Thesaurus Musicarum Latinarum PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Thesaurus Musicarum Latinarum PDF full book. Access full book title Thesaurus Musicarum Latinarum by . Download full books in PDF and EPUB format.
Author:
Publisher:
ISBN:
Category : Music theory
Languages : en
Pages :
Get Book Here
Book Description
The Thesaurus musicarum Latinarum (TML) is an evolving database of the entire corpus of Latin music theory written during the Middle Ages and the Renaissance. It complements but does not duplicate the Thesaurus Linguae Graecae (TLG), Thesaurus Linguae Latinae (TLL), Lexicon Musicum Latinum (LmL), and similar projects such as the Center for Computer Analysis of Texts (CCAT). The TML, a project of a consortium of universities, is managed by a Project Committee, an Editorial Advisory Committee, and a Project Director, with the Project Office centered at Indiana University--Bloomington. Work on the TML has been partially supported by generous grants from The National Endowment for the Humanities, an independent federal agency.
Author:
Publisher:
ISBN:
Category : Music theory
Languages : en
Pages :
Get Book Here
Book Description
The Thesaurus musicarum Latinarum (TML) is an evolving database of the entire corpus of Latin music theory written during the Middle Ages and the Renaissance. It complements but does not duplicate the Thesaurus Linguae Graecae (TLG), Thesaurus Linguae Latinae (TLL), Lexicon Musicum Latinum (LmL), and similar projects such as the Center for Computer Analysis of Texts (CCAT). The TML, a project of a consortium of universities, is managed by a Project Committee, an Editorial Advisory Committee, and a Project Director, with the Project Office centered at Indiana University--Bloomington. Work on the TML has been partially supported by generous grants from The National Endowment for the Humanities, an independent federal agency.
Author: Thomas J. Mathiesen
Publisher: U of Nebraska Press
ISBN: 9780803282339
Category : Music
Languages : en
Pages : 0
Get Book Here
Book Description
The Thesaurus Musicarum Latinarum is a full-text database of music theory written in Latin, extending from Augustine's De musica through treatises of the sixteenth century. This new edition of the Thesaurus Musicarum Latinarum: Canon of Data Files includes full instructions on the various ways in which users can access the database, as well as the 'Principles of Orthography' and 'Table of Codes for Noteshapes, Rests, Ligatures, Mensuration Signs, Clefs, and Miscellaneous Figures,' both of which provide essential explanations of the special ways in which the texts have been encoded to facilitate searching and maximize use within various computer environments. Also included is a table of contents for the major series of texts found in the tml.The Canon provides for each separate edition a bibliographic record of the name of the author; title of the treatise; incipit; source of the text; the names of the individuals responsible for entering, checking, and approving the data; the name and location of the data file as it appears within the tml; the size of the file; and annotations identifying accompanying graphics and various other types of pertinent data. The Canon is followed by a full alphabetical index of incipits, keyed to both the Canon itself through author and title and to the database through the name of the data file as it appears within the tml.Thomas J. Mathiesen is David H. Jacobs Distinguished Professor of Music at Indiana University and the director of the Center for the History of Music Theory and Literature. He is the author of Ancient and Greek Music Theory: A Catalog Raisonné of Manuscripts and the general editor of the Greek and Latin Music Theory series of the University of Nebraska Press.
Author: Riccardo Martinelli
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110627418
Category : Philosophy
Languages : en
Pages : 182
Get Book Here
Book Description
Ranging from Antiquity to contemporary analytic philosophy, it provides a concise but thorough analysis of the arguments developed by some of the most outstanding philosophers of all times. Besides the aesthetics of music proper, the volume touches upon metaphysics, ethics, philosophy of language, psychology, anthropology, and scientific developments that have influenced the philosophical explanations of music. Starting from the very origins of philosophy in Western thought (Pythagoras, Plato, Aristotle) the book talks about what music is according to Augustine, Descartes, Leibniz, Rousseau, Kant, Hegel, the Romantics, Schopenhauer, Nietzsche, Wittgenstein, Susanne Langer, Bloch, Adorno, and many others. Recent developments within the analytic tradition are illustrated with particular attention to the ontology of the musical artwork and to the problem of music and emotions. A fascinating idea which recurs throughout the book is that philosophers allow for a sort of a secret kinship between music and philosophy, as means to reveal complementary aspects of truth.
Author: Mark Everist
Publisher: Cambridge University Press
ISBN: 1108606016
Category : Music
Languages : en
Pages : 412
Get Book Here
Book Description
The Conductus repertory is the body of monophonic and polyphonic non-liturgical Latin song that dominated European culture from the middle of the twelfth century to the beginning of the fourteenth. In this book, Mark Everist demonstrates how the poetry and music interact, explores how musical structures are created, and discusses the geographical and temporal reach of the genre, including its significance for performance today. The volume studies what medieval society thought of the Conductus, its function in medieval society - whether paraliturgical or in other contexts - and how it fitted into patristic and secular Latin cultures. The Conductus emerges as a genre of great poetic and musical sophistication that brought the skills of poets and musicians into alignment. This book provides an all-encompassing view of an important but unexplored repertory of medieval music, engaging with both poetry and music even-handedly to present new and up-to-date perspectives on the genre.
