Author:
Publisher:
ISBN: 9782367812595
Category :
Languages : en
Pages : 442
Book Description
Tim Burton is now recognized by critics and audiences, as a major film director who has created a universe of his own, constantly inventive and identifiable both in terms of contents and style. Throughout a career that started in the eighties and spans more than 35 years, Burton has brought a new approach to the filmic genres he has delved into, both in animation and live-action movies. He has also acquired a form of cult status and major exhibitions have been devoted to his films and his drawings. The papers in this volume seek to offer fresh perspectives on Burton's cinema and address several issues in five sections. "Origins and Cultural Heritage" examines the roots of Burton's work, in terms of subject matter and technique. "Strange Bodies : across Genders and Genres" focuses on an essential aspect of Burton's imaginary world. "A Matter of Life and Death (Family and Trauma)" explores recurrent, obsessional themes. "Adaptations, Remakes, Re-appropriations" deals with the way in which he rewrites, recycles or parodies literary works, musicals or TV series. "Artists and the Creative/Interpretive Process" brings to the fore the staging of the artist, which implies a self-reflexive approach and an often ironical stance.
Tim Burton : A Cinema of Transformations
Transformation and Tradition in 1960s British Cinema
Author: Richard Farmer
Publisher: Edinburgh University Press
ISBN: 1474423132
Category : Electronic books
Languages : en
Pages : 416
Book Description
Making substantial use of new and underexplored archive resources that provide a wealth of information and insight on the period in question, this book offers a fresh perspective on the major resurgence of creativity and international appeal experienced by British cinema in the 1960s
Publisher: Edinburgh University Press
ISBN: 1474423132
Category : Electronic books
Languages : en
Pages : 416
Book Description
Making substantial use of new and underexplored archive resources that provide a wealth of information and insight on the period in question, this book offers a fresh perspective on the major resurgence of creativity and international appeal experienced by British cinema in the 1960s
A Critical Companion to Tim Burton
Author: Adam Barkman
Publisher: Lexington Books
ISBN: 1498552730
Category : Performing Arts
Languages : en
Pages : 279
Book Description
Unlike anything currently available, A Critical Companion to Tim Burton is a comprehensive, up-to-date analysis of all the works of one of the world's most renowned directors and artists. Written by some of the top scholars working in fields as diverse as philosophy, film and media studies, and literature, all chapters of this book illuminate for both scholars and fans alike the entire artistic career of Burton, giving attention to both his early works and his global blockbusters.
Publisher: Lexington Books
ISBN: 1498552730
Category : Performing Arts
Languages : en
Pages : 279
Book Description
Unlike anything currently available, A Critical Companion to Tim Burton is a comprehensive, up-to-date analysis of all the works of one of the world's most renowned directors and artists. Written by some of the top scholars working in fields as diverse as philosophy, film and media studies, and literature, all chapters of this book illuminate for both scholars and fans alike the entire artistic career of Burton, giving attention to both his early works and his global blockbusters.
A Critical Companion to James Cameron
Author: Adam Barkman
Publisher: Rowman & Littlefield
ISBN: 1498572316
Category : Social Science
Languages : en
Pages : 246
Book Description
This book offers a comprehensive, academic and detailed study of the works of James Cameron, whose films include successful productions such as the first two Terminator films (1984-91), Aliens (1986), Titanic (1997), and Avatar (2009), but also lesser known films such as Piranha 2: The Spawning (1981), The Abyss (1989), and True Lies (1994), and a series of documentaries on the depths of the ocean or on the tomb of Christ. Cameronʼs major productions have an immense and enduring popularity throughout the globe and have attracted both public and critical attention. This volume investigates several distinct areas of Cameronʼs works and addresses the different approaches and topics invited by the multidimensionality of the subject itself: the philosophical, the artistic, the socio-cultural and the personal. The methodologies adopted by the contributors differ significantly from each other, thus offering the reader a variegated and compelling picture of Cameronʼs oeuvre. Contrary to the numerous volumes published in the past on the subject, each chapter offers specific case studies that have been previously ignored, or only partially mentioned, by other scholars.
Publisher: Rowman & Littlefield
ISBN: 1498572316
Category : Social Science
Languages : en
Pages : 246
Book Description
This book offers a comprehensive, academic and detailed study of the works of James Cameron, whose films include successful productions such as the first two Terminator films (1984-91), Aliens (1986), Titanic (1997), and Avatar (2009), but also lesser known films such as Piranha 2: The Spawning (1981), The Abyss (1989), and True Lies (1994), and a series of documentaries on the depths of the ocean or on the tomb of Christ. Cameronʼs major productions have an immense and enduring popularity throughout the globe and have attracted both public and critical attention. This volume investigates several distinct areas of Cameronʼs works and addresses the different approaches and topics invited by the multidimensionality of the subject itself: the philosophical, the artistic, the socio-cultural and the personal. The methodologies adopted by the contributors differ significantly from each other, thus offering the reader a variegated and compelling picture of Cameronʼs oeuvre. Contrary to the numerous volumes published in the past on the subject, each chapter offers specific case studies that have been previously ignored, or only partially mentioned, by other scholars.
