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Author: Alan Lupack
Publisher: Medieval Institute Publications
ISBN:
Category : English poetry
Languages : en
Pages : 220
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Book Description
This volume serves as an excellent introduction to the tradition of romances dealing with the matter of France-that is, Charlemagne and his Twelve Peers. Of the three groups of English Charlemagne romances, the Ferumbras group, the Otuel group, and detached romances, the editor has selected one of each: The Sultan of Babylon, The Siege of Milan, and The Tale of Ralph the Collier. This is a valuable introduction to Charlemagne romances and is accessible to beginners in Middle English because of contextualizing introductions and glosses for each text, as well as a helpful glossary.
Author: Alan Lupack
Publisher: Medieval Institute Publications
ISBN:
Category : English poetry
Languages : en
Pages : 220
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Book Description
This volume serves as an excellent introduction to the tradition of romances dealing with the matter of France-that is, Charlemagne and his Twelve Peers. Of the three groups of English Charlemagne romances, the Ferumbras group, the Otuel group, and detached romances, the editor has selected one of each: The Sultan of Babylon, The Siege of Milan, and The Tale of Ralph the Collier. This is a valuable introduction to Charlemagne romances and is accessible to beginners in Middle English because of contextualizing introductions and glosses for each text, as well as a helpful glossary.
Author: Alan Lupack
Publisher: Medieval Institute Publications
ISBN: 1580444148
Category : Literary Collections
Languages : en
Pages : 217
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Book Description
This volume serves as an excellent introduction to the tradition of romances dealing with the matter of France-that is, Charlemagne and his Twelve Peers. Of the three groups of English Charlemagne romances, the Ferumbras group, the Otuel group, and detached romances, the editor has selected one of each: The Sultan of Babylon, The Siege of Milan, and The Tale of Ralph the Collier. This is a valuable introduction to Charlemagne romances and is accessible to beginners in Middle English because of contextualizing introductions and glosses for each text, as well as a helpful glossary.
Author: Graham Drake
Publisher: Medieval Institute Publications
ISBN: 1580444180
Category : Literary Collections
Languages : en
Pages : 400
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Book Description
Fitted with ample introductions, notes, and glosses, this volume will make an excellent text for a class of any level on Middle English romance. This excellent edition includes King Horn, Havelok the Dane, Bevis of Hampton, and Athelston. These romances all deal with the Matter of Britain-that is, they celebrate action and adventure tales taking place in England. Featuring all the hallmarks of a good romance, these works include disinherited nobles, thrilling battles, love stories, dragons, and all sorts of marvels and adventures. Spanning the mid thirteenth to the late fourteenth century, these works provide an excellent cross section of the wonderful world of Middle English romances featuring the escapades of their fantastical countrymen.
Author: Saint Benedict (Abbot of Monte Cassino.)
Publisher:
ISBN:
Category : Benedictine nuns
Languages : en
Pages : 306
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Book Description
Author: Neil Cartlidge
Publisher: DS Brewer
ISBN: 9781843841555
Category : Literary Criticism
Languages : en
Pages : 214
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Book Description
A wide-ranging collection on one of the most interesting features of medieval romance.
Author: Phillipa Hardman
Publisher: Boydell & Brewer
ISBN: 1843844729
Category : History
Languages : en
Pages : 491
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Book Description
The first full-length examination of the medieval Charlemagne tradition in the literature and culture of medieval England, from the Chanson de Roland to Caxton. The Matter of France, the legendary history of Charlemagne, had a central but now largely unrecognised place in the multilingual culture of medieval England. From the early claim in the Chanson de Roland that Charlemagne held England as his personal domain, to the later proliferation of Middle English romances of Charlemagne, the materials are woven into the insular political and cultural imagination. However, unlike the wide range of continental French romances, the insular tradition concentrates on stories of a few heroic characters: Roland, Fierabras, Otinel. Why did writers and audiences in England turn again and again to these narratives, rewriting and reinterpreting them for more than two hundred years? This book offers the first full-length, in-depth study of the tradition as manifested in literature and culture. It investigates the currency and impact of the Matter of France with equal attention to English and French-language texts, setting each individual manuscript or early printed text in its contemporary cultural and political context. The narratives are revealed to be extraordinarily adaptable, using the iconic opposition between Carolingian and Saracen heroes to reflect concerns with national politics, religious identity, the future of Christendom, chivalry and ethics, and monarchy and treason. PHILLIPA HARDMAN is Readerin Medieval English Literature (retired) at the University of Reading; MARIANNE AILES is Senior Lecturer in French at the University of Bristol.
