Author: Jeannette King
Publisher: Cambridge University Press
ISBN: 9780521216708
Category : Literary Criticism
Languages : en
Pages : 200
Book Description
How does one dominant literary genre fall into decline, to be superseded by another? The classic instance is the rise of the novel in the nineteenth century, and how it came to embody the tragic vision of life which had previously been the domain of drama. Dr King focuses on three novelists, George Eliot. Thomas Hardy and Henry James. All three, while trying to offer a realistic picture of life in prose narrative, wrote with the concept of tragedy clearly in mind. The concern was widespread, and Victorian literary critics found themselves discussing the problem of how one might reconcile concepts as dissimilar as tragedy and realism. Their criticism provides Dr King with her starting point. Dr King examines the work of her three authors in relation to the large concepts of traditional tragic thought, and also examines how the form of specific novels was affected by their differing ideas of tragedy.
What the Birds See
Author: Sonya Hartnett
Publisher: Candlewick Press
ISBN: 0763636800
Category : Juvenile Fiction
Languages : en
Pages : 209
Book Description
While the residents of his town concern themselves with the disappearance of three children, a lonely, rejected nine-year-old boy worries that he may inherit his mother's insanity. Reprint.
Publisher: Candlewick Press
ISBN: 0763636800
Category : Juvenile Fiction
Languages : en
Pages : 209
Book Description
While the residents of his town concern themselves with the disappearance of three children, a lonely, rejected nine-year-old boy worries that he may inherit his mother's insanity. Reprint.
The Cambridge Companion to Thomas Hardy
Author: Dale Kramer
Publisher: Cambridge University Press
ISBN: 9780521566926
Category : Literary Criticism
Languages : en
Pages : 264
Book Description
Thomas Hardy's fiction has had a remarkably strong appeal for general readers for decades, and his poetry has been acclaimed as among the most influential of the twentieth century. His work still creates passionate advocacy and opposition. The Cambridge Companion to Thomas Hardy is an essential introduction to this most enigmatic of writers. These commissioned essays from an international team of contributors comprises a general overview of all Hardy' s work and specific demonstrations of Hardy's ideas and literary skills. Individual essays explore Hardy's biography, aesthetics, his famous attachment to Wessex, and the impact on his work of developments in science, religion and philosophy in the late nineteenth century. Hardy's writing is also analysed against developments in contemporary critical theory and issues such as sexuality and gender. The volume also contains a detailed chronology of Hardy's life and publications, and a guide to further reading.
Publisher: Cambridge University Press
ISBN: 9780521566926
Category : Literary Criticism
Languages : en
Pages : 264
Book Description
Thomas Hardy's fiction has had a remarkably strong appeal for general readers for decades, and his poetry has been acclaimed as among the most influential of the twentieth century. His work still creates passionate advocacy and opposition. The Cambridge Companion to Thomas Hardy is an essential introduction to this most enigmatic of writers. These commissioned essays from an international team of contributors comprises a general overview of all Hardy' s work and specific demonstrations of Hardy's ideas and literary skills. Individual essays explore Hardy's biography, aesthetics, his famous attachment to Wessex, and the impact on his work of developments in science, religion and philosophy in the late nineteenth century. Hardy's writing is also analysed against developments in contemporary critical theory and issues such as sexuality and gender. The volume also contains a detailed chronology of Hardy's life and publications, and a guide to further reading.