A Critical Companion to Stanley Kubrick
Author: Elsa Colombani
Publisher: Rowman & Littlefield
ISBN: 179361377X
Category : Social Science
Languages : en
Pages : 296
Book Description
A Critical Companion to Stanley Kubrick offers a thorough and detailed study of the films of the legendary director. Labeled a recluse, a provocateur, and a perfectionist, Kubrick revolutionized filmmaking, from the use of music in film, narrative pacing and structure, to depictions of war and violence. An unparalleled visionary, his work continues to influence contemporary cinema and visual culture. This book delves into the complexities of his work and examines the wide range of topics and the multiple interpretations that his films inspire. The eighteen chapters in this book use a wide range of methodologies and explore new trends of research in film studies, providing a series of unique and novel perspectives on all of Kubrick’s thirteen feature films, from Fear and Desire (1953) to Eyes Wide Shut (1999), as well as his work on A.I. Artificial Intelligence (Steven Spielberg, 2001).
Publisher: Rowman & Littlefield
ISBN: 179361377X
Category : Social Science
Languages : en
Pages : 296
Book Description
A Critical Companion to Stanley Kubrick offers a thorough and detailed study of the films of the legendary director. Labeled a recluse, a provocateur, and a perfectionist, Kubrick revolutionized filmmaking, from the use of music in film, narrative pacing and structure, to depictions of war and violence. An unparalleled visionary, his work continues to influence contemporary cinema and visual culture. This book delves into the complexities of his work and examines the wide range of topics and the multiple interpretations that his films inspire. The eighteen chapters in this book use a wide range of methodologies and explore new trends of research in film studies, providing a series of unique and novel perspectives on all of Kubrick’s thirteen feature films, from Fear and Desire (1953) to Eyes Wide Shut (1999), as well as his work on A.I. Artificial Intelligence (Steven Spielberg, 2001).
A Critical Companion to Jane Campion
Author: Elsa Colombani
Publisher: Lexington Books
ISBN: 1666933309
Category : Social Science
Languages : en
Pages : 251
Book Description
A Critical Companion to Jane Campion offers a thorough and detailed study of the works of Jane Campion. This edited volume seeks a modern approach by blurring the frontiers between film and television, film theater releases, and platforms, and treats the entirety of Campion's her body of work as a meaningful whole. The chapters explore recurring themes and connections across Campion’s oeuvre, including her complex feminine characters, exploration of New Zealand landscapes, love for literature, constant dialogue between media, and the influence of the Gothic. Contributors draw on a variety of scholarly approaches, methodologies, and perspectives to provide innovative readings of Campion’s work that are sure to spark new discussions.
Publisher: Lexington Books
ISBN: 1666933309
Category : Social Science
Languages : en
Pages : 251
Book Description
A Critical Companion to Jane Campion offers a thorough and detailed study of the works of Jane Campion. This edited volume seeks a modern approach by blurring the frontiers between film and television, film theater releases, and platforms, and treats the entirety of Campion's her body of work as a meaningful whole. The chapters explore recurring themes and connections across Campion’s oeuvre, including her complex feminine characters, exploration of New Zealand landscapes, love for literature, constant dialogue between media, and the influence of the Gothic. Contributors draw on a variety of scholarly approaches, methodologies, and perspectives to provide innovative readings of Campion’s work that are sure to spark new discussions.
Tim Burton's Bodies
Author: Stella Hockenhull
Publisher:
ISBN: 9781474456913
Category :
Languages : en
Pages : 320
Book Description
This innovative study centres on the body as a centripetal force in Burton's work and considers the array of anomalous, extraordinary and transgressive beings that pervade his canon.
Publisher:
ISBN: 9781474456913
Category :
Languages : en
Pages : 320
Book Description
This innovative study centres on the body as a centripetal force in Burton's work and considers the array of anomalous, extraordinary and transgressive beings that pervade his canon.
Ovid on Screen
Author: Martin M. Winkler
Publisher: Cambridge University Press
ISBN: 1108485405
Category : History
Languages : en
Pages : 491
Book Description
The first study of Ovid, especially his Metamorphoses, as inherently visual literature, explaining his pervasive importance in our visual media.
Publisher: Cambridge University Press
ISBN: 1108485405
Category : History
Languages : en
Pages : 491
Book Description
The first study of Ovid, especially his Metamorphoses, as inherently visual literature, explaining his pervasive importance in our visual media.