Author: Estelle R. Jorgensen
Publisher: Indiana University Press
ISBN: 0253219639
Category : Education
Languages : en
Pages : 738
Get Book Here
Book Description
Opens a conversation about the life and work of the music teacher. The author regards music teaching as interrelated with the rest of lived life, and her themes encompass pedagogical skills as well as matters of character, disposition, value, personality, and musicality. She urges music teachers to think and act artfully.
Author: Andreas Giger
Publisher: U of Nebraska Press
ISBN: 9780803232198
Category : Music
Languages : en
Pages : 354
Get Book Here
Book Description
In Music in the Mirror, thirteen distinguished scholars explore the concept of music, music theory, and music literature as mirror images of one another?whether real or distorted. Encompassing the history of music and music theory and literature from the Middle Ages to the present, these essays, in their reconsideration of the relationships among music, theory, and literature, offer new approaches and articulate compelling visions for future research.
Author: Elizabeth Eva Leach
Publisher: Cornell University Press
ISBN: 9780801444913
Category : History
Languages : en
Pages : 376
Get Book Here
Book Description
Is birdsong music? The most frequent answer to this question in the Middle Ages was resoundingly "no." In Sung Birds, Elizabeth Eva Leach traces postmedieval uses of birdsong within Western musical culture. She first explains why such melodious sound was not music for medieval thinkers and then goes on to consider the ontology of music, the significance of comparisons between singers and birds, and the relationship between art and nature as enacted by the musical performance of late-medieval poetry. If birdsong was not music, how should we interpret the musical depiction of birdsong in human music-making? What does it tell us about the singers, their listeners, and the moral status of secular polyphony? Why was it the fourteenth century that saw the beginnings of this practice, continued to this day in the music of Messiaen and others?Leach explores medieval arguments about song, language, and rationality whose basic terms survive undiminished into the present. She considers not only lyrics that have their singers voice the songs or speech of birds but also those that represent other natural, nonmusical, sounds such as human cries or the barks of dogs. The dangerous sweetness of birdsong was invoked in discussions of musical ethics, which, because of the potential slippage between irrational beast and less rational woman in comparisons with rational human masculinity, depict women's singing as less than fully human. Leach's argument comes full circle with the advent of sound recording. This technological revolution-like its medieval equivalent, the invention of the music book-once again made the relationship between music and nature an acute preoccupation of Western culture.
Author: R. B. Turbet
Publisher: Routledge
ISBN: 1000160653
Category : Religion
Languages : en
Pages : 458
Get Book Here
Book Description
This title was first published in 2003. The UK branch of the International Association of Music Libraries was founded in 1953. This volume of specially commissioned essays celebrates the golden jubilee of branch's foundation and surveys the achievements of the last 50 years. With an emphasis on practical music librarianship, the essays examine the challenges that have faced the profession in recent years, as well as current developments in the field and the impact of modern advances in information technology.
Author: Anna Zayaruznaya
Publisher: Routledge
ISBN: 1351398601
Category : Music
Languages : en
Pages : 155
Get Book Here
Book Description
In the motets of Philippe de Vitry, Guillaume de Machaut, and their contemporaries, tenors have often been characterized as the primary shaping forces, prior in conception as well as in construction to the upper voices. Tenors are shaped by the interaction of talea and color, medieval terms now used to refer to the independent repetition of rhythms and pitches, respectively. The presence in the upper voices of the periodically repeating rhythmic patterns, often referred to as "isorhythm," has been characterized as an amplification of tenor structure. But a fresh look at the medieval treatises suggests a revised analytical vocabulary: for many fourteenth- and fifteenth-century writers, both color and talea involved rhythmic repetition, the latter in the upper voices specifically. And attention to upper-voice taleae independently of tenor structures brings renewed emphasis to the significant portion of the repertory in which upper voices evince formal schemes that differ from those in the tenors. These structures in turn suggest a revision of the presumed compositional process for motets, implying that in some cases upper-voice text and forms may have preceded the selection and organization of tenors. Such revisions have implications for hermeneutic endeavors, since not only the forms of motet voices but the meanings of their texts change, depending on whether analysis proceeds from the tenor up, or from the top down. Where the presumed compositional and structural primacy afforded to tenors has encouraged a strand of interpretation that reads the upper-voice poetry as conforming to, and amplifying, the tenor text snippets and their liturgical contexts, a "bottom-down" view casts tenors in a supporting role and reveals the poetic impulse of the upper voices as the organizing principle of motets.
Author: Albrecht Classen
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110377616
Category : History
Languages : en
Pages : 748
Get Book Here
Book Description
A follow-up publication to the Handbook of Medieval Studies, this new reference work turns to a different focus: medieval culture. Medieval research has grown tremendously in depth and breadth over the last decades. Particularly our understanding of medieval culture, of the basic living conditions, and the specific value system prevalent at that time has considerably expanded, to a point where we are in danger of no longer seeing the proverbial forest for the trees. The present, innovative handbook offers compact articles on essential topics, ideals, specific knowledge, and concepts defining the medieval world as comprehensively as possible. The topics covered in this new handbook pertain to issues such as love and marriage, belief in God, hell, and the devil, education, lordship and servitude, Christianity versus Judaism and Islam, health, medicine, the rural world, the rise of the urban class, travel, roads and bridges, entertainment, games, and sport activities, numbers, measuring, the education system, the papacy, saints, the senses, death, and money.
