First Supplement to the Catalogue of the Young Men's Association Library of the City of Buffalo PDF Download
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Author: Young Men's Association of the City of Buffalo. Library
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 568
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Book Description
Author: Frederick Burwick
Publisher: Cambridge University Press
ISBN: 1139476998
Category : Drama
Languages : en
Pages : 355
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Book Description
Drama in the Romantic period underwent radical changes affecting theatre performance, acting, and audience. Theatres were rebuilt and expanded to accommodate larger audiences, and consequently acting styles and the plays themselves evolved to meet the expectations of the new audiences. This book examines manifestations of change in acting, stage design, setting, and the new forms of drama. Actors exercised a persistent habit of stepping out of their roles, whether scripted or not. Burwick traces the radical shifts in acting style from Garrick to Kemble and Siddons, and to Kean and Macready, adding a new dimension to understanding the shift in cultural sensibility from early to later Romantic literature. Eye-witness accounts by theatre-goers and critics attending plays at the major playhouses of London, the provinces, and on the Continent are provided, allowing readers to identify with the experience of being in the theatre during this tumultuous period.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 748
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 608
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Book Description
Author: Edinburgh University Library
Publisher: Edinburgh : T. and A. Constable
ISBN:
Category : Library catalogs
Languages : en
Pages : 1404
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Book Description
Author: W. Baker
Publisher: Springer
ISBN: 0230593224
Category : Literary Criticism
Languages : en
Pages : 251
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Book Description
This book builds on a critical and scholarly revival of interest in Collins. Baker draws upon biographical revelations and the recent publication of Collins's letters to provide a unique insight into both the man and the writer. The volume will appeal to all students of Collins and those with an interest in the life of Nineteenth-century England.
Author: Wilkie Collins
Publisher: e-artnow
ISBN: 8027236282
Category : Literary Collections
Languages : en
Pages : 1036
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Book Description
This carefully edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Wilkie Collins (1824-1889) was an English novelist, playwright, and author of short stories. His best-known works are The Woman in White, No Name, Armadale, and The Moonstone. Table of Contents: Biographies: Memoirs of the Life of William Collins (With Selections From His Journals and Correspondence) Wilkie Collins' Charms (Biography by Olive Logan) Letters and Literary Writings: A Clause for the New Reform Bill A Column to Burns A Dramatic Author A Fair Penitent A Pictorial Tour to St George Bosherville A Shy Scheme Address from the Queen to Certain of Her Subjects in Office Awful Warning to Bachelors Books Necessary for a Liberal Education Burns Viewed As a Hat-Peg Considerations on The Copyright Question Deep Design on Society Doctor Dulcamara, MP Dramatic Grub Street How I Write My Books Magnetic Evenings at Home Pity a Poor Prince Rambles Beyond Railways Reminiscences of a Storyteller Sermon for Sepoys Thanks to Doctor Livingstone The Cruise of the Tomtit The Debtor's Best Friend The Exhibition of the Royal Academy The Little Huguenot The National Gallery and the Old Masters
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 738
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 876
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Book Description
Author: Rosalind Crone
Publisher: Manchester University Press
ISBN: 184779470X
Category : History
Languages : en
Pages : 448
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Book Description
By drawing attention to the wide range of gruesome, bloody and confronting amusements patronised by ordinary Londoners this book challenges our understanding of Victorian society and culture. From the turn of the nineteenth century, graphic, yet orderly, ‘re-enactments’ of high level violence flourished in travelling entertainments, penny broadsides, popular theatres, cheap instalment fiction and Sunday newspapers. This book explores the ways in which these entertainments siphoned off much of the actual violence that had hitherto been expressed in all manner of social and political dealings, thus providing a crucial accompaniment to schemes for the reformation of manners and the taming of the streets, while also serving as a social safety valve and a check on the growing cultural hegemony of the middle class.
Author: Ignacio Ramos Gay
Publisher: Cambridge Scholars Publishing
ISBN: 1443868698
Category : Performing Arts
Languages : en
Pages : 182
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Book Description
This book aims to explore which plays were deemed ‘suitable’ to be reworked for foreign or local stages; what transformations – linguistic, semiotic, theatrical – were undertaken so as to accommodate international audiences; how national literary traditions are forged, altered, and diluted by means of transnational adapting techniques; and, finally, to what extent the categorical boundaries between original plays and adaptations may be blurred on the account of such adjusting textual strategies. It brings together ten articles that scrutinise the linguistic, social, political and theatrical complexities inherent in the intercultural transference of plays. The approaches presented by the different contributors investigate modern British theatre as an instance of diachronic and synchronic transnational adaptations based upon a myriad of influences originating in, and projected upon, other national dramatic traditions. These traditions, rooted in relatively distant geographies and epochs, are traced so as to illustrate the split between the state-imposed identity and personal, subjective identity caused by cultural negotiations of the self in an age of globalism. International frontiers are thus pointed at in order to claim the need to be transcended in the process of cultural re-appropriation associated with theatre performance for international audiences.