Author: Stephen Alan Baragona
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110563258
Category : History
Languages : en
Pages : 386
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Book Description
The rhetorical trope of irony is well-trod territory, with books and essays devoted to its use by a wide range of medieval and Renaissance writers, from the Beowulf-poet and Chaucer to Boccaccio and Shakespeare; however, the use of sarcasm, the "flesh tearing" form of irony, in the same literature has seldom been studied at length or in depth. Sarcasm is notoriously difficult to pick out in a written text, since it relies so much on tone of voice and context. This is the first book-length study of medieval and Renaissance sarcasm. Its fourteen essays treat instances in a range of genres, both sacred and secular, and of cultures from Anglo-Saxon to Arabic, where the combination of circumstance and word choice makes it absolutely clear that the speaker, whether a character or a narrator, is being sarcastic. Essays address, among other things, the clues writers give that sarcasm is at work, how it conforms to or deviates from contemporary rhetorical theories, what role it plays in building character or theme, and how sarcasm conforms to the Christian milieu of medieval Europe, and beyond to medieval Arabic literature. The collection thus illuminates a half-hidden but surprisingly common early literary technique for modern readers.
Author: Harriet E. Hudson
Publisher: Medieval Institute Publications
ISBN:
Category : Literary Collections
Languages : en
Pages : 228
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Book Description
Sir Isumbras, Octavian, Sir Eglamour of Artois, and Sir Tryamour are important works in a major literary development of the fourteenth century: the flourishing of Middle English popular romance. These four narratives were among the most popular; all survive in multiple manuscripts and continued to circulate in prints through the sixteenth century. All were composed in the northeast Midlands in the fifty years between 1325 and 1375, and they appear together in several manuscripts. The tale the romances tell-of exiled queens, orphaned children, and penitent fathers-was one of the most prevalent medieval stories. Sometimes called the Constance/Eustace legend (after two well-known pious versions), its influence can be seen in numerous romances.
Author: Lee Manion
Publisher: Cambridge University Press
ISBN: 1139917188
Category : Literary Criticism
Languages : en
Pages : 321
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Book Description
In Narrating the Crusades, Lee Manion examines crusading's narrative-generating power as it is reflected in English literature from c.1300 to 1604. By synthesizing key features of crusade discourse into one paradigm, this book identifies and analyzes the kinds of stories crusading produced in England, uncovering new evidence for literary and historical research as well as genre studies. Surveying medieval romances including Richard Cœur de Lion, Sir Isumbras, Octavian, and The Sowdone of Babylone alongside historical practices, chronicles, and treatises, this study shows how different forms of crusading literature address cultural concerns about collective and private action. These insights extend to early modern writing, including Spenser's Faerie Queene, Marlowe's Tamburlaine, and Shakespeare's Othello, providing a richer understanding of how crusading's narrative shaped the beginning of the modern era. This first full-length examination of English crusading literature will be an essential resource for the study of crusading in literary and historical contexts.
Author: Erin K. Wagner
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 1501512188
Category : Religion
Languages : en
Pages : 310
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Book Description
Vernacular writers of late medieval England were engaged in global conversations about orthodoxy and heresy. Entering these conversations with a developing vernacular required lexical innovation. The Language of Heresy in Late Medieval English Literature examines the way in which these writers complemented seemingly straightforward terms, like heretic, with a range of synonyms that complicated the definitions of both those words and orthodoxy itself. This text proposes four specific terms that become collated with heretic in the parlance of medieval English writers of the 14th and 15th centuries: jangler, Jew, Saracen, and witch. These four labels are especially important insofar as they represent the way in which medieval Christianity appropriated and subverted marginalized or vulnerable identities to promote a false image of unassailable authority.
