Author: Francesco Cordasco
Publisher: Metuchen, N.J. : Scarecrow Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 512
Book Description
...a fitting tribute to a life of great achievement. --JOURNAL OF DOCUMENTATION [UK]
Theodore Besterman, Bibliographer and Editor
Author: Francesco Cordasco
Publisher: Metuchen, N.J. : Scarecrow Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 512
Book Description
...a fitting tribute to a life of great achievement. --JOURNAL OF DOCUMENTATION [UK]
Publisher: Metuchen, N.J. : Scarecrow Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 512
Book Description
...a fitting tribute to a life of great achievement. --JOURNAL OF DOCUMENTATION [UK]
The Beginnings of Systematic Bibliography
Author: Theodore Besterman
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 0
Book Description
L’Écriture est la peinture de la voix
Author: Gillian Pink
Publisher: Liverpool University Press
ISBN: 1835537634
Category : History
Languages : en
Pages : 328
Book Description
L’Écriture est la peinture de la voix honours and celebrates the inestimable contributions that Professor Nicholas Cronk has made to our understanding of the Enlightenment. As director of the University of Oxford’s Voltaire Foundation, he has played a decisive role in eighteenth-century studies. In particular he has shaped our knowledge of Voltaire as a writer, celebrity and era-defining figure whose influence has continued to be felt through the centuries. Comprising essays by a host of internationally eminent scholars, this volume is a fitting tribute to the esteem and affection in which Nicholas Cronk is held as a colleague, teacher and mentor. These sixteen essays reflect his varied research interests, exploring questions central to the eighteenth century, such as the writing process, justice, revolution, as well as the legacy of the Enlightenment, and focussing on the central figure in Nicholas Cronk’s research: Voltaire. In sections devoted to Voltaire’s writing practices, to his involvement in political, literary and religious polemics, and finally to his legacy, the essays build on Nicholas Cronk’s scholarship and editorial achievements, opening up a new chapter in research on Voltaire. This volume is complemented by an online collection of essays which speak to other topics central to Nicholas Cronk’s interests, such as authorial identities, correspondence and aesthetics. Visit the MLO site for the other half of this festschrift project, https://modernlanguagesopen.org/collections/lecriture-nicholas-cronk
Publisher: Liverpool University Press
ISBN: 1835537634
Category : History
Languages : en
Pages : 328
Book Description
L’Écriture est la peinture de la voix honours and celebrates the inestimable contributions that Professor Nicholas Cronk has made to our understanding of the Enlightenment. As director of the University of Oxford’s Voltaire Foundation, he has played a decisive role in eighteenth-century studies. In particular he has shaped our knowledge of Voltaire as a writer, celebrity and era-defining figure whose influence has continued to be felt through the centuries. Comprising essays by a host of internationally eminent scholars, this volume is a fitting tribute to the esteem and affection in which Nicholas Cronk is held as a colleague, teacher and mentor. These sixteen essays reflect his varied research interests, exploring questions central to the eighteenth century, such as the writing process, justice, revolution, as well as the legacy of the Enlightenment, and focussing on the central figure in Nicholas Cronk’s research: Voltaire. In sections devoted to Voltaire’s writing practices, to his involvement in political, literary and religious polemics, and finally to his legacy, the essays build on Nicholas Cronk’s scholarship and editorial achievements, opening up a new chapter in research on Voltaire. This volume is complemented by an online collection of essays which speak to other topics central to Nicholas Cronk’s interests, such as authorial identities, correspondence and aesthetics. Visit the MLO site for the other half of this festschrift project, https://modernlanguagesopen.org/collections/lecriture-nicholas-cronk
Mrs Annie Besant
Author: Theodore Besterman
Publisher: Routledge
ISBN: 131541399X
Category : History
Languages : en
Pages : 239
Book Description
Having already published a bibliography on Annie Besant, Theodore Besterman in this book continued with the story of her life. She was a prominent British Theosophist, women's rights activist, writer and orator who lived between 1847 and 1933. Originally published in 1934, this work is fascinating for anyone with an interest in Annie Besant's life specifically or in any of the areas in which she became a household name.
Publisher: Routledge
ISBN: 131541399X
Category : History
Languages : en
Pages : 239
Book Description
Having already published a bibliography on Annie Besant, Theodore Besterman in this book continued with the story of her life. She was a prominent British Theosophist, women's rights activist, writer and orator who lived between 1847 and 1933. Originally published in 1934, this work is fascinating for anyone with an interest in Annie Besant's life specifically or in any of the areas in which she became a household name.
