Author: Janet Neipris
Publisher: Routledge
ISBN: 0429593856
Category : Performing Arts
Languages : en
Pages : 177
Book Description
Originally published in 2005, To Be A Playwright is an insightful and detailed guide to the craft of playwriting. Part memoir and part how-to guide, this useful book outlines the tools and techniques necessary to the aspiring playwright. Comprised of a collection of memoirs and lectures which blend seamlessly to deliver a practical hands-on guide to playwriting, this book illuminates the elusive challenges confronting creators of dynamic expression and offers a roadmap to craft of playwrighting.
To Be A Playwright
Author: Janet Neipris
Publisher: Routledge
ISBN: 0429593856
Category : Performing Arts
Languages : en
Pages : 177
Book Description
Originally published in 2005, To Be A Playwright is an insightful and detailed guide to the craft of playwriting. Part memoir and part how-to guide, this useful book outlines the tools and techniques necessary to the aspiring playwright. Comprised of a collection of memoirs and lectures which blend seamlessly to deliver a practical hands-on guide to playwriting, this book illuminates the elusive challenges confronting creators of dynamic expression and offers a roadmap to craft of playwrighting.
Publisher: Routledge
ISBN: 0429593856
Category : Performing Arts
Languages : en
Pages : 177
Book Description
Originally published in 2005, To Be A Playwright is an insightful and detailed guide to the craft of playwriting. Part memoir and part how-to guide, this useful book outlines the tools and techniques necessary to the aspiring playwright. Comprised of a collection of memoirs and lectures which blend seamlessly to deliver a practical hands-on guide to playwriting, this book illuminates the elusive challenges confronting creators of dynamic expression and offers a roadmap to craft of playwrighting.
The Subversive Copy Editor
Author: Carol Fisher Saller
Publisher: University of Chicago Press
ISBN: 0226734102
Category : Reference
Languages : en
Pages : 151
Book Description
Each year writers and editors submit over three thousand grammar and style questions to the Q&A page at The Chicago Manual of Style Online. Some are arcane, some simply hilarious—and one editor, Carol Fisher Saller, reads every single one of them. All too often she notes a classic author-editor standoff, wherein both parties refuse to compromise on the "rights" and "wrongs" of prose styling: "This author is giving me a fit." "I wish that I could just DEMAND the use of the serial comma at all times." "My author wants his preface to come at the end of the book. This just seems ridiculous to me. I mean, it’s not a post-face." In The Subversive Copy Editor, Saller casts aside this adversarial view and suggests new strategies for keeping the peace. Emphasizing habits of carefulness, transparency, and flexibility, she shows copy editors how to build an environment of trust and cooperation. One chapter takes on the difficult author; another speaks to writers themselves. Throughout, the focus is on serving the reader, even if it means breaking "rules" along the way. Saller’s own foibles and misadventures provide ample material: "I mess up all the time," she confesses. "It’s how I know things." Writers, Saller acknowledges, are only half the challenge, as copy editors can also make trouble for themselves. (Does any other book have an index entry that says "terrorists. See copy editors"?) The book includes helpful sections on e-mail etiquette, work-flow management, prioritizing, and organizing computer files. One chapter even addresses the special concerns of freelance editors. Saller’s emphasis on negotiation and flexibility will surprise many copy editors who have absorbed, along with the dos and don’ts of their stylebooks, an attitude that their way is the right way. In encouraging copy editors to banish their ignorance and disorganization, insecurities and compulsions, the Chicago Q&A presents itself as a kind of alter ego to the comparatively staid Manual of Style. In The Subversive Copy Editor, Saller continues her mission with audacity and good humor.
Publisher: University of Chicago Press
ISBN: 0226734102
Category : Reference
Languages : en
Pages : 151
Book Description
Each year writers and editors submit over three thousand grammar and style questions to the Q&A page at The Chicago Manual of Style Online. Some are arcane, some simply hilarious—and one editor, Carol Fisher Saller, reads every single one of them. All too often she notes a classic author-editor standoff, wherein both parties refuse to compromise on the "rights" and "wrongs" of prose styling: "This author is giving me a fit." "I wish that I could just DEMAND the use of the serial comma at all times." "My author wants his preface to come at the end of the book. This just seems ridiculous to me. I mean, it’s not a post-face." In The Subversive Copy Editor, Saller casts aside this adversarial view and suggests new strategies for keeping the peace. Emphasizing habits of carefulness, transparency, and flexibility, she shows copy editors how to build an environment of trust and cooperation. One chapter takes on the difficult author; another speaks to writers themselves. Throughout, the focus is on serving the reader, even if it means breaking "rules" along the way. Saller’s own foibles and misadventures provide ample material: "I mess up all the time," she confesses. "It’s how I know things." Writers, Saller acknowledges, are only half the challenge, as copy editors can also make trouble for themselves. (Does any other book have an index entry that says "terrorists. See copy editors"?) The book includes helpful sections on e-mail etiquette, work-flow management, prioritizing, and organizing computer files. One chapter even addresses the special concerns of freelance editors. Saller’s emphasis on negotiation and flexibility will surprise many copy editors who have absorbed, along with the dos and don’ts of their stylebooks, an attitude that their way is the right way. In encouraging copy editors to banish their ignorance and disorganization, insecurities and compulsions, the Chicago Q&A presents itself as a kind of alter ego to the comparatively staid Manual of Style. In The Subversive Copy Editor, Saller continues her mission with audacity and good humor.
