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Author: Anne Veronica Witchard
Publisher: Routledge
ISBN: 135187943X
Category : Literary Criticism
Languages : en
Pages : 512
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Book Description
Focusing on Thomas Burke's bestselling collection of short stories, Limehouse Nights (1916), this book contextualises the burgeoning cult of Chinatown in turn-of-the-century London. London's 'Chinese Quarter' owed its notoriety to the Yellow Perilism that circulated in Britain at the fin-de-siècle, a demonology of race and vice masked by outward concerns about degenerative metropolitan blight and imperial decline. Anne Witchard's interdisciplinary approach enables her to displace the boundaries that have marked Chinese studies, literary studies, critiques of Orientalism and empire, gender studies, and diasporic research, as she reassesses this critical moment in London's history. In doing so, she brings attention to Burke's hold on popular and critical audiences on both sides of the Atlantic. A much-admired and successful author in his time, Burke in his Chinatown stories destabilizes social orthodoxies in highly complex and contradictory ways. For example, his writing was formative in establishing the 'queer spell' that the very mention of Limehouse would exert on the public imagination, and circulating libraries responded to Burke's portrayal of a hybrid East End where young Cockney girls eat Chow Mein with chopsticks in the local cafés and blithely gamble their housekeeping money at Fan Tan by banning Limehouse Nights. Witchard's book forces us to rethink Burke's influence and shows that China and chinoiserie served as mirrors that reveal the cultural disquietudes of western art and culture.
Author: Anne Veronica Witchard
Publisher: Routledge
ISBN: 135187943X
Category : Literary Criticism
Languages : en
Pages : 512
Get Book Here
Book Description
Focusing on Thomas Burke's bestselling collection of short stories, Limehouse Nights (1916), this book contextualises the burgeoning cult of Chinatown in turn-of-the-century London. London's 'Chinese Quarter' owed its notoriety to the Yellow Perilism that circulated in Britain at the fin-de-siècle, a demonology of race and vice masked by outward concerns about degenerative metropolitan blight and imperial decline. Anne Witchard's interdisciplinary approach enables her to displace the boundaries that have marked Chinese studies, literary studies, critiques of Orientalism and empire, gender studies, and diasporic research, as she reassesses this critical moment in London's history. In doing so, she brings attention to Burke's hold on popular and critical audiences on both sides of the Atlantic. A much-admired and successful author in his time, Burke in his Chinatown stories destabilizes social orthodoxies in highly complex and contradictory ways. For example, his writing was formative in establishing the 'queer spell' that the very mention of Limehouse would exert on the public imagination, and circulating libraries responded to Burke's portrayal of a hybrid East End where young Cockney girls eat Chow Mein with chopsticks in the local cafés and blithely gamble their housekeeping money at Fan Tan by banning Limehouse Nights. Witchard's book forces us to rethink Burke's influence and shows that China and chinoiserie served as mirrors that reveal the cultural disquietudes of western art and culture.
Author: Thomas Burke
Publisher:
ISBN:
Category :
Languages : en
Pages : 322
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Book Description
Author:
Publisher:
ISBN:
Category : Times (London, England)
Languages : en
Pages : 1552
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Book Description
Indexes the Times, Sunday times and magazine, Times literary supplement, Times educational supplement, Times educational supplement Scotland, and the Times higher education supplement.
Author: Susan L. Greenberg
Publisher: Springer
ISBN: 3319922467
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
This original and authoritative book offers a first-ever attempt to define a poetics of the editing arts. It proposes a new field of editing studies, in which the ‘ideal editor’ can be understood in relation to the long-theorised author and reader. The book’s premise is that editing, like other forms of ‘making’, is mostly invisible and can only be brought into full view through a comparative analysis that includes the insights of practitioners. The argument, laid down in careful layers, is supported by a panoramic historical narrative that tracks the shifts in textual authority from religious and secular institutions to the romanticised self of the digital present. The dangers posed by the anti-editing rhetoric of this hybrid romanticism are confronted head-on. To the traditional perception of editing as the imposition of closure, A Poetics of Editing adds a perspective on a dynamic process with a sense of the possible.
Author: Sula Benet
Publisher: New York : Holt, Rinehart and Winston
ISBN:
Category : Social Science
Languages : en
Pages : 132
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Book Description
