Author: Herschel Browning Chipp
Publisher: Univ of California Press
ISBN: 9780520014503
Category : Art
Languages : en
Pages : 692
Book Description
Theories of Modern Art
Author: Herschel Browning Chipp
Publisher: Univ of California Press
ISBN: 9780520014503
Category : Art
Languages : en
Pages : 692
Book Description
Publisher: Univ of California Press
ISBN: 9780520014503
Category : Art
Languages : en
Pages : 692
Book Description
Nineteenth-century Theories of Art
Author: Joshua Charles Taylor
Publisher: Univ of California Press
ISBN: 9780520048874
Category : Art
Languages : en
Pages : 584
Book Description
This unique and extraordinarily rich collection of writings offers a thematic approach to understanding the various theories of art that illumined the direction of nineteenth-century artists as diverse as Tommaso Minardi and Georges Seurat. It is significant that during the nineteenth century most artists felt compelled to found their artistic practice on a consciously established premise.
Publisher: Univ of California Press
ISBN: 9780520048874
Category : Art
Languages : en
Pages : 584
Book Description
This unique and extraordinarily rich collection of writings offers a thematic approach to understanding the various theories of art that illumined the direction of nineteenth-century artists as diverse as Tommaso Minardi and Georges Seurat. It is significant that during the nineteenth century most artists felt compelled to found their artistic practice on a consciously established premise.
A History of Modern Art
Symbolist Art Theories
Author: Henri Dorra
Publisher: Univ of California Press
ISBN: 9780520077683
Category : Art
Languages : en
Pages : 420
Book Description
Presents the development and the aesthetic theories of the symbolist movement in art and literature
Publisher: Univ of California Press
ISBN: 9780520077683
Category : Art
Languages : en
Pages : 420
Book Description
Presents the development and the aesthetic theories of the symbolist movement in art and literature
All About Process
Author: Kim Grant
Publisher: Penn State Press
ISBN: 0271079479
Category : Art
Languages : en
Pages : 283
Book Description
In recent years, many prominent and successful artists have claimed that their primary concern is not the artwork they produce but the artistic process itself. In this volume, Kim Grant analyzes this idea and traces its historical roots, showing how changing concepts of artistic process have played a dominant role in the development of modern and contemporary art. This astute account of the ways in which process has been understood and addressed examines canonical artists such as Monet, Cézanne, Matisse, and De Kooning, as well as philosophers and art theorists such as Henri Focillon, R. G. Collingwood, and John Dewey. Placing “process art” within a larger historical context, Grant looks at the changing relations of the artist’s labor to traditional craftsmanship and industrial production, the status of art as a commodity, the increasing importance of the body and materiality in art making, and the nature and significance of the artist’s role in modern society. In doing so, she shows how process is an intrinsic part of aesthetic theory that connects to important contemporary debates about work, craft, and labor. Comprehensive and insightful, this synthetic study of process in modern and contemporary art reveals how artists’ explicit engagement with the concept fits into a broader narrative of the significance of art in the industrial and postindustrial world.
Publisher: Penn State Press
ISBN: 0271079479
Category : Art
Languages : en
Pages : 283
Book Description
In recent years, many prominent and successful artists have claimed that their primary concern is not the artwork they produce but the artistic process itself. In this volume, Kim Grant analyzes this idea and traces its historical roots, showing how changing concepts of artistic process have played a dominant role in the development of modern and contemporary art. This astute account of the ways in which process has been understood and addressed examines canonical artists such as Monet, Cézanne, Matisse, and De Kooning, as well as philosophers and art theorists such as Henri Focillon, R. G. Collingwood, and John Dewey. Placing “process art” within a larger historical context, Grant looks at the changing relations of the artist’s labor to traditional craftsmanship and industrial production, the status of art as a commodity, the increasing importance of the body and materiality in art making, and the nature and significance of the artist’s role in modern society. In doing so, she shows how process is an intrinsic part of aesthetic theory that connects to important contemporary debates about work, craft, and labor. Comprehensive and insightful, this synthetic study of process in modern and contemporary art reveals how artists’ explicit engagement with the concept fits into a broader narrative of the significance of art in the industrial and postindustrial world.
