Author: Charles Kemble
Publisher:
ISBN:
Category :
Languages : en
Pages : 68
Book Description
The Point of Honor. A Play, in Three Acts. Taken from the French [of L. S. Mercier], and Performed ... at the Theatre-Royal, Haymarket. By Charles Kemble
Author: Charles Kemble
Publisher:
ISBN:
Category :
Languages : en
Pages : 68
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 68
Book Description
Catalog of Copyright Entries
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 1240
Book Description
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 1240
Book Description
Slave Play
Author: Jeremy O. Harris
Publisher:
ISBN: 9781839043543
Category : Drama
Languages : en
Pages : 0
Book Description
The Old South lives on at the MacGregor Plantation - in the breeze, in the cotton fields... and in the crack of the whip. Nothing is as it seems, and yet everything is as it seems. Jeremy O. Harris's Slave Play rips apart history to shed new light on the nexus of race, gender and sexuality in twenty-first-century America. It opened at New York Theatre Workshop in November 2018, and transferred to Broadway the following year. This edition is published alongside the West End production in 2024. 'How to explain Harris? He is like Tennessee Williams, if Williams had been Prince. Or Truman Capote, if Capote had been Paradise Garage. He is a firebrand writer with whipcrack humour. He has two brilliant plays under his belt, Slave Play and Daddy. He is such a queer hero of our times that the New York neighbourhood he lives in has become fleetingly famous. One of Jeremy O. Harris's plays coming to London is a major event' Evening Standard
Publisher:
ISBN: 9781839043543
Category : Drama
Languages : en
Pages : 0
Book Description
The Old South lives on at the MacGregor Plantation - in the breeze, in the cotton fields... and in the crack of the whip. Nothing is as it seems, and yet everything is as it seems. Jeremy O. Harris's Slave Play rips apart history to shed new light on the nexus of race, gender and sexuality in twenty-first-century America. It opened at New York Theatre Workshop in November 2018, and transferred to Broadway the following year. This edition is published alongside the West End production in 2024. 'How to explain Harris? He is like Tennessee Williams, if Williams had been Prince. Or Truman Capote, if Capote had been Paradise Garage. He is a firebrand writer with whipcrack humour. He has two brilliant plays under his belt, Slave Play and Daddy. He is such a queer hero of our times that the New York neighbourhood he lives in has become fleetingly famous. One of Jeremy O. Harris's plays coming to London is a major event' Evening Standard
Marcion; Or, the Magician of Antioch. A Drama [in Three Acts and in Prose].
Author: William Tandy
Publisher:
ISBN:
Category :
Languages : en
Pages : 136
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 136
Book Description
Setting Down the Sacred Past
Author: Laurie F. Maffly-Kipp
Publisher: Harvard University Press
ISBN: 9780674050792
Category : History
Languages : en
Pages : 356
Book Description
As early as the 1780s, African Americans told stories that enabled them to survive and even thrive in the midst of unspeakable assault. Tracing previously unexplored narratives from the late eighteenth century to the 1920s, Laurie Maffly-Kipp brings to light an extraordinary trove of sweeping race histories that African Americans wove together out of racial and religious concerns. Asserting a role in God's plan, black Protestants sought to root their people in both sacred and secular time. A remarkable array of chroniclers—men and women, clergy, journalists, shoemakers, teachers, southerners and northerners—shared a belief that narrating a usable past offered hope, pride, and the promise of a better future. Combining Christian faith, American patriotism, and racial lineage to create a coherent sense of community, they linked past to present, Africa to America, and the Bible to classical literature. From collected shards of memory and emerging intellectual tools, African Americans fashioned stories that helped to restore meaning and purpose to their lives in the face of relentless oppression. In a pioneering work of research and discovery, Maffly-Kipp shows how blacks overcame the accusation that they had no history worth remembering. African American communal histories imagined a rich collective past in order to establish the claim to a rightful and respected place in the American present. Through the transformative power of storytelling, these men and women led their people—and indeed, all Americans—into a more profound understanding of their interconnectedness and their prospects for a common future.
Publisher: Harvard University Press
ISBN: 9780674050792
Category : History
Languages : en
Pages : 356
Book Description
As early as the 1780s, African Americans told stories that enabled them to survive and even thrive in the midst of unspeakable assault. Tracing previously unexplored narratives from the late eighteenth century to the 1920s, Laurie Maffly-Kipp brings to light an extraordinary trove of sweeping race histories that African Americans wove together out of racial and religious concerns. Asserting a role in God's plan, black Protestants sought to root their people in both sacred and secular time. A remarkable array of chroniclers—men and women, clergy, journalists, shoemakers, teachers, southerners and northerners—shared a belief that narrating a usable past offered hope, pride, and the promise of a better future. Combining Christian faith, American patriotism, and racial lineage to create a coherent sense of community, they linked past to present, Africa to America, and the Bible to classical literature. From collected shards of memory and emerging intellectual tools, African Americans fashioned stories that helped to restore meaning and purpose to their lives in the face of relentless oppression. In a pioneering work of research and discovery, Maffly-Kipp shows how blacks overcame the accusation that they had no history worth remembering. African American communal histories imagined a rich collective past in order to establish the claim to a rightful and respected place in the American present. Through the transformative power of storytelling, these men and women led their people—and indeed, all Americans—into a more profound understanding of their interconnectedness and their prospects for a common future.
