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Author: Erwin Panofsky
Publisher: MIT Press
ISBN: 9780262661034
Category : Architecture
Languages : en
Pages : 262
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Book Description
with a memoir by William S. Heckscher Erwin Panofsky (1892-1968) was one of the preeminent art historians of the twentieth century. A new translation of his seminal work, Perspective as Symbolic Form, was recently published by Zone Books; now three remarkable essays, one previously unpublished, place Panofsky's genius in a different perspective: What Is Baroque?, Style and Medium in the Motion Pictures,andThe Ideological Antecedents of the Rolls-Royce Radiator. The essays are framed by an introduction by Irving Lavin, Panofsky's successor as Professor of Art History at the Institute for Advanced Study in Princeton, discussing the context of the essays' composition and their significance within Panofsky's oeuvre, and an insightful memoir by Panofsky's former student, close friend, and fellow emigr & e ́, William Heckscher. All three essays reveal unexpected aspects of Panofsky's sensibility, both personal and intellectual. Originally written as lectures for general audiences, they are composed in a lively, informal manner, and are full of charm and wit. The studies concern broadly defined problems of style in art--the visual symptoms endemic to works of a certain period (Baroque), medium (film), or national identity (England)--as opposed to the focus on iconography and subject matter usually associated with Panofsky's "method." The essay on Baroque, which Lavin considers "vintage Panofsky" and which appears here for the first time, and the one on film were written in 1934. The Rolls-Royce piece was written in 1962.
Author: Erwin Panofsky
Publisher: MIT Press
ISBN: 9780262661034
Category : Architecture
Languages : en
Pages : 262
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Book Description
with a memoir by William S. Heckscher Erwin Panofsky (1892-1968) was one of the preeminent art historians of the twentieth century. A new translation of his seminal work, Perspective as Symbolic Form, was recently published by Zone Books; now three remarkable essays, one previously unpublished, place Panofsky's genius in a different perspective: What Is Baroque?, Style and Medium in the Motion Pictures,andThe Ideological Antecedents of the Rolls-Royce Radiator. The essays are framed by an introduction by Irving Lavin, Panofsky's successor as Professor of Art History at the Institute for Advanced Study in Princeton, discussing the context of the essays' composition and their significance within Panofsky's oeuvre, and an insightful memoir by Panofsky's former student, close friend, and fellow emigr & e ́, William Heckscher. All three essays reveal unexpected aspects of Panofsky's sensibility, both personal and intellectual. Originally written as lectures for general audiences, they are composed in a lively, informal manner, and are full of charm and wit. The studies concern broadly defined problems of style in art--the visual symptoms endemic to works of a certain period (Baroque), medium (film), or national identity (England)--as opposed to the focus on iconography and subject matter usually associated with Panofsky's "method." The essay on Baroque, which Lavin considers "vintage Panofsky" and which appears here for the first time, and the one on film were written in 1934. The Rolls-Royce piece was written in 1962.
Author: Jane Stapleton
Publisher: Oxford University Press
ISBN: 0192645838
Category : Law
Languages : en
Pages : 129
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Book Description
This book of essays champions tort scholarship that puts judges at centre stage: what they do, how they understand their role, the heterogeneous reasons they give for their decisions, and their constitutional responsibility to identify and articulate the 'living' and 'evolving' common law. This is 'reflexive tort scholarship'. Reflexive tort scholars seek dialogue with Bench and Bar. Their approach is very different from the currently fashionable academic search for 'grand theories' that descriptively assert that tort law is fundamentally 'all about one thing', a unifying idea that alone explains and justifies the whole of tort law. This book illustrates the advantages and pay-offs of the reflexive style of scholarship by showing how it illuminates key features of tort law. The first essay contrasts the reflexive approach with the Grand Theory approach, while the second essay identifies a principle of tort law (the 'cooperative principle'), that is latent in the cases and that vindicates the value of collaborative human arrangements. Identifying this principle calls into question, in disputes between commercial parties, the reasoning used to support one of the most entrenched lines of authority in tort law - that based on the famous case of Hedley Byrne v Heller. The final essay deploys the reflexive method to argue that the iconic 'but-for' test of factual causation is inadequate and narrower than the concept actually utilized in the cases. Application of the method also prompts a reassessment of the 'scope of duty' concept and of the appropriate characterisation of the much-discussed decision in SAAMCO. These essays, based on the 2018 Clarendon Law Lectures given at Oxford University, clearly demonstrate the value of scholarship that 'takes the judges seriously'.
