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Author: Subhadrā Caudharī
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 560
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Book Description
This work presents historical and analytical study of five major subjects of Indian music,namely,Gitaka,Tala,Prabandha,Chanda and Dhruva.Of these Chanda,prabandha (composition)and Dhruv? (metrical songs employed in ancient drama)have been intensively dealt with by the author.Undoubtedly,it is a pioneer work in these so far untouched,ignored and obscure areas.
Author: Subhadrā Caudharī
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 560
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Book Description
This work presents historical and analytical study of five major subjects of Indian music,namely,Gitaka,Tala,Prabandha,Chanda and Dhruva.Of these Chanda,prabandha (composition)and Dhruv? (metrical songs employed in ancient drama)have been intensively dealt with by the author.Undoubtedly,it is a pioneer work in these so far untouched,ignored and obscure areas.
Author: Bigamudre Chaitanya Deva
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 306
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Book Description
Collection of papers on the psycho-acoustics of music.
Author: Martin Clayton
Publisher: Oxford University Press
ISBN: 0199713057
Category : Music
Languages : en
Pages : 250
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Book Description
Time in Indian Music is the first major study of rhythm, metre, and form in North Indian rag , or classical, music. Martin Clayton presents a theoretical model for the organization of time in this repertory, a model which is related explicitly to other spheres of Indian thought and culture as well as to current ideas on musical time in alternative repertoriesnullincluding that of Western music. This theoretical model is elucidated and illustrated with reference to many musical examples drawn from authentic recorded performances. These examples clarify key Indian musicological concepts such as tal (metre), lay (tempo or rhythm), and laykari (rhythmic variation).
Author: Richard K. Wolf
Publisher:
ISBN: 0190841486
Category : Music
Languages : en
Pages : 457
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Book Description
Thought and Play in Musical Rhythm offers new understandings of musical rhythm through the analysis and comparison of diverse repertoires, performance practices, and theories as formulated and transmitted in speech or writing. Editors Richard K. Wolf, Stephen Blum, and Christopher Hasty address a productive tension in musical studies between universalistic and culturally relevant approaches to the study of rhythm. Reacting to commonplace ideas in (Western) music pedagogy, the essays explore a range of perspectives on rhythm: its status as an "element" of music that can be usefully abstracted from timbre, tone, and harmony; its connotations of regularity (or, by contrast, that rhythm is what we hear against the grain of background regularity); and its special embodiment in percussion parts. Unique among studies of musical rhythm, the collection directs close attention to ways performers and listeners conceptualize aspects of rhythm and questions many received categories for describing rhythm. By drawing the ear and the mind to tensions, distinctions, and aesthetic principles that might otherwise be overlooked, this focus on local concepts enables the listener to dispel assumptions about how music works "in general." Readers may walk away with a few surprises, become more aware of their assumptions, and/or think of new ways to shock their students out of complacency.
Author: Russell Hartenberger
Publisher: Cambridge University Press
ISBN: 131677676X
Category : Music
Languages : en
Pages : 293
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Book Description
Performance Practice in the Music of Steve Reich provides a performer's perspective on Steve Reich's compositions from his iconic minimalist work, Drumming, to his masterpiece, Music for 18 Musicians. It addresses performance issues encountered by the musicians in Reich's original ensemble and the techniques they developed to bring his compositions to life. Drawing comparisons with West African drumming and other non-Western music, the book highlights ideas that are helpful in the understanding and performance of rhythm in all pulse-based music. Through conversations and interviews with the author, Reich discusses his percussion background and his thoughts about rhythm in relation to the music of Ghana, Bali, India, and jazz. He explains how he used rhythm in his early compositions, the time feel he wants in his music, the kind of performer who seems to be drawn to his music, and the way perceptual and metrical ambiguity create interest in repetitive music.
Author: Philip V. Bohlman
Publisher: Cambridge University Press
ISBN: 1316025667
Category : Music
Languages : en
Pages : 943
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Book Description
Scholars have long known that world music was not merely the globalized product of modern media, but rather that it connected religions, cultures, languages and nations throughout world history. The chapters in this History take readers to foundational historical moments – in Europe, Oceania, China, India, the Muslim world, North and South America – in search of the connections provided by a truly world music. Historically, world music emerged from ritual and religion, labor and life-cycles, which occupy chapters on Native American musicians, religious practices in India and Indonesia, and nationalism in Argentina and Portugal. The contributors critically examine music in cultural encounter and conflict, and as the critical core of scientific theories from the Arabic Middle Ages through the Enlightenment to postmodernism. Overall, the book contains the histories of the music of diverse cultures, which increasingly become the folk, popular and classical music of our own era.
Author: Dr. Swarn Lata
Publisher: iUniverse
ISBN: 1475947070
Category : Music
Languages : en
Pages : 161
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Book Description
Since the thirteenth century, the sitara stringed, plucked instrument of Indiahas transformed into an instrument beloved by millions in its country of origin as well as all over the world. The Journey of the Sitar in Indian Classical Music details the origin, history, and playing styles of this unique stringed instrument. Dr. Swarn Lata relies on more than thirty-five years of experience teaching sitar to students from diverse cultures and communities as well as extensive research from libraries, museums, temples, and musicologists to compile a comprehensive guidebook filled with fascinating facts about the sitar. In a carefully organized format, Lata offers an in-depth examination of the meaning of musical instruments, the styles of different gharanas, and the place of the sitar in Indian classical music. Music is an extraordinary medium of expression that has the capability to bring the world together. This step-by-step guidebook shares a one-of-akind study of a unique instrument that produces a beautiful sound while providing an unforgettable spiritual experience to all who listen.
Author: James Kippen
Publisher: Taylor & Francis
ISBN: 1351564730
Category : Music
Languages : en
Pages : 361
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Book Description
The 1903 Mrdang aur Tabla Vadanpaddhati is a revelatory text that has never been translated or analysed. It is a manual for playing the two most important drums of North Indian (Hindustani) music, the pakhavaj (mrdang) and the tabla. Owing to its relative obscurity, it is a source that has never been discussed in the literature on Hindustani music. Its author, Gurudev Patwardhan, was Vice Principal of V.D. Paluskar's first music school in Lahore from its inception in 1901 to 1908. Professor James Kippen provides the first translation of this immensely important text and examines its startling implications for rhythmic and metric theory. It is the earliest work on Indian drumming to contain a notation sufficiently precise to allow definitive reconstruction. The compositions are of considerable musical interest, for they can be readily realized on the tabla or pakhavaj. Kippen sets the work and objectives of the original author in the context of a rich historical, social and political background. By also discussing radical differences in the second edition of 1938, published by Gurudev's nephew, the vocalist Vinayakrao Patwardhan, Kippen illuminates the process by which 'tabla theory' was being created in the early 20th century. Both Patwardhans were enthusiastic supporters of Paluskar's nationalist imperatives, and active participants in his drive to institutionalize music, codify and publish notations of it, and promote a modern, Hindu vision of India wherein its identity could once again be linked to a glorious golden age in distant antiquity.
Author: Debashree Bhattacharya
Publisher:
ISBN:
Category : Hindu music
Languages : en
Pages : 256
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Book Description
Author: Nazir Ali Jairazbhoy
Publisher: Popular Prakashan
ISBN: 9788171543953
Category : Music
Languages : mr
Pages : 252
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Book Description