Baker's Plays
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 152
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 152
Book Description
Nick of the Woods. A drama in three acts [and in prose].
Author: Louisa H. MEDINA
Publisher:
ISBN:
Category :
Languages : en
Pages : 40
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 40
Book Description
Performing Race and Erasure
Author: Shannon Rose Riley
Publisher: Springer
ISBN: 1137592117
Category : Performing Arts
Languages : en
Pages : 284
Book Description
In this book, Shannon Rose Riley provides a critically rich investigation of representations of Cuba and Haiti in US culture in order to analyze their significance not only to the emergence of empire but especially to the reconfiguration of US racial structures along increasingly biracial lines. Based on impressive research and with extensive analysis of various textual and performance forms including a largely unique set of skits, plays, songs, cultural performances and other popular amusements, Riley shows that Cuba and Haiti were particularly meaningful to the ways that people in the US re-imagined themselves as black or white and that racial positions were renegotiated through what she calls acts of palimpsest: marking and unmarking, racing and erasing difference. Riley’s book demands a reassessment of the importance of the occupations of Cuba and Haiti to US culture, challenging conventional understandings of performance, empire, and race at the turn of the twentieth century.
Publisher: Springer
ISBN: 1137592117
Category : Performing Arts
Languages : en
Pages : 284
Book Description
In this book, Shannon Rose Riley provides a critically rich investigation of representations of Cuba and Haiti in US culture in order to analyze their significance not only to the emergence of empire but especially to the reconfiguration of US racial structures along increasingly biracial lines. Based on impressive research and with extensive analysis of various textual and performance forms including a largely unique set of skits, plays, songs, cultural performances and other popular amusements, Riley shows that Cuba and Haiti were particularly meaningful to the ways that people in the US re-imagined themselves as black or white and that racial positions were renegotiated through what she calls acts of palimpsest: marking and unmarking, racing and erasing difference. Riley’s book demands a reassessment of the importance of the occupations of Cuba and Haiti to US culture, challenging conventional understandings of performance, empire, and race at the turn of the twentieth century.
Modern American Drama: Playwriting in the 1940s
Author: Felicia Hardison Londré
Publisher: Bloomsbury Publishing
ISBN: 1350017485
Category : Literary Criticism
Languages : en
Pages : 325
Book Description
The Decades of Modern American Drama series provides a comprehensive survey and study of the theatre produced in each decade from the 1930s to 2009 in eight volumes. Each volume equips readers with a detailed understanding of the context from which work emerged: an introduction considers life in the decade with a focus on domestic life and conditions, social changes, culture, media, technology, industry and political events; while a chapter on the theatre of the decade offers a wide-ranging and thorough survey of theatres, companies, dramatists, new movements and developments in response to the economic and political conditions of the day. The work of the four most prominent playwrights from the decade receives in-depth analysis and re-evaluation by a team of experts, together with commentary on their subsequent work and legacy. A final section brings together original documents such as interviews with the playwrights and with directors, drafts of play scenes, and other previously unpublished material. The major playwrights and their works to receive in-depth coverage in this volume include: * Eugene O'Neill: The Iceman Cometh (1946), A Moon for the Misbegotten (1947), Long Day's Journey Into Night (written 1941, produced 1956), and A Touch of the Poet (written 1942, produced 1958); * Tennessee Williams: The Glass Menagerie (1944), A Streetcar Named Desire (1947), Summer and Smoke (1948); * Arthur Miller: All My Sons (1947), Death of a Salesman (1949), and The Crucible (1953); * Thornton Wilder: Our Town (1938), The Skin of Our Teeth (1942), Shadow of a Doubt (1943), and The Alcestiad (written 1940s).
Publisher: Bloomsbury Publishing
ISBN: 1350017485
Category : Literary Criticism
Languages : en
Pages : 325
Book Description
The Decades of Modern American Drama series provides a comprehensive survey and study of the theatre produced in each decade from the 1930s to 2009 in eight volumes. Each volume equips readers with a detailed understanding of the context from which work emerged: an introduction considers life in the decade with a focus on domestic life and conditions, social changes, culture, media, technology, industry and political events; while a chapter on the theatre of the decade offers a wide-ranging and thorough survey of theatres, companies, dramatists, new movements and developments in response to the economic and political conditions of the day. The work of the four most prominent playwrights from the decade receives in-depth analysis and re-evaluation by a team of experts, together with commentary on their subsequent work and legacy. A final section brings together original documents such as interviews with the playwrights and with directors, drafts of play scenes, and other previously unpublished material. The major playwrights and their works to receive in-depth coverage in this volume include: * Eugene O'Neill: The Iceman Cometh (1946), A Moon for the Misbegotten (1947), Long Day's Journey Into Night (written 1941, produced 1956), and A Touch of the Poet (written 1942, produced 1958); * Tennessee Williams: The Glass Menagerie (1944), A Streetcar Named Desire (1947), Summer and Smoke (1948); * Arthur Miller: All My Sons (1947), Death of a Salesman (1949), and The Crucible (1953); * Thornton Wilder: Our Town (1938), The Skin of Our Teeth (1942), Shadow of a Doubt (1943), and The Alcestiad (written 1940s).
Canadian Drama
Author:
Publisher:
ISBN:
Category : Canadian drama
Languages : en
Pages : 566
Book Description
Publisher:
ISBN:
Category : Canadian drama
Languages : en
Pages : 566
Book Description