Thomas Hearne and His Landscape PDF Download
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Author: David Morris
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 180
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Book Description
Author: David Morris
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 180
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Book Description
Author: David Morris
Publisher: Reaktion Books
ISBN: 9780295970400
Category : England
Languages : en
Pages : 152
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Book Description
Author: Ann Bermingham
Publisher: Univ of California Press
ISBN: 9780520066236
Category : Architecture
Languages : en
Pages : 288
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Book Description
In this interdisciplinary study, Ann Bermingham explores the complex, ambiguous, and often contradictory relationship between English landscape painting and the socio-economic changes that accompanied enclosure and the Industrial Revolution.
Author: Thomas Hearne
Publisher:
ISBN:
Category :
Languages : en
Pages : 112
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Book Description
Author: Matthew Hargraves
Publisher: Yale University Press
ISBN: 0300116586
Category : Art
Languages : en
Pages : 244
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Book Description
Paul Mellon (1907--1999) assembled one of the world’s greatest collections of British drawings and watercolors. In his memoirs he wrote of their “beauty and freshness… their immediacy and sureness of technique, their comprehensiveness of subject matter, their vital qualities, their Englishness.” This catalogue celebrating the centenary of Mellon's birth features eighty-eight outstanding watercolors from the fifty thousand works of art on paper with which he endowed the Yale Center for British Art. The selection spans the emergence of watercolor painting in the mid-18th century to its apogee in the mid-19th. These works highlight the diversity of British watercolors, showcasing both landscape and figurative works by some of the principal artists working in the medium, including Thomas Gainsborough, Thomas Rowlandson, William Blake, and J. M.W. Turner.
Author: Marc Treib
Publisher: Taylor & Francis
ISBN: 1135995486
Category : Architecture
Languages : en
Pages : 276
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Book Description
Representing Landscape Architecture offers a broad investigation of how the designed landscape is and has been represented: for design study, for criticism and even for its realization. It has been said that we can only realize what we can imagine. But in order to realize we must convey ideas to others as well as to ourselves. Representation is by no means neutral and the process of communication, the process by which the imagination takes its first form, itself necessarily limits the range of our design possibilities. Computers further remove from cognitive processes and raise new questions about methods and limits. Written by a team of renowned practitioners and academics, this book is the best available reference to date on the many dimensions of landscape representation.
Author: Susan Herrington
Publisher: Taylor & Francis
ISBN: 1315470764
Category : Architecture
Languages : en
Pages : 339
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Book Description
Phenomenology, Materiality, Cybernetics, Palimpsest, Cyborgs, Landscape Urbanism, Typology, Semiotics, Deconstruction - the minefield of theoretical ideas that students must navigate today can be utterly confusing, and how do these theories translate to the design studio? Landscape Theory in Design introduces theoretical ideas to students without the use of jargon or an assumption of extensive knowledge in other fields, and in doing so, links these ideas to the processes of design. In five thematic chapters Susan Herrington explains: the theoretic groundings of the theory of philosophy, why it matters to design, an example of the theory in a work of landscape architecture from the twentieth and twenty-first centuries, debates surrounding the theory (particularly as they elaborate modern and postmodern thought) and primary readings that can be read as companions to her text. An extensive glossary of theoretical terms also adds a vital contribution to students’ comprehension of theories relevant to the design of landscapes and gardens. Covering the design of over 40 landscape architects, architects, and designers in 111 distinct projects from 20 different countries, Landscape Theory in Design is essential reading for any student of the landscape.
Author: Greg Smith
Publisher: Routledge
ISBN: 135173010X
Category : Art
Languages : en
Pages : 294
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Book Description
This title was first published in 2002: Draw ing on extensive primary research, Greg Smith describes the shifting cultural identities of the English watercolour, and the English watercolourist, at the end of the eighteenth and the beginning of the nineteenth century. His convincing narrative of the conflicts and alliances that marked the history of the medium and its practitioners during this period includes careful detail about the broader artistic context within which watercolours were produced, acquired and discussed. Smith calls into question many of the received assumptions about the history of watercolour painting. His account exposes the unsatisfactory nature of the traditional narrative of watercolour painting’s development into a ’high’ art form, which has tended to offer a celebratory focus on the innovations and genius of individual practitioners such as Turner and Girtin, rather than detailing the anxieties and aspirations that characterized the ambivalent status of the watercolourist. The Emergence of the Professional Watercolourist is published with the assistance of the Paul Mellon Foundation.
Author: Richard Hayman
Publisher: Palgrave Macmillan
ISBN: 9781852852993
Category : History
Languages : en
Pages : 300
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Book Description
In this book, Richard Hayman traces the different values and virtues people have seen in trees and forests over the course of history, reflecting the changing use of woodland and the effects of deforestation and urbanization. Tacitus, followed by Romantics and historians of liberty, located freedom in the German forests. Medieval forests were both protected hunting parks and the refuge of Robin Hood. Shakespeare contrasted the simplicity of life in the Forest of Arden with the artificial manners of the court. Since the 18th century, poets such as Wordsworth, Clare, and Hardy have drawn inspiration from trees. How we see trees today will dictate how trees are treated in the future.
Author: Mora Abell
Publisher: Trafford Publishing
ISBN: 1412099730
Category : Painters
Languages : en
Pages : 219
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Book Description
Doctor Thomas Monro 1759-1833 Physician, Patron and Painter Introduction Thomas Monro, art collector and doctor to the insane, was a unique figure in London society of the eighteenth anbd early nineteenth centuries. In his professional capacity as head of Bethlem Hospital, Bedlam, the Hospital for the Insane, he was summoned to treat George the Third, during his bouts of madness. His private passion was painting in watercolor, and amongst the artists he befriended and encouraged were J.M.W. Turner and Thomas Girtin. Monro appears to be the missing link in the change of style in watercolors that took place around the beginning of the nineteenth century. Many young men who became leading artists of their day were students at the informal meeting of artists held in his house on Adelphi Terrace, weekly on a Friday evening, from 1974. His house became a studio turning out endless sketches and coloured drawings by young artists, known as 'Monro School Copies'. They copied from drawings by Munro, J.R. Cozens, William ALexander, Henry Edridge and Thomas Hearn: also Monro's neighbour John Henderson had a known contemporary collection of drawings, as had Monro himself, which the students copied from. In addition to Turner and Girtin, John Linnell, John Sell Cotman, Peter de Wint, William Henry Hunt, Joshua Cristall and John Varley, among others, found their way to Monro's evening gatherings. Monro and his friends taught them accusracy in drawing, accompanying them on outdoor sketching trips, teaching them to see from Nature, as well as giving them the enjoyment of the company of other young artists, with an opportunity to share ideas. The as yet acknowledged Monro, played a key role in the development of the styles of these artists. The rise and establishment of watercolor painting, with the standards and ideals which Monro insisted upon, had much to do with the unrivaled position which the English School in Water-Colours had attained by the time of his death, whilst John Ruskin went so far as to say that Thomas Monro was "Turner's true master." So many papers are still held by family memebers, which is why so little correct information had appeared on Thomas Monro to date. With five children surviving him, much has been distributed to their descendants, so it is difficult to get a clear picture. Included in the story is a brief description of Bedlam, od the Bethlem, Hospital. Monro never kept a diary, but his son Edward Thomas (Tom) did, and these diaries and those of his artistic son Henry, and Sally his daughter, have been made available to me. THese form the basis for the book, and are held by a member of the family. Letters and descriptions, many of still in private hands, gave further insight.