The Flirt's Tragedy
Author: Richard A. Kaye
Publisher: University of Virginia Press
ISBN: 0813922003
Category : Literary Criticism
Languages : en
Pages : 258
Book Description
In the flirtation plots of novels by Jane Austen, Charlotte Brontë, and W. M. Thackeray, heroines learn sociability through competition with naughty coquette-doubles. In the writing of George Eliot and Thomas Hardy, flirting harbors potentially tragic consequences, a perilous game then adapted by male flirts in the novels of Oscar Wilde and Henry James. In revising Gustave Flaubert’s Sentimental Education in The Age of Innocence, Edith Wharton critiques the nineteenth-century European novel as morbidly obsessed with deferred desires. Finally, in works by D. H. Lawrence and E. M. Forster, flirtation comes to reshape the modernist representation of homoerotic relations. In The Flirt’s Tragedy: Desire without End in Victorian and Edwardian Fiction, Richard Kaye makes a case for flirtation as a unique, neglected species of eros that finds its deepest, most elaborately sustained fulfillment in the nineteenth-century and early twentieth-century novel. The author examines flirtation in major British, French, and American texts to demonstrate how the changing aesthetic of such fiction fastened on flirtatious desire as a paramount subject for distinctly novelistic inquiry. The novel, he argues, accentuated questions of ambiguity and ambivalence on which an erotics of deliberate imprecision thrived. But the impact of flirtation was not only formal. Kaye views coquetry as an arena of freedom built on a dialectic of simultaneous consent and refusal, as well as an expression of "managed desire," a risky display of female power, and a cagey avenue for the expression of dissident sexualities. Through coquetry, novelists offered their response to important scientific and social changes and to the rise of the metropolis as a realm of increasingly transient amorous relations. Challenging current trends in gender, post-gender, and queer-theory criticism, and considering texts as diverse as Darwin’s The Descent of Man and Gilbert and Sullivan’s The Mikado, Kaye insists that critical appraisals of Victorian and Edwardian fiction must move beyond existing paradigms defining considerations of flirtation in the novel. The Flirt’s Tragedy offers a lively, revisionary, often startling assessment of nineteenth-century fiction that will alter our understanding of the history of the novel.
Publisher: University of Virginia Press
ISBN: 0813922003
Category : Literary Criticism
Languages : en
Pages : 258
Book Description
In the flirtation plots of novels by Jane Austen, Charlotte Brontë, and W. M. Thackeray, heroines learn sociability through competition with naughty coquette-doubles. In the writing of George Eliot and Thomas Hardy, flirting harbors potentially tragic consequences, a perilous game then adapted by male flirts in the novels of Oscar Wilde and Henry James. In revising Gustave Flaubert’s Sentimental Education in The Age of Innocence, Edith Wharton critiques the nineteenth-century European novel as morbidly obsessed with deferred desires. Finally, in works by D. H. Lawrence and E. M. Forster, flirtation comes to reshape the modernist representation of homoerotic relations. In The Flirt’s Tragedy: Desire without End in Victorian and Edwardian Fiction, Richard Kaye makes a case for flirtation as a unique, neglected species of eros that finds its deepest, most elaborately sustained fulfillment in the nineteenth-century and early twentieth-century novel. The author examines flirtation in major British, French, and American texts to demonstrate how the changing aesthetic of such fiction fastened on flirtatious desire as a paramount subject for distinctly novelistic inquiry. The novel, he argues, accentuated questions of ambiguity and ambivalence on which an erotics of deliberate imprecision thrived. But the impact of flirtation was not only formal. Kaye views coquetry as an arena of freedom built on a dialectic of simultaneous consent and refusal, as well as an expression of "managed desire," a risky display of female power, and a cagey avenue for the expression of dissident sexualities. Through coquetry, novelists offered their response to important scientific and social changes and to the rise of the metropolis as a realm of increasingly transient amorous relations. Challenging current trends in gender, post-gender, and queer-theory criticism, and considering texts as diverse as Darwin’s The Descent of Man and Gilbert and Sullivan’s The Mikado, Kaye insists that critical appraisals of Victorian and Edwardian fiction must move beyond existing paradigms defining considerations of flirtation in the novel. The Flirt’s Tragedy offers a lively, revisionary, often startling assessment of nineteenth-century fiction that will alter our understanding of the history of the novel.
Modern Literature and the Tragic
Author: K. M. Newton
Publisher: Edinburgh University Press
ISBN: 0748636749
Category : Literary Criticism
Languages : en
Pages : 192
Book Description
This book explores modern literature's responses to the tragic. It examines writers from the latter half of the nineteenth century through to the later twentieth century who respond to ideas about tragedy. Although Ibsen has been accused of being responsible for the 'death of tragedy', Ken Newton argues that Ibsen instead generates an anti-tragic perspective that had a major influence on dramatists such as Shaw and Brecht. By contrast, writers such as Hardy and Conrad, influenced by Schopenhauerean pessimism and Darwinism, attempt to modernise the concept of the tragic. Nietzsche's revisionist interpretation of the tragic influenced writers who either take pessimism or the 'Dionysian' commitment to life to an extreme, as in Strindberg and D. H. Lawrence. Different views emerge in the period following the second world war with the 'Theatre of the Absurd' and postmodern anti-foundationalism.
