Author: Pierre Gaviniés
Publisher: A-R Editions, Inc.
ISBN: 9780895797049
Category : Music
Languages : en
Pages : 68
Book Description
Three Sonatas for Violin, Opus posth.
Complete violin sonatas and trio sonatas
Author: Arcangelo Corelli
Publisher: Courier Corporation
ISBN: 0486272419
Category : Music
Languages : en
Pages : 354
Book Description
Elegant works of great lyric expressiveness that rank among the glories of Baroque music. This volume, reprinted from the standard edition, contains all 48 of the trio sonatas (including the famous chaconne) of Opp. 1, 2, 3 and 4, along with all twelve solo sonatas, Op. 5.
Publisher: Courier Corporation
ISBN: 0486272419
Category : Music
Languages : en
Pages : 354
Book Description
Elegant works of great lyric expressiveness that rank among the glories of Baroque music. This volume, reprinted from the standard edition, contains all 48 of the trio sonatas (including the famous chaconne) of Opp. 1, 2, 3 and 4, along with all twelve solo sonatas, Op. 5.
A Musicology of Performance
Author: Dorottya Fabian
Publisher: Open Book Publishers
ISBN: 178374152X
Category : Music
Languages : en
Pages : 356
Book Description
This book examines the nature of musical performance. In it, Dorottya Fabian explores the contributions and limitations of some of these approaches to performance, be they theoretical, cultural, historical, perceptual, or analytical. Through a detailed investigation of recent recordings of J. S. Bach’s Six Sonatas and Partitas for Solo Violin, she demonstrates that music performance functions as a complex dynamical system. Only by crossing disciplinary boundaries, therefore, can we put the aural experience into words. A Musicology of Performance provides a model for such a method by adopting Deleuzian concepts and various empirical and interdisciplinary procedures. Fabian provides a case study in the repertoire, while presenting new insights into the state of baroque performance practice at the turn of the twenty-first century. Through its wealth of audio examples, tables, and graphs, the book offers both a sensory and a scholarly account of musical performance. These interactive elements map the connections between historically informed and mainstream performance styles, considering them in relation to broader cultural trends, violin schools, and individual artistic trajectories. A Musicology of Performance is a must read for academics and post-graduate students and an essential reference point for the study of music performance, the early music movement, and Bach’s opus.
Publisher: Open Book Publishers
ISBN: 178374152X
Category : Music
Languages : en
Pages : 356
Book Description
This book examines the nature of musical performance. In it, Dorottya Fabian explores the contributions and limitations of some of these approaches to performance, be they theoretical, cultural, historical, perceptual, or analytical. Through a detailed investigation of recent recordings of J. S. Bach’s Six Sonatas and Partitas for Solo Violin, she demonstrates that music performance functions as a complex dynamical system. Only by crossing disciplinary boundaries, therefore, can we put the aural experience into words. A Musicology of Performance provides a model for such a method by adopting Deleuzian concepts and various empirical and interdisciplinary procedures. Fabian provides a case study in the repertoire, while presenting new insights into the state of baroque performance practice at the turn of the twenty-first century. Through its wealth of audio examples, tables, and graphs, the book offers both a sensory and a scholarly account of musical performance. These interactive elements map the connections between historically informed and mainstream performance styles, considering them in relation to broader cultural trends, violin schools, and individual artistic trajectories. A Musicology of Performance is a must read for academics and post-graduate students and an essential reference point for the study of music performance, the early music movement, and Bach’s opus.
The Monthly Musical Record
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 424
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 424
Book Description
Suite for three violins
Author: Georg Philipp Telemann
Publisher:
ISBN:
Category : Suites (3 violins), Arranged
Languages : en
Pages : 22
Book Description
Publisher:
ISBN:
Category : Suites (3 violins), Arranged
Languages : en
Pages : 22
Book Description
Music
Author: William Smythe Babcock Mathews
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 788
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 788
Book Description
Catalogue of the Universal Circulating Musical Library
Author: Scheurmann, G., firm, music publishers, London
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 904
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 904
Book Description
A Dictionary of Music and Musicians (A.D. 1450-1889)
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 784
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 784
Book Description
The Encyclopaedia Britannica
Author:
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 826
Book Description
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 826
Book Description
The Sonata
Author: Thomas Schmidt-Beste
Publisher: Cambridge University Press
ISBN: 1107310547
Category : Music
Languages : en
Pages : 279
Book Description
What is a sonata? Literally translated, it simply means 'instrumental piece'. It is the epitome of instrumental music, and is certainly the oldest and most enduring form of 'pure' and independent instrumental composition, beginning around 1600 and lasting to the present day. Schmidt-Beste analyses key aspects of the genre including form, scoring and its social context - who composed, played and listened to sonatas? In giving a comprehensive overview of all forms of music which were called 'sonatas' at some point in musical history, this book is more about change than about consistency - an ensemble sonata by Gabrieli appears to share little with a Beethoven sonata, or a trio sonata by Corelli with one of Boulez's piano sonatas, apart from the generic designation. However, common features do emerge, and the look across the centuries - never before addressed in a single-volume survey - opens up new and significant perspectives.
Publisher: Cambridge University Press
ISBN: 1107310547
Category : Music
Languages : en
Pages : 279
Book Description
What is a sonata? Literally translated, it simply means 'instrumental piece'. It is the epitome of instrumental music, and is certainly the oldest and most enduring form of 'pure' and independent instrumental composition, beginning around 1600 and lasting to the present day. Schmidt-Beste analyses key aspects of the genre including form, scoring and its social context - who composed, played and listened to sonatas? In giving a comprehensive overview of all forms of music which were called 'sonatas' at some point in musical history, this book is more about change than about consistency - an ensemble sonata by Gabrieli appears to share little with a Beethoven sonata, or a trio sonata by Corelli with one of Boulez's piano sonatas, apart from the generic designation. However, common features do emerge, and the look across the centuries - never before addressed in a single-volume survey - opens up new and significant perspectives.