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Author: Premee Mohamed
Publisher: Rebellion Publishing Ltd
ISBN: 1786184486
Category : Fiction
Languages : en
Pages : 176
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Book Description
Eva is a survivor. They invaded without warning and killed nearly all of humanity, and all she can do to stay sane is keep a journal about her struggle. Fifty years later, her words are found by Emerson, a young anthropologist sent to the ruins to study what happened, unlocking a story of hope and defiance.
Author: Premee Mohamed
Publisher: Rebellion Publishing Ltd
ISBN: 1786184486
Category : Fiction
Languages : en
Pages : 176
Get Book Here
Book Description
Eva is a survivor. They invaded without warning and killed nearly all of humanity, and all she can do to stay sane is keep a journal about her struggle. Fifty years later, her words are found by Emerson, a young anthropologist sent to the ruins to study what happened, unlocking a story of hope and defiance.
Author: Percy Bysshe Shelley
Publisher:
ISBN: 9781511470759
Category :
Languages : en
Pages : 34
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Book Description
Here is the poem Ozymandias by Percy Bysshe Shelley like you've never seen it before. With strange illustrations that breathe a new life into the poem, this book is something different for you to add to your bookshelf.
Author: Frederick Burwick
Publisher: Penn State Press
ISBN: 0271038802
Category : Literary Criticism
Languages : en
Pages : 218
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Book Description
In Romantic theories of art and literature, the notion of mimesis&—defined as art&’s reflection of the external world&—became introspective and self-reflexive as poets and artists sought to represent the act of creativity itself. Frederick Burwick seeks to elucidate this Romantic aesthetic, first by offering an understanding of key Romantic mimetic concepts and then by analyzing manifestations of the mimetic process in literary works of the period. Burwick explores the mimetic concepts of &"art for art's sake,&" &"Idem et Alter,&" and &"palingenesis of mind as art&" by drawing on the theories of Philo of Alexandria, Aristotle, Immanuel Kant, Friedrich Schiller, Friederich Wilhelm Joseph von Schelling, Thomas De Quincey, and Germaine de Sta&ël. Having established the philosophical bases of these key mimetic concepts, Burwick analyzes manifestations of mimesis in the literature of the period, including ekphrasis in the work of Thomas De Quincey, mirrored images in the poems of Samuel Taylor Coleridge and William Wordsworth, and the twice-told tale in the novels of Charles Brockden Brown, E. T. A. Hoffmann, and James Hogg. Although artists of this period have traditionally been dismissed in discussions of mimesis, Burwick demonstrates that mimetic concepts comprised a major component of the Romantic aesthetic.
Author: Shalu Mehra
Publisher: Vikas Publishing House
ISBN: 9352713508
Category : Language Arts & Disciplines
Languages : en
Pages : 160
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Book Description
My English Garden is an innovative course in English language learning, which combines principles of communicative language learning with a functional approach to grammar through task-based learning.
Author: Mini Joseph & Hilda Peacock
Publisher: Vikas Publishing House
ISBN: 9325986094
Category : Language Arts & Disciplines
Languages : en
Pages : 160
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Book Description
Skylark is a multi-skill based series of coursebooks and workbooks for Classes 1-8. It caters to the needs of the learners and the facilitators of the English language through its approach—teaching language through literature. Through their simple, lucid and visually appealing presentation of content, the books make language acquisition effortless, seamless and engrossing for the learners.
