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Author: Richard Wallace
Publisher: Indiana University Press
ISBN: 0861969839
Category : Photography
Languages : en
Pages : 246
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Book Description
Ten years ago, a technological revolution swept through cinemas around the world, as analogue projectors were replaced with digital equipment. It was not just the plastic medium of film that was removed from projection boxes during this transformation; most cinemas took this opportunity to also evict the human projectionists who were hitherto in charge of screenings. Projectionists had been hidden from the sight of audiences for most of the history of photographic moving image projection, and their redundancies went largely unnoticed and unremarked upon. This book focuses attention on what has been happening behind film spectators' heads for the past 130 years, and attempts to write the history of cinema in Britain from the perspective of its habitually overlooked and undervalued projectionists, beginning in the silent era and continuing to the present day. Drawing upon extensive archival research and lengthy interviews with former projectionists, it documents the key facets and challenges of their work, and how these evolved in response to previous waves of significant technological change. It evaluates how projectionists helped to design and maintain key aesthetic characteristics of the 20th century big screen experience. It shows how the institution of cinema in Britain has been historically underpinned by the harsh exploitation of projectionists by many employers, detailing inadequate wage levels and poor working conditions that formerly provoked government investigation, and explaining why these problems were never successfully ameliorated by trade unions. It also charts in depth the recent fateful transition to digital projection, delineating how and why projectionists were so swiftly and ruthlessly consigned to the past, and assessing whether this form of entertainment should be considered diminished by their super session.
Author: Isabel Balseiro
Publisher: Wayne State University Press
ISBN: 9780814330012
Category : History
Languages : en
Pages : 292
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Book Description
With the end of apartheid, South African cinema is at a turning point in its history. This collection offers an exploration of a film industry that has excluded its country's black majority, in both representation and production - and which now must overcome collusion between racist ideology and film form. Until recently, filmmakers could work only within a culture that reluctantly took black South Africans into account. Therefore, to explore what South African cinema has been and could become, the authors do not limit their discussion to film production but approach cinema as a manifestation of cultural history. How has the purpose of cinema been viewed at different times in South Africa, by different governments and social groups? What is the relation between film and a sense of nationhood in South Africa? Such questions lead to a consideration not only of films made by South Africans in South Africa but also of an unfolding film culture within a series of stages that have yet to give rise to a national cinema
Author: Richard Wallace
Publisher: Indiana University Press
ISBN: 0861969839
Category : Photography
Languages : en
Pages : 246
Get Book Here
Book Description
Ten years ago, a technological revolution swept through cinemas around the world, as analogue projectors were replaced with digital equipment. It was not just the plastic medium of film that was removed from projection boxes during this transformation; most cinemas took this opportunity to also evict the human projectionists who were hitherto in charge of screenings. Projectionists had been hidden from the sight of audiences for most of the history of photographic moving image projection, and their redundancies went largely unnoticed and unremarked upon. This book focuses attention on what has been happening behind film spectators' heads for the past 130 years, and attempts to write the history of cinema in Britain from the perspective of its habitually overlooked and undervalued projectionists, beginning in the silent era and continuing to the present day. Drawing upon extensive archival research and lengthy interviews with former projectionists, it documents the key facets and challenges of their work, and how these evolved in response to previous waves of significant technological change. It evaluates how projectionists helped to design and maintain key aesthetic characteristics of the 20th century big screen experience. It shows how the institution of cinema in Britain has been historically underpinned by the harsh exploitation of projectionists by many employers, detailing inadequate wage levels and poor working conditions that formerly provoked government investigation, and explaining why these problems were never successfully ameliorated by trade unions. It also charts in depth the recent fateful transition to digital projection, delineating how and why projectionists were so swiftly and ruthlessly consigned to the past, and assessing whether this form of entertainment should be considered diminished by their super session.
Author:
Publisher:
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Category : Paper industry
Languages : en
Pages : 622
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Book Description
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Category : Science
Languages : en
Pages : 510
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Book Description
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Category : Motion pictures
Languages : en
Pages : 996
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Book Description
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Category : Bus lines
Languages : en
Pages : 808
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Book Description
Author: Paul Daniels
Publisher: Kings Road Publishing
ISBN: 1786061627
Category : Biography & Autobiography
Languages : en
Pages : 396
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Book Description
PAUL DANIELS 1938â€"2016 In his day, Paul Daniels was the most famous magician in the world. His feats of illusion earned him the highest honours the magic world could award, and his astonishing talent earned him a worldwide recognition and admiration that will long outlive him. Behind the guise of the master magician, the consummate showman, lay a man of great intellect, wit and humour. But his dazzling career sometimes belied a private life that had more than its share of ups and downs â€" from his grim experiences in the army through to the pain and heartbreak of a broken marriage. In this, his only autobiography, he spoke for the first time about his incredible life and career. Although he was a master illusionist, there are no illusions here among the revelations of the happiness and sadness that filled his life. Among much else, the book speaks honestly about his relationship with his oldest son, and of the new life Paul made with Debbie McGee, his glamorous on-stage assistant. And then, of course, there was the magic. Whether he was making elephants disappear or performing card tricks with timeless professionalism, his repertoire was extraordinary. Perhaps surprisingly, his book reveals the secrets behind some of his most famous and entertaining performances â€" although he kept plenty up his sleeve, secrets that we shall now perhaps never know. Paul Daniels: My Magic Life, is a book to entertain readers, certainly. More than that, however, it will both move and intrigue them as it reveals the secret life of a much loved entertainer who was, in every sense, a magician to the end.
Author: David Sapsted
Publisher: Troubador Publishing Ltd
ISBN: 1848760019
Category : Blind
Languages : en
Pages : 297
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Book Description
Willie Wilcox, a celebrated if wildly objectionable, self obsessed photographer loses his sight in a car crash in North Carolina at the age of 27. Convinced there is nothing more worthless than a photographer with no eyes, he decides to kill himself. But, despite a string of bizarre attempts, he proves particularly inept at it and gets no better when he enlists the help of Vladimir Cartwright, a pianist with no hands. Meanwhile, Richard Quinn, Willie's anonymous assistant, who looks like everyone you have ever seen but nobody you have ever noticed, opts to assassinate Willie.
Author: Michael Eckardt
Publisher: AFRICAN SUN MeDIA
ISBN: 191998061X
Category : Performing Arts
Languages : en
Pages : 124
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Book Description
This book examines the development of film criticism in Cape Town’s daily press from 1928 to 1930, using film reviews from the Cape Times and Die Burger. The character of film criticism in the period under discussion is explained by describing the general function of film criticism, as well as comparing the local with the international film press. The basis for the comparative analysis is a list of films screened in three selected cinemas in Cape Town.
Author: Audrey McCluskey
Publisher: University of Illinois Press
ISBN: 0252091868
Category : Performing Arts
Languages : en
Pages : 251
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Book Description
South African film culture, like so much of its public life, has undergone a tremendous transformation during its first decade of democracy. Filmmakers, once in exile, banned, or severely restricted, have returned home; subjects once outlawed by the apparatchiks of apartheid are now fair game; and a new crop of insurgent filmmakers are coming to the fore. This extraordinary volume presents twenty-five in-depth interviews with established and emerging South African filmmakers, collected and edited by Audrey Thomas McCluskey. The interviews capture the filmmakers’ spirit, energy, and ambition as they attempt to give birth to a film culture that reflects the heart and aspirations of their diverse and emergent nation. The collection includes a biographical profile of each filmmaker, as well an introductory essay by McCluskey, pointing to the themes, as well as creative differences and similarities, among the filmmakers.