The Concept of the Animal and Modern Theories of Art
Author: Roni Grén
Publisher: Routledge
ISBN: 1351671723
Category : Art
Languages : en
Pages : 274
Book Description
This book examines the importance of the animal in modern art theory, using classic texts of modern aesthetics and texts written by modern artists to explore the influence of the human-animal relationship on nineteenth and twentieth century artists and art theorists. The book is unique due to its focus on the concept of the animal, rather than on images of animals, and it aims towards a theoretical account of the connections between the notions of art and animality in the modern age. Roni Grén’s book spans various disciplines, such as art theory, art history, animal studies, modernism, postmodernism, posthumanism, philosophy, and aesthetics.
Publisher: Routledge
ISBN: 1351671723
Category : Art
Languages : en
Pages : 274
Book Description
This book examines the importance of the animal in modern art theory, using classic texts of modern aesthetics and texts written by modern artists to explore the influence of the human-animal relationship on nineteenth and twentieth century artists and art theorists. The book is unique due to its focus on the concept of the animal, rather than on images of animals, and it aims towards a theoretical account of the connections between the notions of art and animality in the modern age. Roni Grén’s book spans various disciplines, such as art theory, art history, animal studies, modernism, postmodernism, posthumanism, philosophy, and aesthetics.
Theories of Modern Art
Author: Herschel Browning Chipp
Publisher: Univ of California Press
ISBN:
Category :
Languages : en
Pages : 684
Book Description
Publisher: Univ of California Press
ISBN:
Category :
Languages : en
Pages : 684
Book Description
Twentieth Century Theories of Art
Author: James Matheson Thompson
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780886291112
Category : Art
Languages : en
Pages : 572
Book Description
Includes selections from major writers on various approaches to art theory, for example Freud, Jung, Marx, Heidegger.
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780886291112
Category : Art
Languages : en
Pages : 572
Book Description
Includes selections from major writers on various approaches to art theory, for example Freud, Jung, Marx, Heidegger.
Modern Theories of Art: From impressionism to Kandinsky
Author: Moshe Barasch
Publisher: NYU Press
ISBN: 0814712738
Category : Art
Languages : en
Pages : 400
Book Description
In this volume, the third in his classic series of texts surveying the history of art theory, Moshe Barasch traces the hidden patterns and interlocking themes in the study of art, from Impressionism to Abstract Art. Barasch details the immense social changes in the creation, presentation, and reception of art which have set the history of art theory on a vertiginous new course: the decreased relevance of workshops and art schools; the replacement of the treatise by the critical review; and the interrelation of new modes of scientific inquiry with artistic theory and praxis. The consequent changes in the ways in which critics as well as artists conceptualized paintings and sculptures were radical, marked by an obsession with intense, immediate sensory experiences, psychological reflection on the effects of art, and a magnetic pull to the exotic and alien, making for the most exciting and fertile period in the history of art criticism.
Publisher: NYU Press
ISBN: 0814712738
Category : Art
Languages : en
Pages : 400
Book Description
In this volume, the third in his classic series of texts surveying the history of art theory, Moshe Barasch traces the hidden patterns and interlocking themes in the study of art, from Impressionism to Abstract Art. Barasch details the immense social changes in the creation, presentation, and reception of art which have set the history of art theory on a vertiginous new course: the decreased relevance of workshops and art schools; the replacement of the treatise by the critical review; and the interrelation of new modes of scientific inquiry with artistic theory and praxis. The consequent changes in the ways in which critics as well as artists conceptualized paintings and sculptures were radical, marked by an obsession with intense, immediate sensory experiences, psychological reflection on the effects of art, and a magnetic pull to the exotic and alien, making for the most exciting and fertile period in the history of art criticism.
Learning to Look at Modern Art
Author: Mary Acton
Publisher: Psychology Press
ISBN: 9780415238113
Category : Art
Languages : en
Pages : 392
Book Description
This companion text to the author's Learning to Look at Paintings addresses some of the questions most commonly asked about modern art, covering key movements of the modern and postmodern periods in a richly illustrated and engaging volume.
Publisher: Psychology Press
ISBN: 9780415238113
Category : Art
Languages : en
Pages : 392
Book Description
This companion text to the author's Learning to Look at Paintings addresses some of the questions most commonly asked about modern art, covering key movements of the modern and postmodern periods in a richly illustrated and engaging volume.