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Author: Dr Enrique Mallen
Publisher: Liverpool University Press
ISBN: 1836242808
Category : Biography & Autobiography
Languages : en
Pages : 403
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Book Description
This book explores the interaction between collectors, dealers and exhibitions in Pablo Picassos entire career. The former two often played a determining role in which artworks were included in expositions as well as their availability and value in the art market. The term collector/dealer must often be used in combination since the distinction between both is often unclear; Heinz Berggruen, for instance, identified himself primarily as a collector, although he also sold quite a few Picassos through his Paris gallery. On the whole, however, dealers bought more often than collectors; and they bought works by artists they were already involved with. While some dealers were above all professional gallery owners; most were mainly collectors who sporadically sold items from their collection. Picassos first known dealer was Pere Manyach, whom he met as he travelled to Paris in 1900 when he was only 19 years old. As his representative, Manyach went about setting up exhibitions of his works at galleries in the French capital, such as Bethe Weills and Ambroise Vollards. Picassos first major exhibition took place in 1901 at Vollards. Daniel-Henry Kahnweiler and Leonce Rosenberg came in after Vollard lost interest during the Cubist period, as they had a manifest preference for the new style. Like Vollard, later dealers often preferred the more conventional Neoclassical phase in Picasso. This was the case with Leonces brother, Paul Rosenberg. The book is organized chronologically and discusses the interaction between Picassos collectors, dealers and exhibitions as they take place. Once collectors acquired an artwork, their willingness to lend them to exhibitions or their necessity to submit them to auction had a direct impact on Picassos prominence in the art world.
Author: Dr Enrique Mallen
Publisher: Liverpool University Press
ISBN: 1836242808
Category : Biography & Autobiography
Languages : en
Pages : 403
Get Book Here
Book Description
This book explores the interaction between collectors, dealers and exhibitions in Pablo Picassos entire career. The former two often played a determining role in which artworks were included in expositions as well as their availability and value in the art market. The term collector/dealer must often be used in combination since the distinction between both is often unclear; Heinz Berggruen, for instance, identified himself primarily as a collector, although he also sold quite a few Picassos through his Paris gallery. On the whole, however, dealers bought more often than collectors; and they bought works by artists they were already involved with. While some dealers were above all professional gallery owners; most were mainly collectors who sporadically sold items from their collection. Picassos first known dealer was Pere Manyach, whom he met as he travelled to Paris in 1900 when he was only 19 years old. As his representative, Manyach went about setting up exhibitions of his works at galleries in the French capital, such as Bethe Weills and Ambroise Vollards. Picassos first major exhibition took place in 1901 at Vollards. Daniel-Henry Kahnweiler and Leonce Rosenberg came in after Vollard lost interest during the Cubist period, as they had a manifest preference for the new style. Like Vollard, later dealers often preferred the more conventional Neoclassical phase in Picasso. This was the case with Leonces brother, Paul Rosenberg. The book is organized chronologically and discusses the interaction between Picassos collectors, dealers and exhibitions as they take place. Once collectors acquired an artwork, their willingness to lend them to exhibitions or their necessity to submit them to auction had a direct impact on Picassos prominence in the art world.
Author: Dr Enrique Mallen
Publisher: Liverpool University Press
ISBN: 1782847197
Category : Biography & Autobiography
Languages : en
Pages : 384
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Book Description
Although Pablo Picasso spotted Dora Maar at a cafe in January 1936 it is highly likely that she had come to his attention prior. As Brassaï, a Hungarian-French photographer, recalled, 'It was at Les Deux-Magots that, one day in autumn 1935, [he] met Dora. On an earlier day, he had already noticed the grave, drawn face of the young woman at a nearby table, the attentive look in her light-colored eyes, sometimes disturbing in its fixity. When Picasso saw her in the same cafe in the company of the surrealist poet Paul Éluard, who knew her, the poet introduced her to Picasso' (Brassaï, a.k.a. Gyula Halász, Conversations with Picasso [University of Chicago Press, 1999]). Tinged with a seductive mix of violence and dark eroticism, this first meeting has attained mythical status in the story of the artist's life. It reads like an unreal fantasy. A mysterious and feline beauty, which Man Ray had captured in the pictures he took of her, a companion of Georges Bataille, Dora was an accomplished photographer, close to the Surrealists revolutionary aesthetics. Picasso addressed her in French, which he assumed to be her language; she replied in Spanish, which she knew to be his. For the next decade, the painter would translate not just his fascination with the woman who had seduced him on the spot, but also his desire to escape the grip of someone who, for the first time, could intellectually aspire to be his equal. Dora would appear in his works as a female Minotaur, a Sphinx, a lunar goddess and a muse. Because of her intense artistic sensibility, her poetic gifts and her ability to participate in suffering, she was especially qualified to resonate Picasso's own inner torments during these troubled years.