Author: Barbara Johnson
Publisher: Harvard University Press
ISBN: 9780674026384
Category : Literary Criticism
Languages : en
Pages : 276
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Book Description
Moving effortlessly between symbolist poetry and Barbie dolls, artificial intelligence and Kleist, Kant, and Winnicott, Barbara Johnson not only clarifies psychological and social dynamics; she also re-dramatizes the work of important tropes—without ever losing sight of the ethical imperative with which she begins: the need to treat persons as persons. In Persons and Things, Johnson turns deconstruction around to make a fundamental contribution to the new aesthetics. She begins with the most elementary thing we know: deconstruction calls attention to gaps and reveals that their claims upon us are fraudulent. Johnson revolutionizes the method by showing that the inanimate thing exposed as a delusion is central to fantasy life, that fantasy life, however deluded, should be taken seriously, and that although a work of art “is formed around something missing,” this “void is its vanishing point, not its essence.” She shows deftly and delicately that the void inside Keats’s urn, Heidegger’s jug, or Wallace Stevens’s jar forms the center around which we tend to organize our worlds. The new aesthetics should restore fluidities between persons and things. In pursuing it, Johnson calls upon Ovid, Keats, Poe, Plath, and others who have inhabited this in-between space. The entire process operates via a subtlety that only a critic of Johnson’s caliber could reveal to us.
Author: Gordon C.F. Bearn
Publisher: Fordham Univ Press
ISBN: 0823244806
Category : Art
Languages : en
Pages : 353
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Book Description
Deleuze's publications have attracted enormous attention, but scant attention has been paid to the existential relevance of Deleuze's writings. In the lineage of Nietzsche, Life Drawing develops a fully affirmative Deleuzean aesthetics of existence.For Foucault and Nehamas, the challenge of an aesthetics of existence is to make your life, in one way or another, a work of art. In contrast, Bearn argues that art is too narrow a concept to guide this kind of existential project. He turns instead to the more generous notion of beauty, but he argues that the philosophical tradition has mostly misconceived beauty in terms of perfection. Heraclitus and Kant are well-known exceptions to this mistake, and Bearn suggests that because Heraclitean becoming is beyond conceptual characterization, it promises a sensualized experience akin to what Kant called free beauty. In this new aesthetics of existence, the challengeis to become beautiful by releasing a Deleuzean becoming: becoming becoming. Bearn's readings of philosophical texts--by Wittgenstein, Derrida, Plato, and others--will be of interest in their own right.
Author: Tara Guissin-Stubbs
Publisher: Springer Nature
ISBN: 3030532429
Category : Literary Criticism
Languages : en
Pages : 277
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Book Description
The Modern Irish Sonnet: Revision and Rebellion discusses how and why the sonnet appeals to Irish poets and has grown in popularity over the last century. Using a thematic approach, Tara Guissin-Stubbs argues for the significance of the Irish sonnet as a discrete entity within modern and contemporary poetry, and shows how the Irish sonnet has become a debating chamber for discussions concerning the relationship between Irish and British culture, poetry and gender, and revision and rebellion. The text reshapes the poetic and critical field, exploring canonical and non-canonical poems by male and female poets so as to challenge outmoded views of the thematic and formal limitations of the sonnet.
Author: David B. Grant
Publisher: Pearson UK
ISBN: 129227915X
Category : Literary Criticism
Languages : en
Pages : 90
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Book Description
Author: Michael Macovski
Publisher: Oxford University Press
ISBN: 0195361326
Category : Language Arts & Disciplines
Languages : en
Pages : 285
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Book Description
This interdisciplinary volume of collected, mostly unpublished essays demonstrates how Mikhail Bakhtin's theory of dialogic meaning--and its subsequent elaborations--have influenced a wide range of critical discourses. With essays by Michael Holquist, Jerome J. McGann, John Searle, Deborah Tannen, Gary Saul Morson, Caryl Emerson, Shirley Brice Heath, Don H. Bialostosky, Paul Friedrich, Timothy Austin, John Farrell, Rachel May, and Michael Macovski, the collection explores dialogue not only as an exchange among intratextual voices, but as an extratextual interplay of historical influences, oral forms, and cultural heuristics as well. Such approaches extend the implications of dialogue beyond the boundaries of literary theory, to anthropology, philosophy, linguistics, and cultural studies. The essays address such issues as the establishment and exercise of political power, the relation between conversational and literary discourse, the historical development of the essay, and the idea of literature as social action. Taken together, the essays argue for a redefinition of literary meaning--one that is communal, interactive, and vocatively created. They demonstrate that literary meaning is not rendered by a single narrator, nor even by a solitary author--but is incrementally exchanged and constructed.
