Belgisch tijdschrift voor Muziekwetenschap

Belgisch tijdschrift voor Muziekwetenschap PDF Author:
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 244

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Belgisch tijdschrift voor Muziekwetenschap

Belgisch tijdschrift voor Muziekwetenschap PDF Author:
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 244

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Tijdschrift voor muziekwetenschap

Tijdschrift voor muziekwetenschap PDF Author: Vereniging voor Nederlandse Muziekgeschiedenis
Publisher:
ISBN:
Category :
Languages : nl
Pages : 384

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Tijdschrift voor Muziekwetenschap

Tijdschrift voor Muziekwetenschap PDF Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 598

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Materialities

Materialities PDF Author: Kate van Orden
Publisher: Oxford University Press
ISBN: 0199360650
Category : Music
Languages : en
Pages : 345

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Ephemeral, fragile, often left unbound, sixteenth-century songbooks led fleeting lives in the pockets of singers and on the music desks of instrumentalists. Constantly in action, they were forever being used up, replaced, or abandoned as ways of reading changed. As such they document the acts of early musicians and the practices of everyday life at the unseen margins of elite society. Materialities is a cultural history of song on the page. It addresses a series of central questions concerning the audiences for written music by concentrating on the first genre to be commercialized by music printers: the French chanson. Scholars have long stressed that chansons represent the most broadly disseminated polyphony of the sixteenth century, but Materialities is the first book to account for the cultural reach of the chanson across a considerable cross-section of European society. Musicologist Kate van Orden brings extensive primary research and new analytical models to bear in this remarkable history of songbooks, music literacy, and social transformation during the first century of music printing. By tracking chansons into private libraries and schoolrooms and putting chansonniers into dialogue with catechisms, civility manuals, and chapbooks, Materialities charts the social distribution of songbooks, the gradual moralization of song, and the ways children learned their letters and notes. Its fresh conclusions revise several common assumptions about the value early moderns attributed to printed music, the levels of literacy required to perform polyphony, and the way musicians did or did not "read" their songbooks. With musical perspectives that can invigorate studies of print culture and the history of reading, Materialities is an essential guide for musicologists working with original sources and historians of the book interested in the vocal performances that operated alongside print.

Adrian Willaert and the Theory of Interval Affect

Adrian Willaert and the Theory of Interval Affect PDF Author: Timothy R. McKinney
Publisher: Routledge
ISBN: 1317185315
Category : Music
Languages : en
Pages : 365

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In the writings of Nicola Vicentino (1555) and Gioseffo Zarlino (1558) is found, for the first time, a systematic means of explaining music's expressive power based upon the specific melodic and harmonic intervals from which it is constructed. This "theory of interval affect" originates not with these theorists, however, but with their teacher, influential Venetian composer Adrian Willaert (1490-1562). Because Willaert left no theoretical writings of his own, Timothy McKinney uses Willaert's music to reconstruct his innovative theories concerning how music might communicate extramusical ideas. For Willaert, the appellations "major" and "minor" no longer signified merely the larger and smaller of a pair of like-numbered intervals; rather, they became categories of sonic character, the members of which are related by a shared sounding property of "majorness" or "minorness" that could be manipulated for expressive purposes. This book engages with the madrigals of Willaert's landmark Musica nova collection and demonstrates that they articulate a theory of musical affect more complex and forward-looking than recognized currently. The book also traces the origins of one of the most widespread musical associations in Western culture: the notion that major intervals, chords and scales are suitable for the expression of happy affections, and minor for sad ones. McKinney concludes by discussing the influence of Willaert's theory on the madrigals of composers such as Vicentino, Zarlino, Cipriano de Rore, Girolamo Parabosco, Perissone Cambio, Francesco dalla Viola, and Baldassare Donato, and describes the eventual transformation of the theory of interval affect from the Renaissance view based upon individual intervals measured from the bass, to the Baroque view based upon invertible triadic entities.

