupament de l'obra de Baraka.
Author:
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 934
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Book Description
Author: Maurice S. Lee
Publisher: Cambridge University Press
ISBN: 0521889235
Category : Biography & Autobiography
Languages : en
Pages : 213
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Book Description
An engaging and informative overview of the life and works of Frederick Douglass.
Author:
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 372
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Book Description
Author: Everett Jenkins, Jr.
Publisher: McFarland
ISBN: 0786445076
Category : Social Science
Languages : en
Pages : 639
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Book Description
This third volume of the Pan-African Chronology set covers 1914 through 1929, a time of two seminal events: World War I and the Black Awakening. In World War I, people of African descent fought for both sides, earning distinction on the battlefields of France as well as in the jungles and deserts of Africa. The "Black Awakening," a period from 1919 through 1929, marked the dawning of global awareness of the contributions of African people to the culture of the world. The book is arranged by year and events of each year are grouped by region. It also has two special biographical divisions for W.E.B. DuBois and Marcus Garvey.
