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Author: Ann Temkin
Publisher: Philadelphia Museum (PA)
ISBN:
Category : Art
Languages : en
Pages : 284
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Book Description
Udstillingskatalog over den østrigske kunstner Joseph Beuys (1921-1986)
Author: Ann Temkin
Publisher: Philadelphia Museum (PA)
ISBN:
Category : Art
Languages : en
Pages : 284
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Book Description
Udstillingskatalog over den østrigske kunstner Joseph Beuys (1921-1986)
Author: Ann Temkin
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Ann Temkin
Publisher: Thames & Hudson
ISBN: 9780500015476
Category : Art
Languages : en
Pages : 279
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Book Description
The public reaction that greeted Joseph Beuys's death in 1986 resembled that more usually accorded to a deceased world statesman than an artist. Yet even now the art and life of this controversial and extremely influential German artist remain impenetrably intertwined - even more so perhaps because Beuys, like Marcel Duchamp and Andy Warhol, precisely orchestrated his public image, building a personal myth that has the power to bind together his entire oeuvre. Thinking Is Form breaks through the mass of obscure writing about Joseph Beuys to introduce this legendary artist in a simple and clear manner, through his utterly individual drawings. The subject of a major touring exhibition at The Museum of Modern Art, New York, The Museum of Contemporary Art, Los Angeles, the Philadelphia Museum of Art, and The Art Institute of Chicago, Beuys's drawings are used here as the springboard for discussions of his life, art, and ideas. Some employ such unconventional mediums as hare's blood or margarine, or use the backs of envelopes or commercial stationery. Some incorporate photographs, pressed flowers, and other organic materials, emphasizing their function as a reservoir of ideas for Beuys's sculpture, actions (performance art), and other enterprises. His achievement is viewed in the broader context of European art, and his graphic works are considered chronologically as his formative medium, in relation to his work as a whole, and as autobiographical narrative. This is the first time that the disciplines of curator and connoisseur have been rigorously applied to the selection and presentation of a truly representative segment of Beuys's work. Beuys, following the strategy articulated byDuchamp, made his own life his masterwork, and his drawings formed the drafts for that work. Now that the work is complete, it is through the drawings that we can begin to grasp as a whole the accomplishment of a man who declared "Everyone is an artist".
Author: Mark Lawrence Rosenthal
Publisher:
ISBN:
Category : Conceptual art
Languages : en
Pages : 232
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Book Description
Author: Carl-Peter Buschkühle
Publisher: BRILL
ISBN: 9004424555
Category : Education
Languages : en
Pages : 249
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Book Description
Joseph Beuys significantly influenced the development of art in recent decades through his expanded definition of art. In his art and reflections on art, he raised far-reaching questions on the nature of art and its central importance for modern education. His famous claim, “Every human is an artist,“ points to the fundamental ability of every human to be creative in the art of life – with respect to the development of one’s own personality and one’s actions within society. Beuys saw society as an artwork in a permanent process of transformation, a ‘social sculpture‘ in which every person participated, and for which everyone should be educated as comprehensively as possible. Beuys describes pedagogy as central to his art. This book thus examines important aspects of Beuys’s art and theory and the challenges they raise for contemporary artistic education. It outlines the foundational theoretical qualities of artistic education and discusses the practice of ‘artistic projects’ in a series of empirical examples. The author, Carl-Peter Buschkühle, documents projects he has undertaken with various high school classes. In additional chapters, Mario Urlaß discusses the great value of artistic projects in primary school, and Christian Wagner reflects on his collaboration with the performance artist Wolfgang Sautermeister and school students in a socially-disadvantaged urban area. Artistic education has become one of the most influential art-pedagogical concepts in German-speaking countries. This book presents its foundations and educational practices in English for the first time.
Author: Joseph Beuys
Publisher: Schirmer/Mosel
ISBN: 9783829604826
Category : Installations (Art)
Languages : en
Pages : 0
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Book Description
Twenty-four years after his death, the Kunstsammlung Nordrhein-Westfalen is paying homage to the artist, educator and political activist Joseph Beuys (1921-1986) in Düsseldorf, the city with which he is primarily associated. Often the object of intense debate and much hostility during his lifetime, today Beuys ranks among the 20th century's most important and most innovative figures of the artistic avant-garde and is often mentioned in the same breath as Marcel Duchamp and Andy Warhol. This companion book shares the exhibition's goal of displaying "the complete Beuys" by presenting selected works from all phases and artistic media of his multifaceted œuvre.
Author: Joseph Beuys
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 188
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Book Description
Author: Joseph Beuys
Publisher: Thunder's Mouth Press
ISBN: 9781568580074
Category : Art
Languages : en
Pages : 274
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Book Description
Joseph Beuys in America,Writings by and Interviews with the Artist,A deeply interesting collection of material by and,about this most important of contemporary artists.,Of immense interest to all admirers of Beuys and,anyone interested in modern art.
Author: Joseph Beuys
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 168
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Book Description
Author: Benjamin H. D. Buchloh
Publisher: MIT Press
ISBN: 9780262523479
Category : Design
Languages : en
Pages : 638
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Book Description
Eighteen essays written by Buchloh over the last twenty years, each looking at a single artist within the framework of specific theoretical and historical questions. Some critics view the postwar avant-garde as the empty recycling of forms and strategies from the first two decades of the twentieth century. Others view it, more positively, as a new articulation of the specific conditions of cultural production in the postwar period. Benjamin Buchloh, one of the most insightful art critics and theoreticians of recent decades, argues for a dialectical approach to these positions.This collection contains eighteen essays written by Buchloh over the last twenty years. Each looks at a single artist within the framework of specific theoretical and historical questions. The art movements covered include Nouveau Realisme in France (Arman, Yves Klein, Jacques de la Villegle) art in postwar Germany (Joseph Beuys, Sigmar Polke, Gerhard Richter), American Fluxus and pop art (Robert Watts and Andy Warhol), minimalism and postminimal art (Michael Asher and Richard Serra), and European and American conceptual art (Daniel Buren, Dan Graham). Buchloh addresses some artists in terms of their oppositional approaches to language and painting, for example, Nancy Spero and Lawrence Weiner. About others, he asks more general questions concerning the development of models of institutional critique (Hans Haacke) and the theorization of the museum (Marcel Broodthaers); or he addresses the formation of historical memory in postconceptual art (James Coleman). One of the book's strengths is its systematic, interconnected account of the key issues of American and European artistic practice during two decades of postwar art. Another is Buchloh's method, which integrates formalist and socio-historical approaches specific to each subject.