Author: John Stuart Mill
Publisher:
ISBN:
Category : Nature
Languages : en
Pages : 282
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Book Description
Author: Evonne Levy
Publisher: Univ of California Press
ISBN: 9780520928633
Category : Architecture
Languages : en
Pages : 372
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Book Description
In this provocative revisionist work, Evonne Levy brings fresh theoretical perspectives to the study of the "propagandistic" art and architecture of the Jesuit order as exemplified by its late Baroque Roman church interiors. The first extensive analysis of the aims, mechanisms, and effects of Jesuit art and architecture, this original and sophisticated study also evaluates how the term "propaganda" functions in art history, distinguishes it from rhetoric, and proposes a precise use of the term for the visual arts for the first time. Levy begins by looking at Nazi architecture as a gateway to the emotional and ethical issues raised by the term "propaganda." Jesuit art once stirred similar passions, as she shows in a discussion of the controversial nineteenth-century rubric the "Jesuit Style." She then considers three central aspects of Jesuit art as essential components of propaganda: authorship, message, and diffusion. Levy tests her theoretical formulations against a broad range of documents and works of art, including the Chapel of St. Ignatius and other major works in Rome by Andrea Pozzo as well as chapels in Central Europe and Poland. Innovative in bringing a broad range of social and critical theory to bear on Baroque art and architecture in Europe and beyond, Levy’s work highlights the subject-forming capacity of early modern Catholic art and architecture while establishing "propaganda" as a productive term for art history.
Author: John Updike
Publisher: Penguin UK
ISBN: 014192182X
Category : Art
Languages : en
Pages : 359
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Book Description
In Still Looking, John Updike has collected together his thoughts and observations on American art to produce an eye-opening follow-up to his 1989 art criticism classic Just Looking. Beginning with early American portraits and landscapes, he goes on to extol two late-nineteenth-century masters, Winslow Homer and Thomas Eakins, considers the eccentric pre-modern painter and graphic artist James McNeill Whistler, discusses the competing American Impressionists and Realists of the early twentieth century - and concludes with appreciations of the art of Edward Hopper, Jackson Pollock and Andy Warhol. The resulting collection of essays is proof that Updike is still looking and seeing what only he can describe. 'As a writer Updike can do anything he wants' Margaret Atwood 'John Updike writes with a steady brilliance about the world out there' Guardian
Author: Ray Allen Billington
Publisher: Reveille Books
ISBN: 9781585442638
Category : History
Languages : en
Pages : 112
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Book Description
In this little classic, first published in 1977, Ray A. Billington outlines the threecenturylong process of westering that forged the American characteristics of resourcefulness, individualism and democracy, and upward social mobility. "The American Frontiersman" looks at the mountain men of the fur trade who succumbed to the wilderness world in which they found themselves and in which they were forced to begin the climb upward to civilization once more. In "The Frontier and American Culture" the author suggests that although many backwoodsmen seceded from civilization, others made a heroic effort to perpetuate their culture. And in "Cowboys, Indians, and the Land of Promise" Billington reviews the worldwide myths of the American West--its violence and lawlessness on the one hand and its ripe abundance on the other.
Author: Jacob Ornstein-Galicia
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111358720
Category : Language Arts & Disciplines
Languages : en
Pages : 80
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Author: K. N. Panikkar
Publisher:
ISBN: 9788188789788
Category : Communalism
Languages : en
Pages : 0
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Author: Anne Friedberg
Publisher: MIT Press
ISBN: 0262512505
Category : Architecture
Languages : en
Pages : 372
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Book Description
From the Renaissance idea of the painting as an open window to the nested windows and multiple images on today's cinema, television, and computer screens: a cultural history of the metaphoric, literal, and virtual window. As we spend more and more of our time staring at the screens of movies, televisions, computers, and handheld devices—"windows" full of moving images, texts, and icons—how the world is framed has become as important as what is in the frame. In The Virtual Window, Anne Friedberg examines the window as metaphor, as architectural component, and as an opening to the dematerialized reality we see on the screen. In De pictura (1435), Leon Battista Alberti famously instructed painters to consider the frame of the painting as an open window. Taking Alberti's metaphor as her starting point, Friedberg tracks shifts in the perspectival paradigm as she gives us histories of the architectural window, developments in glass and transparency, and the emerging apparatuses of photography, cinema, television, and digital imaging. Single-point perspective—Alberti's metaphorical window—has long been challenged by modern painting, modern architecture, and moving-image technologies. And yet, notes Friedberg, for most of the twentieth century the dominant form of the moving image was a single image in a single frame. The fractured modernism exemplified by cubist painting, for example, remained largely confined to experimental, avant-garde work. On the computer screen, however, where multiple 'windows' coexist and overlap, perspective may have met its end. In this wide-ranging book, Friedberg considers such topics as the framed view of the camera obscura, Le Corbusier's mandates for the architectural window, Eisenstein's opinions on the shape of the movie screen, and the multiple images and nested windows commonly displayed on screens today. The Virtual Window proposes a new logic of visuality, framed and virtual: an architecture not only of space but of time.
Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 132
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