The A to Z of Horror Cinema
Author: Peter Hutchings
Publisher: Scarecrow Press
ISBN: 0810870509
Category : Performing Arts
Languages : en
Pages : 432
Book Description
Horror is one of the most enduring and controversial of all cinematic genres. Horror films range from the subtle and the poetic to the graphic and the gory but what links them all is their ability to frighten, disturb, shock, provoke, delight, irritate, amuse, and bemuse audiences. Horror's capacity to serve as an outlet to capture the changing patterns of our fears and anxieties has ensured not only its notoriety but also its long-term survival and its international popularity. Above all, however, it is the audience's continual desire to experience new frights and evermore-horrifying sights that continue to make films like The Exorcist, A Nightmare on Elm Street, Halloween, Night of the Living Dead, The Texas Chainsaw Massacre, Psycho, Ringu, and The Shining captivate viewers. The A to Z of Horror Cinema traces the development of horror cinema from the beginning of the 20th century to the present day. This is done through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries. Entries cover all the major movie villains, including Frankenstein and his monster, the vampire, the werewolf, the mummy, the zombie, the ghost, and the serial killer; the film directors, producers, writers, actors, cinematographers, make-up artists, special effects technicians, and composers who have helped to shape horror history; significant production companies and the major films that have come to stand as milestones in the development of the horror genre; and the different national traditions in horror cinema as well as horror's most popular themes, formats, conventions, and cycles.
Publisher: Scarecrow Press
ISBN: 0810870509
Category : Performing Arts
Languages : en
Pages : 432
Book Description
Horror is one of the most enduring and controversial of all cinematic genres. Horror films range from the subtle and the poetic to the graphic and the gory but what links them all is their ability to frighten, disturb, shock, provoke, delight, irritate, amuse, and bemuse audiences. Horror's capacity to serve as an outlet to capture the changing patterns of our fears and anxieties has ensured not only its notoriety but also its long-term survival and its international popularity. Above all, however, it is the audience's continual desire to experience new frights and evermore-horrifying sights that continue to make films like The Exorcist, A Nightmare on Elm Street, Halloween, Night of the Living Dead, The Texas Chainsaw Massacre, Psycho, Ringu, and The Shining captivate viewers. The A to Z of Horror Cinema traces the development of horror cinema from the beginning of the 20th century to the present day. This is done through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries. Entries cover all the major movie villains, including Frankenstein and his monster, the vampire, the werewolf, the mummy, the zombie, the ghost, and the serial killer; the film directors, producers, writers, actors, cinematographers, make-up artists, special effects technicians, and composers who have helped to shape horror history; significant production companies and the major films that have come to stand as milestones in the development of the horror genre; and the different national traditions in horror cinema as well as horror's most popular themes, formats, conventions, and cycles.
Mary Shelley’s Frankenstein, 1818-2018
Author: Maria Parrino
Publisher: Cambridge Scholars Publishing
ISBN: 1527554007
Category : Literary Criticism
Languages : en
Pages : 264
Book Description
Ever since Mary Shelley’s Frankenstein was first published in 1818, the story of the scientist and his Creature has been constantly told, discussed, adapted, filmed, and translated, making generations of readers approach the novel in an extraordinary variety of ways and languages. This new collection of nineteen essays brings together a range of international scholars to provide an introduction to, and a series of pathways through, this iconic novel. Chapters explore various topics, from the Bible, mythology, ruins, and human rights, to the sublime, the epistolary, and acoustics. They also place the novel in a wider cultural context, exploring its numerous afterlives, its reception, and adaptations in different media, such as drama, cinema, graphic novels, television series, and computer games. Aimed at both scholars and new readers of Frankenstein, in its different guises, this volume stimulates an informed appreciation of one of the most influential and haunting novels of all time.
Publisher: Cambridge Scholars Publishing
ISBN: 1527554007
Category : Literary Criticism
Languages : en
Pages : 264
Book Description
Ever since Mary Shelley’s Frankenstein was first published in 1818, the story of the scientist and his Creature has been constantly told, discussed, adapted, filmed, and translated, making generations of readers approach the novel in an extraordinary variety of ways and languages. This new collection of nineteen essays brings together a range of international scholars to provide an introduction to, and a series of pathways through, this iconic novel. Chapters explore various topics, from the Bible, mythology, ruins, and human rights, to the sublime, the epistolary, and acoustics. They also place the novel in a wider cultural context, exploring its numerous afterlives, its reception, and adaptations in different media, such as drama, cinema, graphic novels, television series, and computer games. Aimed at both scholars and new readers of Frankenstein, in its different guises, this volume stimulates an informed appreciation of one of the most influential and haunting novels of all time.