Author: National Gallery of Victoria
Publisher:
ISBN:
Category :
Languages : en
Pages : 70
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Book Description
Author: Debra D. Andrist
Publisher: Liverpool University Press
ISBN: 1782846034
Category : Social Science
Languages : en
Pages : 235
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Book Description
Jigsaw puzzles' notorious complexity and mega-multiple, amorphously-shaped pieces provide an appropriate metaphor for the navigating and maneuvering necessary throughout all aspects of human dynamics. Involvement comprises not only efforts by an individual personally trying to fit together a life of relationships with Family, Friends & Foes within complex categories and different levels, but the efforts by groups of individuals within those categories, progressively, by those groups within a larger society and/or societies, and then, across so many so-called boundaries: geographic, ethnic, linguistic, artistic and more. Such is the starting point for this particular collection of essays, which focuses on the human dynamics in cultures characterized, mostly linguistically, as Hispanic worlds, and those cultures both in real life and in terms of cultural productions such as movies, visual art and literature. Unlike jigsaw puzzles with their convenient guiding box-cover representation of the finished "product" once the pieces are correctly assembled, human dynamics' "pieces" are more like amoebas, ever changing size and shape, multiplying and dividing, sometimes fitting in with other pieces, sometimes not, sometimes overlappingin short, frequently unpredictable and always challenging for the would-be "assembler(s)." Thus, the title of this book could easily morph ad infinitum with the three elements of Family, Friends, Foes reflecting an enormous and unwieldy range of relationship, emotion and viewpoint. Mixed messages abound. And as can be seen from the individual chapter titles and content so-called successful relationships may be fleeting or unattainableor may match the imagined, hoped-for "picture" of a working relationship dynamic.
Author: Debra D. Andrist
Publisher: Cambridge Scholars Publishing
ISBN: 1036400425
Category : Art
Languages : en
Pages : 239
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Book Description
This book crosses multiple world cultures as the chapters highlight both women as creators (by) and women as subjects (about). Chapter topics address widely varying socio-cultural facets of multi-cultures from various historical, sociological, artistic and literary perspectives. The title, Women as Creators and Subjects, in that order, summarizes the content of the book, which begins with commentary on women as creators and moves to elucidating about women to establish a framework. Themes range from power and politics in regards to Aztec women’s bodies, roles of historical indigenous, Spanish, Latin America, and Latinx women, and female participation in development efforts in the Global South of studio art, i.e., visual representations of women by women, as well as of female muses for male artists—and critical articles about all manner of works and genres literally by a litany of women artists and writers, both in literature and film, as well as women as represented in works by males, all from across the Middle East, Global South, Europe and the Americas.
Author: Pablo Picasso
Publisher: Kerber Verlag
ISBN:
Category : Art
Languages : en
Pages : 232
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Book Description
Essay by Markus Muller.
Author: Christoph Becker
Publisher: Dumont
ISBN:
Category : Art
Languages : en
Pages : 240
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Book Description
The Monaco-based family with extensive branches in London and New York has been collecting great art for two generations. With an expert eye, the art dealers from Syria have determinedly purchased as well as sold paintings and sculptures. Alongside its flourishing art business, a first-class collection has also emerged. Exclusively and for the first time ever, over 100 masterpieces from this unique private collection will be exhibited at the Kunsthaus Zürich and presented in an opulent catalogue.
Author: Dore Ashton
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 346
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Book Description
"A pivotal chapter in the annals of modern art - the metal sculpture of Picasso, Julio Gonzalez, Alexander Calder, David Smith and Alberto Giacometti - is revealed in this volume. Photographs of their sculptures are accompanied by essays, an anthology of writings by the artists, and a chronology"--From publisher's description.
Author: John Richardson
Publisher: Knopf
ISBN: 030749649X
Category : Biography & Autobiography
Languages : en
Pages : 657
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Book Description
The third volume of Richardson’s magisterial Life of Picasso, a groundbreaking contribution to our understanding of one of the greatest artists of the twentieth century. Here is Picasso at the height of his powers in Rome and Naples, producing the sets and costumes with Cocteau for Diaghilev’s Ballets Russes, and visiting Pompei where the antique statuary fuel his obsession with classicism; in Paris, creating some of his most important sculpture and painting as part of a group that included Braque, Apollinaire, Miró, and Breton; spending summers in the South of France in the company of Gerald and Sara Murphy, Hemingway, and Fitzgerald. These are the years of his marriage to the Russian ballerina Olga Khokhlova—the mother of his only legitimate child, Paulo—and of his passionate affair with Marie-Thérèse Walter, who was, as well, his model and muse.
Author: Pierpont Morgan Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 266
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Book Description
"Showcasing the riches of the Morgan's collection and encompassing a broad chronological and geographical scope, one hundred drawings from the fifteenth through twentieth centuries have been selected for their outstanding quality and art historical significance with an eye to conveying the breadth and depth of the Morgan's holdings. From Leonardo to Pollock: Master Drawings from the Morgan Library also chronicles the history of the collection, including sheets from the initial group of drawings purchased by Pierpont Morgan in 1909 to notable acquisitions and gifts since the institution's founding in 1924." "This publication presents a variety of types of drawings - from preliminary sketches to highly finished studies - featuring a wide range of media, namely metalpoint, chalk, pen and ink, and water color."--BOOK JACKET
