Author: Ludwig van Beethoven
Publisher: Alfred Music
ISBN: 1457472503
Category : Music
Languages : en
Pages : 18
Book Description
Three German Dances by Ludwig von Beethoven, transcribed by Isidor Seiss for piano, includes: * 1. Allegro moderato (C Major) * 2. Allegretto grazioso (G Major) * 3. Allegro risoluto (C Major)
Three German Dances
Author: Ludwig van Beethoven
Publisher: Alfred Music
ISBN: 1457472503
Category : Music
Languages : en
Pages : 18
Book Description
Three German Dances by Ludwig von Beethoven, transcribed by Isidor Seiss for piano, includes: * 1. Allegro moderato (C Major) * 2. Allegretto grazioso (G Major) * 3. Allegro risoluto (C Major)
Publisher: Alfred Music
ISBN: 1457472503
Category : Music
Languages : en
Pages : 18
Book Description
Three German Dances by Ludwig von Beethoven, transcribed by Isidor Seiss for piano, includes: * 1. Allegro moderato (C Major) * 2. Allegretto grazioso (G Major) * 3. Allegro risoluto (C Major)
New German Dance Studies
Author: Susan Manning
Publisher: University of Illinois Press
ISBN: 025203676X
Category : History
Languages : en
Pages : 297
Book Description
Susan Manning is a professor of English, theater, and performance studies at Northwestern University and the author of Ecstasy and the Demon: The Dances of Mary Wigman. Book jacket.
Publisher: University of Illinois Press
ISBN: 025203676X
Category : History
Languages : en
Pages : 297
Book Description
Susan Manning is a professor of English, theater, and performance studies at Northwestern University and the author of Ecstasy and the Demon: The Dances of Mary Wigman. Book jacket.
Hitler's Dancers
Author: Lilian Karina
Publisher: Berghahn Books
ISBN: 9781571816887
Category : History
Languages : en
Pages : 400
Book Description
The Nazis burned books and banned much modern art. However, few people know the fascinating story of German modern dance, which was the great exception. Modern expressive dance found favor with the regime and especially with the infamous Dr. Joseph Goebbels, the Minister of Propaganda. How modern artists collaborated with Nazism reveals an important aspect of modernism, uncovers the bizarre bureaucracy which controlled culture and tells the histories of great figures who became enthusiastic Nazis and lied about it later. The book offers three perspectives: the dancer Lilian Karina writes her very vivid personal story of dancing in interwar Germany; the dance historian Marion Kant gives a systematic account of the interaction of modern dance and the totalitarian state, and a documentary appendix provides a glimpse into the twisted reality created by Nazi racism, pedantic bureaucrats and artistic ambition.
Publisher: Berghahn Books
ISBN: 9781571816887
Category : History
Languages : en
Pages : 400
Book Description
The Nazis burned books and banned much modern art. However, few people know the fascinating story of German modern dance, which was the great exception. Modern expressive dance found favor with the regime and especially with the infamous Dr. Joseph Goebbels, the Minister of Propaganda. How modern artists collaborated with Nazism reveals an important aspect of modernism, uncovers the bizarre bureaucracy which controlled culture and tells the histories of great figures who became enthusiastic Nazis and lied about it later. The book offers three perspectives: the dancer Lilian Karina writes her very vivid personal story of dancing in interwar Germany; the dance historian Marion Kant gives a systematic account of the interaction of modern dance and the totalitarian state, and a documentary appendix provides a glimpse into the twisted reality created by Nazi racism, pedantic bureaucrats and artistic ambition.
Alfred's Group Piano for Adults: Teacher's Handbook 1 (2nd Edition)
Author: E. L. Lancaster
Publisher: Alfred Music
ISBN: 9781457420252
Category : Music
Languages : en
Pages : 76
Book Description
Each unit in this highly popular series contains a balance of theory, technique, sight-reading, repertoire, harmonization, improvisation and ensemble activities. Updated for the 2nd edition of Alfred's Group Piano for Adults, the Teacher's Guide includes:new repertoire preparation and analysis suggestions, recommended examinations teaching tips, lesson plans and answer keys, improvisation exercises and two new sections: Reading Focus and Planning Group Lessons.
Publisher: Alfred Music
ISBN: 9781457420252
Category : Music
Languages : en
Pages : 76
Book Description
Each unit in this highly popular series contains a balance of theory, technique, sight-reading, repertoire, harmonization, improvisation and ensemble activities. Updated for the 2nd edition of Alfred's Group Piano for Adults, the Teacher's Guide includes:new repertoire preparation and analysis suggestions, recommended examinations teaching tips, lesson plans and answer keys, improvisation exercises and two new sections: Reading Focus and Planning Group Lessons.
Six German Dances
Author:
Publisher: Alfred Music Publishing
ISBN: 9780711975033
Category :
Languages : en
Pages : 0
Book Description
A collection of the Beethoven dances for the early grade pianist. These short works will make great recital pieces. A composer biography is included. Titles: Dance No. 1 in F Major * Dance No. 2 in D Major * Dance No. 3 in F Major * Dance No. 4 in A Major * Dance No. 5 in D Major * Dance No. 6 in G Major * Allemande in A Major * Waltz in D Major.
Publisher: Alfred Music Publishing
ISBN: 9780711975033
Category :
Languages : en
Pages : 0
Book Description
A collection of the Beethoven dances for the early grade pianist. These short works will make great recital pieces. A composer biography is included. Titles: Dance No. 1 in F Major * Dance No. 2 in D Major * Dance No. 3 in F Major * Dance No. 4 in A Major * Dance No. 5 in D Major * Dance No. 6 in G Major * Allemande in A Major * Waltz in D Major.