Transcultural History
Author: Madeleine Herren
Publisher: Springer Science & Business Media
ISBN: 3642191967
Category : History
Languages : en
Pages : 184
Book Description
For the 21st century, the often-quoted citation ‘past is prologue’ reads the other way around: The global present lacks a historical narrative for the global past. Focussing on a transcultural history, this book questions the territoriality of historical concepts and offers a narrative, which aims to overcome cultural essentialism by focussing on crossing borders of all kinds. Transcultural History reflects critically on the way history is constructed, asking who formed history in the past and who succeeded in shaping what we call the master narrative. Although trained European historians, the authors aim to present a useful approach to global history, showing first of all how a Eurocentric but universal historiography removed or essentialised certain topics in Asian history. As an empirical discipline, history is based on source material, analysed according to rules resulting from a strong methodological background. This book accesses the global past after World War I, looking at the well known stage of the Paris Peace Conferences, observing the multiplication of new borders and the variety of transgressing institutions, concepts, actors, men and women inventing themselves as global subjects, but sharing a bitter experience with almost all local societies at this time, namely the awareness of having relatives buried in far distant places due to globalised wars.
Publisher: Springer Science & Business Media
ISBN: 3642191967
Category : History
Languages : en
Pages : 184
Book Description
For the 21st century, the often-quoted citation ‘past is prologue’ reads the other way around: The global present lacks a historical narrative for the global past. Focussing on a transcultural history, this book questions the territoriality of historical concepts and offers a narrative, which aims to overcome cultural essentialism by focussing on crossing borders of all kinds. Transcultural History reflects critically on the way history is constructed, asking who formed history in the past and who succeeded in shaping what we call the master narrative. Although trained European historians, the authors aim to present a useful approach to global history, showing first of all how a Eurocentric but universal historiography removed or essentialised certain topics in Asian history. As an empirical discipline, history is based on source material, analysed according to rules resulting from a strong methodological background. This book accesses the global past after World War I, looking at the well known stage of the Paris Peace Conferences, observing the multiplication of new borders and the variety of transgressing institutions, concepts, actors, men and women inventing themselves as global subjects, but sharing a bitter experience with almost all local societies at this time, namely the awareness of having relatives buried in far distant places due to globalised wars.
AB Bookman's Weekly
Author:
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 800
Book Description
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 800
Book Description
Twentieth-century British Book Collectors and Bibliographers
Author: William Baker
Publisher:
ISBN:
Category : American prose literature
Languages : en
Pages : 440
Book Description
Publisher:
ISBN:
Category : American prose literature
Languages : en
Pages : 440
Book Description
Henry James Framed
Author: Michael Anesko
Publisher: U of Nebraska Press
ISBN: 1496231627
Category : Art
Languages : en
Pages : 286
Book Description
Henry James Framed is a cultural history of Henry James as a work of art. Throughout his life, James demonstrated an abiding interest in—some would say an obsession with—the visual arts. In his most influential testaments about the art of fiction, James frequently invoked a deeply felt analogy between imaginative writing and painting. At a time when having a photographic carte de visite was an expected social commonplace, James detested the necessity of replenishing his supply or of distributing his autographed image to well-wishing friends and imploring readers. Yet for a man who set the highest premium on personal privacy, James seems to have had few reservations about serving as a model for artists in other media and sat for his portrait a remarkable number of twenty-four times. Surprisingly few James scholars have brought into primary focus those occasions when the author was not writing about art but instead became art himself, through the creative expression of another’s talent. To better understand the twenty-four occasions he sat for others to represent him, Michael Anesko reconstructs the specific contexts for these works’ coming into being, assesses James’s relationships with his artists and patrons, documents his judgments concerning the objects produced, and, insofar as possible, traces the later provenance of each of them. James’s long-established intimacy with the studio world deepened his understanding of the complex relationship between the artist and his sitter. James insisted above all that a portrait was a revelation of two realities: the man whom it was the artist’s conscious effort to reveal and the artist, or interpreter, expressed in the very quality and temper of that effort. The product offered a double vision—the strongest dose of life that art could give, and the strongest dose of art that life could give.
Publisher: U of Nebraska Press
ISBN: 1496231627
Category : Art
Languages : en
Pages : 286
Book Description
Henry James Framed is a cultural history of Henry James as a work of art. Throughout his life, James demonstrated an abiding interest in—some would say an obsession with—the visual arts. In his most influential testaments about the art of fiction, James frequently invoked a deeply felt analogy between imaginative writing and painting. At a time when having a photographic carte de visite was an expected social commonplace, James detested the necessity of replenishing his supply or of distributing his autographed image to well-wishing friends and imploring readers. Yet for a man who set the highest premium on personal privacy, James seems to have had few reservations about serving as a model for artists in other media and sat for his portrait a remarkable number of twenty-four times. Surprisingly few James scholars have brought into primary focus those occasions when the author was not writing about art but instead became art himself, through the creative expression of another’s talent. To better understand the twenty-four occasions he sat for others to represent him, Michael Anesko reconstructs the specific contexts for these works’ coming into being, assesses James’s relationships with his artists and patrons, documents his judgments concerning the objects produced, and, insofar as possible, traces the later provenance of each of them. James’s long-established intimacy with the studio world deepened his understanding of the complex relationship between the artist and his sitter. James insisted above all that a portrait was a revelation of two realities: the man whom it was the artist’s conscious effort to reveal and the artist, or interpreter, expressed in the very quality and temper of that effort. The product offered a double vision—the strongest dose of life that art could give, and the strongest dose of art that life could give.
