Tirso de Molina: Don Gil of the Green Breeches PDF Download
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Author:
Publisher: Liverpool University Press
ISBN: 1800857756
Category : Literary Collections
Languages : es
Pages : 321
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Book Description
Tirso de Molina enjoys enduring popularity as a writer of irreverent comedies, though his critical reputation as a major dramatist rests largely on his more serious works.
Author:
Publisher: Liverpool University Press
ISBN: 1800857756
Category : Literary Collections
Languages : es
Pages : 321
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Book Description
Tirso de Molina enjoys enduring popularity as a writer of irreverent comedies, though his critical reputation as a major dramatist rests largely on his more serious works.
Author: Tirso de Molina
Publisher:
ISBN:
Category :
Languages : en
Pages : 310
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Book Description
Author: Tirso de Molina
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Tirso de Molina
Publisher: Liverpool University Press
ISBN: 0856684651
Category : Biography & Autobiography
Languages : en
Pages : 321
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Book Description
Tirso de Molina enjoys enduring popularity as a writer of irreverent comedies, though his critical reputation as a major dramatist rests largely on his more serious works.
Author: Tirso de Molina
Publisher: MRTS
ISBN:
Category : Fiction
Languages : en
Pages : 384
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Book Description
Author: Tirso de Molina
Publisher:
ISBN: 9781974308170
Category :
Languages : es
Pages : 84
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Book Description
Don Gil de las calzas verdes
Author: Esther Fernández
Publisher: Boydell & Brewer
ISBN: 1855663716
Category : Literary Criticism
Languages : en
Pages : 351
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Book Description
The first comprehensive study of Tirso de Molina and his work in English Tirso de Molina (c.1583-c.1648) may not have written El Burlador de Sevilla, but the works of this prolific author, one of the three pillars of Golden Age Spanish theatre, are notable for their erudition, complex characters, and wit. Informed by a multidisciplinary critical perspective, this volume sets Tirso's plays and prose in their social, historical, literary, and cultural contexts. Contributors from the United States, Canada, the United Kingdom, and Spain offer a state of the art in current scholarship, considering such topics as gender, identity, spatiality, material culture, and creative performativity, among others. The first volume in English to provide a richly detailed overview of Tirso's life and work, Tirso de Molina: Interdisciplinary Perspectives from the Twenty-First Century grounds the reader in canonical theories while suggesting new approaches, attuned to contemporary interests, to his legacy.
Author: Tirso de Molina
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 244
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Book Description
Author: Michael Patterson
Publisher: Oxford University Press
ISBN: 0192518496
Category : Performing Arts
Languages : en
Pages : 884
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Book Description
The Oxford Dictionary of Plays provides essential information on the best-known, best-loved, and most important plays in world theatre. Each entry includes details of the title, author, date of writing, date of first performance, genre, setting, and composition of cast; there is also a summary of the play's plot, and a brief commentary. Genres covered include: burlesque, comedy, farce, historical drama, kabuki, masque, melodrama, morality play, mystery play, No, romantic comedy, tragicomedy, satire, and tragedy. The perfect guide for students and scholars of drama and literature, theatre professionals, and directors looking for plays for performance.
Author: Susan Paun De García
Publisher: Tamesis Books
ISBN: 9781855661691
Category : Literary Collections
Languages : en
Pages : 328
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Book Description
"The bringing of Spanish seventeenth-century verse plays to the contemporary English-speaking stage involves a number of fundamental questions. Are verse translations preferable to prose, and if so, what kind of verse? To what degree should translations aim to be 'faithful'? Which kinds of plays 'work', and which do not? Which values and customs of the past present no difficulties for contemporary audiences, and which need to be decoded in performance?Which kinds of staging are suitable, and which are not? To what degree, if any, should one aim for 'authenticity' in staging? In this volume, a group of translators, directors, and scholars explores these and related questions."--Jacket