Dances of the Self in Heinrich von Kleist, E.T.A. Hoffmann and Heinrich Heine
Author: Lucia Ruprecht
Publisher: Routledge
ISBN: 1351946455
Category : Literary Criticism
Languages : en
Pages : 279
Book Description
Lucia Ruprecht's study is the first monograph in English to analyse the relationship between nineteenth-century German literature and theatrical dance. Combining cultural history with close readings of major texts by Heinrich von Kleist, E.T.A. Hoffmann and Heinrich Heine, the author brings to light little-known German resources on dance to address the theoretical implications of examining the interdiscursive and intermedial relations between the three authors' literary works, aesthetic reflections on dance, and dance of the period. In doing so, she not only shows how dancing and writing relate to one another but reveals the characteristics that make each mode of expression distinct unto itself. Readings engage with literary modes of understanding physical movement that are neglected under the regime of eighteenth-century aesthetic theory, and of classical ballet, setting the human, frail and expressive body against the smoothly idealised neoclassicist ideal. Particularly important is the way juxtaposing texts and performance practice allows for the emergence of meta-discourses about trauma and repetition and their impact on aesthetics and formulations of the self and the human body. Related to this is the author's concept of performative exercises or dances of the self which constitute a decisive force within the formation of subjectivity that is enacted in the literary texts. Joining performance studies with psychoanalytical theory, this book opens up new pathways for understanding Western theatrical dance's theoretical, historical and literary continuum.
Publisher: Routledge
ISBN: 1351946455
Category : Literary Criticism
Languages : en
Pages : 279
Book Description
Lucia Ruprecht's study is the first monograph in English to analyse the relationship between nineteenth-century German literature and theatrical dance. Combining cultural history with close readings of major texts by Heinrich von Kleist, E.T.A. Hoffmann and Heinrich Heine, the author brings to light little-known German resources on dance to address the theoretical implications of examining the interdiscursive and intermedial relations between the three authors' literary works, aesthetic reflections on dance, and dance of the period. In doing so, she not only shows how dancing and writing relate to one another but reveals the characteristics that make each mode of expression distinct unto itself. Readings engage with literary modes of understanding physical movement that are neglected under the regime of eighteenth-century aesthetic theory, and of classical ballet, setting the human, frail and expressive body against the smoothly idealised neoclassicist ideal. Particularly important is the way juxtaposing texts and performance practice allows for the emergence of meta-discourses about trauma and repetition and their impact on aesthetics and formulations of the self and the human body. Related to this is the author's concept of performative exercises or dances of the self which constitute a decisive force within the formation of subjectivity that is enacted in the literary texts. Joining performance studies with psychoanalytical theory, this book opens up new pathways for understanding Western theatrical dance's theoretical, historical and literary continuum.
Burgmüller, Czerny & Hanon -- Piano Studies Selected for Technique and Musicality, Vol 1
Author:
Publisher: Alfred Music Publishing
ISBN: 9781457415814
Category :
Languages : en
Pages : 68
Book Description
Publisher: Alfred Music Publishing
ISBN: 9781457415814
Category :
Languages : en
Pages : 68
Book Description
The Viennese Ballroom in the Age of Beethoven
Author: Erica Buurman
Publisher: Cambridge University Press
ISBN: 1108495850
Category : Music
Languages : en
Pages : 209
Book Description
Reveals how the culture and repertoire of the early Viennese ballroom permeated and intersected with other areas of musical life.
Publisher: Cambridge University Press
ISBN: 1108495850
Category : Music
Languages : en
Pages : 209
Book Description
Reveals how the culture and repertoire of the early Viennese ballroom permeated and intersected with other areas of musical life.
The Dance of Death in the Middle Ages
Author: Elina Gertsman
Publisher: Brepols Publishers
ISBN:
Category : Art
Languages : en
Pages : 384
Book Description
Elina Gertsman's multifaceted study introduces readers to the imagery and texts of the Dance of Death, an extraordinary subject that first emerged in western European art and literature in the late medieval era. Conceived from the start as an inherently public image, simultaneously intensely personal and widely accessible, the medieval Dance of Death proclaimed the inevitability of death and declared the futility of human ambition. Gertsman inquires into the theological, socio-historic, literary, and artistic contexts of the Dance of Death, exploring it as a site of interaction between text, image, and beholder. Pulling together a wide variety of sources and drawing attention to those images that have slipped through the cracks of the art historical canon, Gertsman examines the visual, textual, aural, pastoral, and performative discourses that informed the creation and reception of the Dance of Death, and proposes different modes of viewing for several paintings, each of which invited the beholder to participate in an active, kinesthetic experience.
Publisher: Brepols Publishers
ISBN:
Category : Art
Languages : en
Pages : 384
Book Description
Elina Gertsman's multifaceted study introduces readers to the imagery and texts of the Dance of Death, an extraordinary subject that first emerged in western European art and literature in the late medieval era. Conceived from the start as an inherently public image, simultaneously intensely personal and widely accessible, the medieval Dance of Death proclaimed the inevitability of death and declared the futility of human ambition. Gertsman inquires into the theological, socio-historic, literary, and artistic contexts of the Dance of Death, exploring it as a site of interaction between text, image, and beholder. Pulling together a wide variety of sources and drawing attention to those images that have slipped through the cracks of the art historical canon, Gertsman examines the visual, textual, aural, pastoral, and performative discourses that informed the creation and reception of the Dance of Death, and proposes different modes of viewing for several paintings, each of which invited the beholder to participate in an active, kinesthetic experience.
Annals of Music in America
Author: Henry Charles Lahee
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 324
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 324
Book Description