Publisher: Edinburgh University Press
ISBN: 0748636749
Category : Literary Criticism
Languages : en
Pages : 192
Book Description
This book explores modern literature's responses to the tragic. It examines writers from the latter half of the nineteenth century through to the later twentieth century who respond to ideas about tragedy. Although Ibsen has been accused of being responsible for the 'death of tragedy', Ken Newton argues that Ibsen instead generates an anti-tragic perspective that had a major influence on dramatists such as Shaw and Brecht. By contrast, writers such as Hardy and Conrad, influenced by Schopenhauerean pessimism and Darwinism, attempt to modernise the concept of the tragic. Nietzsche's revisionist interpretation of the tragic influenced writers who either take pessimism or the 'Dionysian' commitment to life to an extreme, as in Strindberg and D. H. Lawrence. Different views emerge in the period following the second world war with the 'Theatre of the Absurd' and postmodern anti-foundationalism.
A Pair of Blue Eyes
Author: Thomas Hardy
Publisher:
ISBN:
Category :
Languages : en
Pages : 274
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 274
Book Description
Tragedy in the Victorian Novel
Author: Jeannette King
Publisher: Cambridge University Press
ISBN: 9780521216708
Category : Literary Criticism
Languages : en
Pages : 200
Book Description
How does one dominant literary genre fall into decline, to be superseded by another? The classic instance is the rise of the novel in the nineteenth century, and how it came to embody the tragic vision of life which had previously been the domain of drama. Dr King focuses on three novelists, George Eliot. Thomas Hardy and Henry James. All three, while trying to offer a realistic picture of life in prose narrative, wrote with the concept of tragedy clearly in mind. The concern was widespread, and Victorian literary critics found themselves discussing the problem of how one might reconcile concepts as dissimilar as tragedy and realism. Their criticism provides Dr King with her starting point. Dr King examines the work of her three authors in relation to the large concepts of traditional tragic thought, and also examines how the form of specific novels was affected by their differing ideas of tragedy.
Publisher: Cambridge University Press
ISBN: 9780521216708
Category : Literary Criticism
Languages : en
Pages : 200
Book Description
How does one dominant literary genre fall into decline, to be superseded by another? The classic instance is the rise of the novel in the nineteenth century, and how it came to embody the tragic vision of life which had previously been the domain of drama. Dr King focuses on three novelists, George Eliot. Thomas Hardy and Henry James. All three, while trying to offer a realistic picture of life in prose narrative, wrote with the concept of tragedy clearly in mind. The concern was widespread, and Victorian literary critics found themselves discussing the problem of how one might reconcile concepts as dissimilar as tragedy and realism. Their criticism provides Dr King with her starting point. Dr King examines the work of her three authors in relation to the large concepts of traditional tragic thought, and also examines how the form of specific novels was affected by their differing ideas of tragedy.
The Aristotelian Tragic Hero in Thomas Hardy ́s Novels. A Comparative Study
Author: Martin Mares
Publisher: GRIN Verlag
ISBN: 3346121410
Category : Literary Collections
Languages : en
Pages : 49
Book Description
Academic Paper from the year 2013 in the subject Literature - Modern Literature, Masaryk University , language: English, abstract: The aim of this paper is to analyse the character of Jocelyn Pierston as a tragic hero. The paper focuses on two novels - "The Pursuit of the Well-Beloved" and "The Well- Beloved" - and is divided into two main chapters, while the latter novel is preferred. The first half of the work is dedicated to the Aristotelian concept of the tragic hero, its usage and the conditions for a protagonist to be labeled as such. In addition, some of Thomas Hardy’s opinions on humanity, fate and nature will be shown and discussed with several sources, as well as his attitude towards tragic heroes. In the second half the main protagonist is thoroughly examined in both novels in order to find his tragic flaw and understand his character.By the analysis of various tragic effects depicted in the source texts the thesis tries to argue whether Pierston fulfills those conditions and is a tragic hero or whether he simply lacks the needed qualities.