Audience and the Playwright
Author: Mayo Simon
Publisher: Hal Leonard Corporation
ISBN: 9781557835628
Category : Performing Arts
Languages : en
Pages : 232
Book Description
"Structured as an evening in the theatre, this book is analytical but straightforward, serious but entertaining. Mayo Simon presents a working playwright's view of what really happens between the stage and the audience, from the beginning of the play until the end." --BOOK JACKET.
Publisher: Hal Leonard Corporation
ISBN: 9781557835628
Category : Performing Arts
Languages : en
Pages : 232
Book Description
"Structured as an evening in the theatre, this book is analytical but straightforward, serious but entertaining. Mayo Simon presents a working playwright's view of what really happens between the stage and the audience, from the beginning of the play until the end." --BOOK JACKET.
Playwriting
Author: Stephen Jeffreys
Publisher: Theatre Communications Group
ISBN: 9781559369725
Category : Performing Arts
Languages : en
Pages : 224
Book Description
This essential guide to the craft of playwriting, from the author of The Libertine, reveals the various invisible frameworks and mechanisms that are at the heart of each and every successful play.
Publisher: Theatre Communications Group
ISBN: 9781559369725
Category : Performing Arts
Languages : en
Pages : 224
Book Description
This essential guide to the craft of playwriting, from the author of The Libertine, reveals the various invisible frameworks and mechanisms that are at the heart of each and every successful play.
Playwriting For Dummies
Author: Angelo Parra
Publisher: John Wiley & Sons
ISBN: 1118017226
Category : Performing Arts
Languages : en
Pages : 404
Book Description
The easy way to craft, polish, and get your play on stage Getting a play written and produced is a daunting process. From crystallizing story ideas, formatting the script, understanding the roles of the director stagecraft people, to marketing and financing your project, and incorporating professional insights on writing, there are plenty of ins and outs that every aspiring playwright needs to know. But where can you turn for guidance? Playwriting For Dummies helps any writer at any stage of the process hone their craft and create the most dramatic and effective pieces. Guides you through every process of playwriting?from soliloquies, church skits, and one act plays to big Broadway musicals Advice on moving your script to the public stage Guidance on navigating loopholes If you're an aspiring playwright looking to begin the process, or have already penned a masterpiece and need trusted advice to bring it into the spotlight, Playwriting For Dummies has you covered.
Publisher: John Wiley & Sons
ISBN: 1118017226
Category : Performing Arts
Languages : en
Pages : 404
Book Description
The easy way to craft, polish, and get your play on stage Getting a play written and produced is a daunting process. From crystallizing story ideas, formatting the script, understanding the roles of the director stagecraft people, to marketing and financing your project, and incorporating professional insights on writing, there are plenty of ins and outs that every aspiring playwright needs to know. But where can you turn for guidance? Playwriting For Dummies helps any writer at any stage of the process hone their craft and create the most dramatic and effective pieces. Guides you through every process of playwriting?from soliloquies, church skits, and one act plays to big Broadway musicals Advice on moving your script to the public stage Guidance on navigating loopholes If you're an aspiring playwright looking to begin the process, or have already penned a masterpiece and need trusted advice to bring it into the spotlight, Playwriting For Dummies has you covered.
