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Author: James S. Baumlin
Publisher: Lexington Books
ISBN: 0739169610
Category : Literary Criticism
Languages : en
Pages : 316
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Book Description
James S. Baumlin’s Theologies of Language in English Renaissance Literature offers a revisionist history of discourse, taking Shakespeare, Donne, and Milton as its touchstones. Their works mark stages in dieEntzauberung or “disenchantment,” as Max Weber has termed it: that is, in the “elimination of magic from the world.”
Author: James S. Baumlin
Publisher: Lexington Books
ISBN: 0739169610
Category : Literary Criticism
Languages : en
Pages : 316
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Book Description
James S. Baumlin’s Theologies of Language in English Renaissance Literature offers a revisionist history of discourse, taking Shakespeare, Donne, and Milton as its touchstones. Their works mark stages in dieEntzauberung or “disenchantment,” as Max Weber has termed it: that is, in the “elimination of magic from the world.”
Author: Paul Cefalu
Publisher: Oxford University Press
ISBN: 0198808712
Category : Literary Criticism
Languages : en
Pages : 367
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Book Description
The Johannine Renaissance in Early Modern English Literature and Theology argues that the Fourth Gospel and First Epistle of Saint John the Evangelist were so influential during the early modern period in England as to share with Pauline theology pride of place as leading apostolic texts on matters Christological, sacramental, pneumatological, and political. The book argues further that, in several instances, Johannine theology is more central than both Pauline theology and the Synoptic theology of Matthew, Mark, and Luke, particularly with regard to early modern polemicizing on the Trinity, distinctions between agape and eros, and the ideologies of radical dissent, especially the seventeenth-century antinomian challenge of free grace to traditional Puritan Pietism. In particular, early modern religious poetry, including works by Robert Southwell, George Herbert, John Donne, Richard Crashaw, Thomas Traherne, and Anna Trapnel, embraces a distinctive form of Johannine devotion that emphasizes the divine rather than human nature of Christ; the belief that salvation is achieved more through revelation than objective atonement and expiatory sin; a realized eschatology; a robust doctrine of assurance and comfort; and a stylistic and rhetorical approach to representing these theological features that often emulates John's mode of discipleship misunderstanding and dramatic irony. Early modern Johannine devotion assumes that religious lyrics often express a revelatory poetics that aims to clarify, typically through the use of dramatic irony, some of the deepest mysteries of the Fourth Gospel and First Epistle.
Author: Philip F. Gura
Publisher: Wesleyan
ISBN: 9780819561206
Category : History
Languages : en
Pages : 203
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Book Description
Examines the study of symbols and language in nineteenth-century New England and describes the logic of the transcendental movement
Author: Shaun Ross
Publisher: Oxford University Press
ISBN: 0192872877
Category :
Languages : en
Pages : 295
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Book Description
The Eucharist, Poetics, and Secularization from the Middle Ages to Milton explains the astonishing centrality of the eucharist to poets with a variety of denominational affiliations, writing on a range of subjects, across an extended period in literary history. Whether they are praying, thinking about politics, lamenting unrequited love, or telling fart jokes, late medieval and early modern English poets return again and again to the eucharist as a way of working out literary problems. Tracing this connection from the fourteenth through the seventeenth century, this book shows how controversies surrounding the nature of signification in the sacrament informed understandings of poetry. Connecting medieval to early modern England, it presents a history of 'eucharistic poetics' as it appears in the work of seven key poets: the Pearl-poet, Chaucer, Robert Southwell, John Donne, George Herbert, Richard Crashaw, and John Milton. Reassessing this range of poetic voices, The Eucharist, Poetics, and Secularization overturns an oft-repeated argument that early modern poetry's fascination with the eucharist resulted from the Protestant rejection of transubstantiation and its supposedly enchanted worldview. Instead of this tired secularization story, it fleshes out a more capacious conception of eucharistic presence, showing that what interested poets about the eucharist was its insistence that the mechanics of representation are always entangled with the self's relation to the body and to others. The book thus forwards a new historical account of eucharistic poetics, placing this literary phenomenon within a longstanding negotiation between embodiment and disembodiment in Western religious and cultural history.
Author: Helen Lynch
Publisher: Routledge
ISBN: 1317095952
Category : Literary Criticism
Languages : en
Pages : 302
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Book Description
Using Hannah Arendt’s account of the Greek polis to explain Milton’s fascination with the idea of public speech, this study reveals what is distinctive about his conception of a godly, republican oratory and poetics. The book shows how Milton uses rhetorical theory - its ideas, techniques and image patterns - to dramatise the struggle between ’good’ and ’bad’ oratory, and to fashion his own model of divinely inspired public utterance. Connecting his polemical and imaginative writing in new ways, the book discusses the subliminal rhetoric at work in Milton’s political prose and the systematic scrutiny of the power of oratory in his major poetry. By setting Milton in the context of other Civil War polemicists, of classical political theory and its early modern reinterpretations, and of Renaissance writing on rhetoric and poetic language, the book sheds new light on his work across several genres, culminating in an extended Arendtian reading of his ’Greek’ drama Samson Agonistes.