Publisher: GRIN Verlag
ISBN: 3346121410
Category : Literary Collections
Languages : en
Pages : 49
Book Description
Academic Paper from the year 2013 in the subject Literature - Modern Literature, Masaryk University , language: English, abstract: The aim of this paper is to analyse the character of Jocelyn Pierston as a tragic hero. The paper focuses on two novels - "The Pursuit of the Well-Beloved" and "The Well- Beloved" - and is divided into two main chapters, while the latter novel is preferred. The first half of the work is dedicated to the Aristotelian concept of the tragic hero, its usage and the conditions for a protagonist to be labeled as such. In addition, some of Thomas Hardy’s opinions on humanity, fate and nature will be shown and discussed with several sources, as well as his attitude towards tragic heroes. In the second half the main protagonist is thoroughly examined in both novels in order to find his tragic flaw and understand his character.By the analysis of various tragic effects depicted in the source texts the thesis tries to argue whether Pierston fulfills those conditions and is a tragic hero or whether he simply lacks the needed qualities.
Our Tragic Universe
Author: Scarlett Thomas
Publisher: HMH
ISBN: 0547504659
Category : Fiction
Languages : en
Pages : 388
Book Description
This “delightfully whimsical novel riffs on the premise that ordinary lives stubbornly resist the tidy order that a fiction narrative might impose on them” (Publishers Weekly). Can a story save your life? Meg Carpenter is broke. Her novel is years overdue. Her cell phone is out of minutes. And her moody boyfriend’s only contribution to the household is his sour attitude. So she jumps at the chance to review a pseudoscientific book that promises life everlasting. But who wants to live forever? Consulting cosmology and physics, tarot cards, koans (and riddles and jokes), new-age theories of everything, narrative theory, Nietzsche, Baudrillard, and knitting patterns, Meg wends her way through Our Tragic Universe, asking this and many other questions. Does she believe in fairies? In magic? Is she a superbeing? Is she living a storyless story? And what’s the connection between her off-hand suggestion to push a car into a river, a ship in a bottle, a mysterious beast loose on the moor, and the controversial author of The Science of Living Forever? Smart, entrancing, and boiling over with Thomas’s trademark big ideas, Our Tragic Universe is a book about how relationships are created and destroyed, how we can rewrite our futures (if not our histories), and how stories just might save our lives.
Publisher: HMH
ISBN: 0547504659
Category : Fiction
Languages : en
Pages : 388
Book Description
This “delightfully whimsical novel riffs on the premise that ordinary lives stubbornly resist the tidy order that a fiction narrative might impose on them” (Publishers Weekly). Can a story save your life? Meg Carpenter is broke. Her novel is years overdue. Her cell phone is out of minutes. And her moody boyfriend’s only contribution to the household is his sour attitude. So she jumps at the chance to review a pseudoscientific book that promises life everlasting. But who wants to live forever? Consulting cosmology and physics, tarot cards, koans (and riddles and jokes), new-age theories of everything, narrative theory, Nietzsche, Baudrillard, and knitting patterns, Meg wends her way through Our Tragic Universe, asking this and many other questions. Does she believe in fairies? In magic? Is she a superbeing? Is she living a storyless story? And what’s the connection between her off-hand suggestion to push a car into a river, a ship in a bottle, a mysterious beast loose on the moor, and the controversial author of The Science of Living Forever? Smart, entrancing, and boiling over with Thomas’s trademark big ideas, Our Tragic Universe is a book about how relationships are created and destroyed, how we can rewrite our futures (if not our histories), and how stories just might save our lives.
Jude the Obscure
Author: Thomas Hardy
Publisher:
ISBN:
Category :
Languages : en
Pages : 312
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 312
Book Description
Tess of the D'Urbervilles
Author: Thomas Hardy
Publisher: Courier Corporation
ISBN: 0486115003
Category : Fiction
Languages : en
Pages : 339
Book Description
A ne'er-do-well exploits his gentle daughter's beauty for social advancement in this tragic masterpiece. Hardy's 1891 novel defied convention to focus on the rural lower class for a frank treatment of sexuality and religion.
Publisher: Courier Corporation
ISBN: 0486115003
Category : Fiction
Languages : en
Pages : 339
Book Description
A ne'er-do-well exploits his gentle daughter's beauty for social advancement in this tragic masterpiece. Hardy's 1891 novel defied convention to focus on the rural lower class for a frank treatment of sexuality and religion.