Sound Theology

Sound Theology PDF Author: Randall Dean Engle
Publisher: Wipf and Stock Publishers
ISBN: 1666710067
Category : Music
Languages : en
Pages : 249

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Sound Theology: Pipe Organ Power Plays among Protestants, Pulpits, Professors, and Peers surveys the liturgical soundscape during and after the Reformation with regard to the use of instruments in worship in general, and the (dis)use of the pipe organ specifically. Why were some sounds considered sacred, and others profane? The book tells the story of first-generation reformers’ approaches to shaping their new Reformed worship services in regard to music, and the resulting debates, power plays, and ultimate compromises. Sound Theology also examines second-generation Protestants’ affirmations, adaptations, and reversals. Sound Theology: A Reader is a companion volume of curated primary source material. Together, Sound Theology’s two volumes tell a little-known, but colorful and foundational story that shaped Reformed worship for centuries to come.

Mannerism in Italian Music and Culture, 1530-1630

Mannerism in Italian Music and Culture, 1530-1630 PDF Author: Maria Rika Maniates
Publisher: Manchester University Press
ISBN: 9780719007378
Category : Music
Languages : en
Pages : 714

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"The Netherlandish Image after Iconoclasm, 1566?672 "

Author: MiaM. Mochizuki
Publisher: Routledge
ISBN: 1351541986
Category : Art
Languages : en
Pages : 632

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Debunking the myth of the stark white Protestant church interior, this study explores the very objects and architectural additions that were in fact added to Netherlandish church interiors in the first century after iconoclasm. In charting these additions, Mia Mochizuki helps explain the impact of iconoclasm on the cultural topography of the Dutch Golden Age, and by extension, permits careful scrutiny of a decisive moment in the history of the image. Focusing on the Great or St. Bavo Church in Haarlem, this interdisciplinary book draws on art history, history and theology to look at the impact of iconoclasm and reformation on the process of image-making in the early modern Netherlands. The new objects that began to appear in the early Dutch Reformed Church signaled a dramatic change in the form, function and patronage of church art and testified to new roles for church, government, guild and resident. Each chapter in the book introduces a major theme of the nascent Protestant church interior - the Word made material, the Word made memorial and the Word made manifest - which is then explored through the painting, sculpture and architecture of the early Dutch Reformed Church. The text is heavily illustrated with images of the objects under discussion, many of them never before published. A large number of these images are from the camera of prize-winning photographer Tjeerd Frederikse, with additional photography courtesy of E.A. van Voorden. This book unveils, defines and reproduces a host of images previously unaddressed by scholarship and links them to more familiar and long studied Dutch paintings. It provides a religious art companion to general studies of Dutch Golden Age art and lends greater depth to our understanding of iconoclasm, as well as the way in which cultural artifacts and religious material culture reflect and help to shape the values of a community. Taking up the challenge of an unusual category of objects for visual analysis, this

Tonality and Atonality in Sixteenth-Century Music

Tonality and Atonality in Sixteenth-Century Music PDF Author: Edward E. Lowinsky
Publisher: Univ of California Press
ISBN: 0520335252
Category : Music
Languages : en
Pages : 188

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The Logic of Filtering

The Logic of Filtering PDF Author: Melle Jan Kromhout
Publisher: Oxford University Press
ISBN: 0190070137
Category : Music
Languages : en
Pages : 185

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From the very beginnings of sound recording, engineers have strived to reproduce the original sound as purely as possible and overcome the noise that technology leaves in recordings. However, this desire denies the fact that technologically mediated sound is always shaped and filtered by themany channels it travels through as it is recorded and reproduced. The noise that each medium inscribes on recorded sound is not just inescapable - it is fundamental to the sonic contours that characterize recorded music. But how exactly do media technologies shape sound and music? And how have theychanged what we listen for in music over time?In The Logic of Filtering, author Melle Jan Kromhout develops an extensive media archaeological analysis of the 'noise of sound media' that covers all the disturbances, distortions, and interferences that media add to the sounds they reproduce. Combining theoretical, historical, and technicalperspectives on sound media, Kromhout sketches a broad history of the problem of noise in sound recording as he traces the ideal of sonic purity back to nineteenth-century acoustics, examines analog and digital technologies, and analyzes the relationship between noise and temporality. In thoroughlyrevising our understanding of how sound media impact the sonorous qualities of music, this book offers a fresh perspective on the interactions between music, media, and listeners.