Author: Robert E. Stillman
Publisher: University of Notre Dame Pess
ISBN: 0268200432
Category : History
Languages : en
Pages : 557
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Book Description
This book challenges the adequacy of identifying religious identity with confessional identity. The Reformation complicated the issue of religious identity, especially among Christians for whom confessional violence at home and religious wars on the continent had made the darkness of confessionalization visible. Robert E. Stillman explores the identity of “Christians without names,” as well as their agency as cultural actors in order to recover their consequence for early modern religious, political, and poetic history. Stillman argues that questions of religious identity have dominated historical and literary studies of the early modern period for over a decade. But his aim is not to resolve the controversies about early modern religious identity by negotiating new definitions of English Protestants, Catholics, or “moderate” and “radical” Puritans. Instead, he provides an understanding of the culture that produced such a heterogeneous range of believers by attending to particular figures, such as Antonio del Corro, John Harington, Henry Constable, and Aemilia Lanyer, who defined their pious identity by refusing to assume a partisan label for themselves. All of the figures in this study attempted as Christians to situate themselves beyond, between, or against particular confessions for reasons that both foreground pious motivations and inspire critical scrutiny. The desire to move beyond confessions enabled the birth of new political rhetorics promising inclusivity for the full range of England’s Christians and gained special prominence in the pursuit of a still-imaginary Great Britain. Christian Identity, Piety, and Politics in Early Modern England is a book that early modern literary scholars need to read. It will also interest students and scholars of history and religion.
Author: Jason Crawford
Publisher: Oxford University Press
ISBN: 0191092126
Category : Literary Collections
Languages : en
Pages : 256
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Book Description
What is modernity? Where are modernitys points of origin? Where are its boundaries? And what lies beyond those boundaries? Allegory and Enchantment explores these broad questions by considering the work of English writers at the threshold of modernity, and by considering,in particular, the cultural forms these writers want to leave behind. From the fourteenth to the seventeenth centuries, many English writers fashion themselves as engaged in breaking away from an array of old idols: magic, superstition, tradition, the sacramental, the medieval. Many of these writers persistently use metaphors of disenchantment, of awakening from a broken spell, to describe their self-consciously modern orientation toward a medieval past. And many of them associate that repudiated past with the dynamics and conventions of allegory. In the hands of the major English practitioners of allegorical narrativeWilliam Langland, John Skelton, Edmund Spenser, and John Bunyanallegory shows signs of strain and disintegration. The work of these writers seems to suggest a story of modern emergence in which medieval allegory, with its search for divine order in the material world, breaks down under the pressure of modern disenchantment. But these four early modern writers also make possible other understandings of modernity. Each of them turns to allegory as a central organizing principle for his most ambitious poetic projects. Each discovers in the ancient forms of allegory a vital, powerful instrument of disenchantment. Each of them, therefore, opens up surprising possibilities: that allegory and modernity are inescapably linked; that the story of modern emergence is much older than the early modern period; and that the things modernity has tried to repudiatethe old enchantmentsare not as alien, or as absent, as they seem.
Author: Elizabeth L. Swann
Publisher: Cambridge University Press
ISBN: 1108802281
Category : Literary Criticism
Languages : en
Pages : 281
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Book Description
Elizabeth Swann investigates the relationship between the physical sense of taste and taste as a figurative term associated with knowledge and judgment in early modern literature and culture. She argues that - unlike aesthetic taste in the eighteenth century - discriminative taste was entwined with embodied experience in this period. Although taste was tarnished by its associations with Adam and Eve's fall from Eden, it also functioned positively, as a source of useful, and potentially redemptive, literary, spiritual, experimental, and intersubjective knowledge. Taste and Knowledge in Early Modern England juxtaposes canonical literary works by authors such as Shakespeare with a broad range of medical, polemical, theological, philosophical, didactic, and dietetic sources. In doing so, the book reveals the central importance of taste to the experience and articulation of key developments in the literate, religious, and social cultures of the sixteenth and seventeenth centuries.
Author: Eric Langley
Publisher: Oxford University Press
ISBN: 0192554913
Category : Drama
Languages : en
Pages : 336
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Book Description
Understanding the early-modern subject to be constituted, as Shakespeare's Ulysses explains, by its communications with others, this study considers what happens when these conceptions of compassionate communication and sympathetic exchange are comprehensively undermined by period anxieties concerning contagion and the transmission of disease. Allowing that 'no man is . . . any thing' until he has 'communicate[d] his parts to others', can these formative communications still be risked in a world preoccupied by communicable sickness, where every contact risks contraction, where every touch could be the touch of plague, where kind interaction could facilitate cruel infection, and where to commiserate is to risk 'miserable dependence'? Counting the cost of compassion, this study of Shakespeare's plays and poetry analyses how medical explanations of disease impact upon philosophical conceptions and literary depictions of his characters who find themselves precariously implicated within a world of ill communications. It examines the influence of scientific thought upon the history of the subject, and explores how Shakespeare—alive to both the importance and dangers of sympathetic communication—articulates an increasing sense of both the pragmatic benefits of monadic thought, emotional isolation, and subjective quarantine, while offering his account of the considerable loss involved when we lose faith in vulnerable, tender, and open existence.
Author: Isabel Rivers
Publisher: Routledge
ISBN: 1134844174
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
Since publication in 1979 Isabel Rivers' sourcebook has established itself as the essential guide to English Renaissance poetry. It: provides an account of the main classical and Christian ideas, outlining their meaning, their origins and their transmission to the Renaissance; illustrates the ways in which Renaissance poetry drew on classical and Christian ideas; contains extracts from key classical and Christian texts and relates these to the extracts of the English poems which draw on them; includes suggestions for further reading, and an invaluable bibliographical appendix.