Life as a Playwright
Author: Jon Klein
Publisher: Bloomsbury Publishing
ISBN: 1474285104
Category : Drama
Languages : en
Pages : 195
Book Description
Addressing the questions central to any playwright's career and identity, Jon Klein offers you a glimpse into a career writing for the theatre. As well as an account of the day-to-day life of a writer, he also discusses what an aspiring playwright should expect as they navigate the industry and how to make yourself stand out from the crowd. Furthermore, the book looks at situations that the emerging playwright is likely to encounter, including: handling rehearsals, workshops, castings, re-writing, venues, reviews, successes and failure. The book concludes with seventeen interviews with other USA-based playwrights, representing a wide range of experience, from writers just starting to make a name for themselves to seasoned, award-winning veterans such as Sheila Callaghan, Steven Dietz, Keith Glover, Lauren Gunderson, John Pielmeier and Jen Silverman. Author Jon Klein has a wealth of experience with over 30 of his plays produced in the USA and over 100 productions, including include T Bone N Weasel, Dimly Perceived Threats to the System, Betty the Yeti, and his most recent play, Resolving Hedda. Klein draws upon the lessons he has learned from his associations with numerous established theatre folk, many from the start of their careers. These include figures such as Bob Falls, Gregory Hines, Jon Jory, Kenny Leon, Dan Sullivan, and August Wilson.clude figures such as Bob Falls, Gregory Hines, Jon Jory, Kenny Leon, Dan Sullivan, and August Wilson.
Publisher: Bloomsbury Publishing
ISBN: 1474285104
Category : Drama
Languages : en
Pages : 195
Book Description
Addressing the questions central to any playwright's career and identity, Jon Klein offers you a glimpse into a career writing for the theatre. As well as an account of the day-to-day life of a writer, he also discusses what an aspiring playwright should expect as they navigate the industry and how to make yourself stand out from the crowd. Furthermore, the book looks at situations that the emerging playwright is likely to encounter, including: handling rehearsals, workshops, castings, re-writing, venues, reviews, successes and failure. The book concludes with seventeen interviews with other USA-based playwrights, representing a wide range of experience, from writers just starting to make a name for themselves to seasoned, award-winning veterans such as Sheila Callaghan, Steven Dietz, Keith Glover, Lauren Gunderson, John Pielmeier and Jen Silverman. Author Jon Klein has a wealth of experience with over 30 of his plays produced in the USA and over 100 productions, including include T Bone N Weasel, Dimly Perceived Threats to the System, Betty the Yeti, and his most recent play, Resolving Hedda. Klein draws upon the lessons he has learned from his associations with numerous established theatre folk, many from the start of their careers. These include figures such as Bob Falls, Gregory Hines, Jon Jory, Kenny Leon, Dan Sullivan, and August Wilson.clude figures such as Bob Falls, Gregory Hines, Jon Jory, Kenny Leon, Dan Sullivan, and August Wilson.
The Book of Will
Author: Lauren Gunderson
Publisher: Dramatists Play Service, Inc.
ISBN: 0822237725
Category : Drama
Languages : en
Pages : 95
Book Description
Without William Shakespeare, we wouldn’t have literary masterpieces like Romeo and Juliet. But without Henry Condell and John Heminges, we would have lost half of Shakespeare’s plays forever! After the death of their friend and mentor, the two actors are determined to compile the First Folio and preserve the words that shaped their lives. They’ll just have to borrow, beg, and band together to get it done. Amidst the noise and color of Elizabethan London, THE BOOK OF WILL finds an unforgettable true story of love, loss, and laughter, and sheds new light on a man you may think you know.
Publisher: Dramatists Play Service, Inc.
ISBN: 0822237725
Category : Drama
Languages : en
Pages : 95
Book Description
Without William Shakespeare, we wouldn’t have literary masterpieces like Romeo and Juliet. But without Henry Condell and John Heminges, we would have lost half of Shakespeare’s plays forever! After the death of their friend and mentor, the two actors are determined to compile the First Folio and preserve the words that shaped their lives. They’ll just have to borrow, beg, and band together to get it done. Amidst the noise and color of Elizabethan London, THE BOOK OF WILL finds an unforgettable true story of love, loss, and laughter, and sheds new light on a man you may think you know.
The Playwright's Survival Guide
Author: Gary Garrison
Publisher: Heinemann Drama
ISBN: 9780325001654
Category : Playwriting
Languages : en
Pages : 0
Book Description
The Playwright's Survival Guide is written for both aspiring and established writers looking for an emotional, spiritual, or just plain practical connection back to what's important - the writing. It's a "how-to-be" book - with thoughts, stories of inspiration, a few tricks of the trade, a few outlets for venting frustrations, and a reassuring voice that speaks to all the doubts with an "I know. I've been there. This is what you do . . ." Gary Garrison demystifies the playwriting process, speaking honestly, poignantly, and with humor about the lessons he's learned along the way. He explores the issues playwrights face every day, including: inspiration criticism self-doubt relationships with teachers and mentors the art of self-promotion writer's block staying healthy in the art after your fingers are off the keyboard.
