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Author: Alfred Edwin Lussky
Publisher:
ISBN:
Category :
Languages : en
Pages : 320
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Book Description
Author: Alfred Edwin Lussky
Publisher:
ISBN:
Category :
Languages : en
Pages : 320
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Book Description
Author: Nicholas Saul
Publisher: Cambridge University Press
ISBN: 0521848911
Category : History
Languages : en
Pages : 363
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Book Description
Explains the development of Romantic arts and culture in Germany, with both individual artists and key themes covered in detail.
Author: Theodore Ziolkowski
Publisher: Camden House (NY)
ISBN: 1640140425
Category : Art
Languages : en
Pages : 265
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Book Description
Employs an innovative approach by stages to offer a unified vision of European Romanticism over the half-century of its growth and decline.
Author: William Crisman
Publisher: Camden House
ISBN: 9781571130143
Category : Literary Criticism
Languages : en
Pages : 222
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Book Description
Critical account of the works of Ludwig Tieck, the German Romantic writer, from a linguistic viewpoint. Although twentieth-century literary criticism has focused on language as a topic of discussion, critical evalutions of Romanticism and Romantic writers rarely deal with it in terms derived from the philosophy of language. This book evaluates the most prolific German Romanticist, Ludwig Tieck (1773-1853), from such a linguistic viewpoint, arguing that concerns in his work can be seen as forerunners of later language analysis, from speech-act theory to theories of reference. It covers Tieck's whole career, from his youth to his final novel, Vittoria Accorombona, providing a comprehensive analysis of this major author's work; it will also be of interest to those interested in the linguistic aspects of Romanticism.
Author: Dwight Klett
Publisher: Routledge
ISBN: 1000768066
Category : Poetry
Languages : en
Pages : 172
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Book Description
When originally published in 1993, this was the first bibliography of the secondary literature on Tieck. Given as much secondary literature surrounding Tieck’s life and works has been generated outside of his native Germany as within, this bibliography focuses particularly on his life and work from an international perspective. In order to make the information surrounding Tieck accessible, the book provides a detailed table of contents, with corresponding text divisions, rather than a subject index. It therefore highlights Tieck’s achievements in their various national contexts so that not only students of German can get an accurate feel for Tieck’s versatility and range.
Author:
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 642
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Book Description
Provides image and full-text online access to back issues. Consult the online table of contents for specific holdings.
Author: Nicholas Saul
Publisher: Cambridge University Press
ISBN: 1139827537
Category : Literary Criticism
Languages : en
Pages : 363
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Book Description
The late eighteenth and early nineteenth centuries saw an extraordinary flowering of arts and culture in Germany which produced many of the world's finest writers, artists, philosophers and composers. This volume, first published in 2004, offers students and specialists an authoritative introduction to that dazzling cultural phenomenon, now known collectively as German Romanticism. Individual chapters not only introduce the reader to individual writers such as Friedrich Schlegel, Novalis, Eichendorff, Heine, Hoffmann, Kleist, Schiller and Tieck, but also treat key concepts of Romantic music, painting, philosophy, gender and cultural anthropology, science and criticism in concise and lucid language. All German quotations are translated to make this volume fully accessible to a wide audience interested in how Romanticism evolved across Europe. Brief biographies and bibliographies are supplemented by a list of primary and secondary further reading in both English and German.
Author: Paola Mayer
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773518520
Category : Literary Criticism
Languages : en
Pages : 266
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Book Description
Interest in German Romanticism has been revitalized in recent years by new post-structural, interdisciplinary, and intertextual perspectives. However until now this renewed interest has not led to a re-examination of Jakob Böhme's formative influence on
Author: Christiane E. Keck
Publisher: Peter Lang Group Ag, International Academic Publishers
ISBN:
Category : Literary Criticism
Languages : en
Pages : 128
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Book Description
In his last novel, Ludwig Tieck presents an ideal woman, based on historical sources, gives her a poetic genius, a creative imagination, comparable to that of Torquato Tasso, and thus lets her become a culturally elevating force in a degenerated era. This book is the first detailed study of the sources and structure of that historical novel, with particular emphasis on Tieck's portrayal of the immense historical and cultural fresco through the mind of Vittoria, as she struggles to maintain her free spirit.
Author: Fred Rush
Publisher: Oxford University Press
ISBN: 0191512516
Category : Philosophy
Languages : en
Pages : 329
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Book Description
Irony and Idealism investigates the historical and conceptual structure of the development of a philosophically distinctive conception of irony in early- to mid-nineteenth century European philosophy. The principal figures treated are the romantic thinkers Friedrich Schlegel and Novalis, Hegel, and Kierkegaard. Fred Rush argues that the development of philosophical irony in this historical period is best understood as providing a way forward in philosophy in the wake of Kant and Jacobi that is discrete from, and many times opposed to, German idealism. Irony and Idealism argues, against the grain of received opinion, that among the German romantics Schlegel's conception of irony is superior to similar ideas found in Novalis. It also presents a sustained argument showing that historical reconsideration of Schlegel has been hampered by contestable Hegelian assumptions concerning the conceptual viability of romantic irony and by the misinterpretation of what the romantics mean by 'the absolute.' Rush argues that this is primarily a social-ontological term and not, as is often supposed, a metaphysical concept. Kierkegaard, although critical of the romantic conception, deploys his own adaptation of it in his criticism of Hegel, continuing, and in a way completing, the arc of irony through nineteenth-century philosophy. The book concludes by offering suggestions meant to guide contemporary reconsideration of Schlegel's and Kierkegaard's views on the philosophical significance of irony.