Publisher: Heinemann Drama
ISBN: 9780325001654
Category : Playwriting
Languages : en
Pages : 0
Book Description
The Playwright's Survival Guide is written for both aspiring and established writers looking for an emotional, spiritual, or just plain practical connection back to what's important - the writing. It's a "how-to-be" book - with thoughts, stories of inspiration, a few tricks of the trade, a few outlets for venting frustrations, and a reassuring voice that speaks to all the doubts with an "I know. I've been there. This is what you do . . ." Gary Garrison demystifies the playwriting process, speaking honestly, poignantly, and with humor about the lessons he's learned along the way. He explores the issues playwrights face every day, including: inspiration criticism self-doubt relationships with teachers and mentors the art of self-promotion writer's block staying healthy in the art after your fingers are off the keyboard.
The Playwright's Workbook
Author: Jean-Claude van Italie
Publisher: Hal Leonard Corporation
ISBN: 1476844836
Category : Performing Arts
Languages : en
Pages : 108
Book Description
(Applause Books). A series of 13 written workshops covering: conflict and character: the dominant image: Tennessee Williams and Arthur Miller; Overheard voices: Ibsen and Shakespeare; The solo performance piece: listening for stories; Terror and vulnerability: Ionesco; The point of absurdity: creating without possessing: Pinter and Beckett; and much more.
Publisher: Hal Leonard Corporation
ISBN: 1476844836
Category : Performing Arts
Languages : en
Pages : 108
Book Description
(Applause Books). A series of 13 written workshops covering: conflict and character: the dominant image: Tennessee Williams and Arthur Miller; Overheard voices: Ibsen and Shakespeare; The solo performance piece: listening for stories; Terror and vulnerability: Ionesco; The point of absurdity: creating without possessing: Pinter and Beckett; and much more.
The Playwright's Guidebook
Author: Stuart Spencer
Publisher: Macmillan + ORM
ISBN: 1429934212
Category : Performing Arts
Languages : en
Pages : 394
Book Description
A concise guide to playwriting to awaken creativity, from a playwright who has taught the subject for over a decade. “If you want to be a playwright, here’s your bible.” —David Lindsay-Abaire, author of Fuddy Meers and Wonder of the World During the more than ten years that Sturt Spencer has taught playwriting, he has struggled to find an effective handbook for his courses. Although most of the currently popular guides contain useful ideas, they all suffer from the same problems: poor organizations; quirky, idiosyncratic advice; and abstract theorizing on the nature of art. As a result, they fail to offer any concrete information or useful guidelines on how to construct a well-written play. Moreover, few of these books are actually written by working playwrights. Out of frustration, Spencer wrote his own. The result, The Playwright’s Guidebook, is a concise and engaging handbook full of the kind of wisdom that comes naturally with experience. Spencer presents a coherent way of thinking about playwriting that addresses the important principles of structure, includes insightful writing exercises that build upon one another, explores the creative process, and troubleshoots recurrent problems that playwrights actually face. “The Playwright’s Guidebook is indispensable. Clearly and thoroughly, Mr. Spencer—a playwright himself—leads all playwrights (not only the beginner) through the travails of creation and the jungle of production.” —Edward Albee “Eureka! A clearly written, well-structured, intelligent how-to book about playwriting. Like the good teacher and good writer that he is, Stuart Spencer guides rather than browbeats. Should be next to the laptop of any aspiring, or working, playwright.” —Warren Leight, author of Side Man
Publisher: Macmillan + ORM
ISBN: 1429934212
Category : Performing Arts
Languages : en
Pages : 394
Book Description
A concise guide to playwriting to awaken creativity, from a playwright who has taught the subject for over a decade. “If you want to be a playwright, here’s your bible.” —David Lindsay-Abaire, author of Fuddy Meers and Wonder of the World During the more than ten years that Sturt Spencer has taught playwriting, he has struggled to find an effective handbook for his courses. Although most of the currently popular guides contain useful ideas, they all suffer from the same problems: poor organizations; quirky, idiosyncratic advice; and abstract theorizing on the nature of art. As a result, they fail to offer any concrete information or useful guidelines on how to construct a well-written play. Moreover, few of these books are actually written by working playwrights. Out of frustration, Spencer wrote his own. The result, The Playwright’s Guidebook, is a concise and engaging handbook full of the kind of wisdom that comes naturally with experience. Spencer presents a coherent way of thinking about playwriting that addresses the important principles of structure, includes insightful writing exercises that build upon one another, explores the creative process, and troubleshoots recurrent problems that playwrights actually face. “The Playwright’s Guidebook is indispensable. Clearly and thoroughly, Mr. Spencer—a playwright himself—leads all playwrights (not only the beginner) through the travails of creation and the jungle of production.” —Edward Albee “Eureka! A clearly written, well-structured, intelligent how-to book about playwriting. Like the good teacher and good writer that he is, Stuart Spencer guides rather than browbeats. Should be next to the laptop of any aspiring, or working, playwright.” —Warren Leight, author of Side Man