International Encyclopedia of Information and Library Science
Author: John Feather
Publisher: Routledge
ISBN: 1134513208
Category : Reference
Languages : en
Pages : 722
Book Description
The International Encyclopedia of Information and Library Science was published to widespread acclaim in 1996, and has become the major reference work in the field. This eagerly awaited new edition has been fully revised and updated to take full account of the many and radical changes which have taken place since the Encyclopedia was originally conceived. With nearly 600 entries, written by a global team of over 150 contributors, the subject matter ranges from mobile library services provided by camel and donkey transport to search engines, portals and the World Wide Web. The new edition retains the successful structure of the first with an alphabetical organization providing the basic framework of a coherent collection of connected entries. Conceptual entries explore and explicate all the major issues, theories and activities in information and library science, such as the economics of information and information management. A wholly new entry on information systems, and enhanced entries on the information professions and the information society, are key features of this new edition. Topical entries deal with more specific subjects, such as collections management and information services for ethnic minorities. New or completely revised entries include a group of entries on information law, and a collection of entries on the Internet and the World Wide Web.
Publisher: Routledge
ISBN: 1134513208
Category : Reference
Languages : en
Pages : 722
Book Description
The International Encyclopedia of Information and Library Science was published to widespread acclaim in 1996, and has become the major reference work in the field. This eagerly awaited new edition has been fully revised and updated to take full account of the many and radical changes which have taken place since the Encyclopedia was originally conceived. With nearly 600 entries, written by a global team of over 150 contributors, the subject matter ranges from mobile library services provided by camel and donkey transport to search engines, portals and the World Wide Web. The new edition retains the successful structure of the first with an alphabetical organization providing the basic framework of a coherent collection of connected entries. Conceptual entries explore and explicate all the major issues, theories and activities in information and library science, such as the economics of information and information management. A wholly new entry on information systems, and enhanced entries on the information professions and the information society, are key features of this new edition. Topical entries deal with more specific subjects, such as collections management and information services for ethnic minorities. New or completely revised entries include a group of entries on information law, and a collection of entries on the Internet and the World Wide Web.
The Trickster and the Paranormal
Author: George P. Hansen
Publisher: Xlibris Corporation
ISBN: 1462812899
Category : Social Science
Languages : en
Pages : 566
Book Description
Paranormal and supernatural events have been reported for millennia. They have fostered history’s most important cultural transformations (e.g., via the miracles of Moses, Jesus, Mohammed). Paranormal phenomena are frequently portrayed in the world’s greatest art and literature, as well as in popular TV shows and movies. Most adults in the U.S. believe in them. Yet they have a marginal place in modern culture. No university departments are devoted to studying psychic phenomena. In fact, a panoply of scientists now aggressively denounces them. These facts present a deeply puzzling situation. But they become coherent after pondering the trickster figure, an archaic being found worldwide in mythology and folklore. The trickster governs paradox and the irrational, but his messages are concealed. This book draws upon theories of the trickster from anthropology, folklore, sociology, semiotics, and literary criticism. It examines psychic phenomena and UFOs and explains why they are so problematical for science.
Publisher: Xlibris Corporation
ISBN: 1462812899
Category : Social Science
Languages : en
Pages : 566
Book Description
Paranormal and supernatural events have been reported for millennia. They have fostered history’s most important cultural transformations (e.g., via the miracles of Moses, Jesus, Mohammed). Paranormal phenomena are frequently portrayed in the world’s greatest art and literature, as well as in popular TV shows and movies. Most adults in the U.S. believe in them. Yet they have a marginal place in modern culture. No university departments are devoted to studying psychic phenomena. In fact, a panoply of scientists now aggressively denounces them. These facts present a deeply puzzling situation. But they become coherent after pondering the trickster figure, an archaic being found worldwide in mythology and folklore. The trickster governs paradox and the irrational, but his messages are concealed. This book draws upon theories of the trickster from anthropology, folklore, sociology, semiotics, and literary criticism. It examines psychic phenomena and UFOs and explains why they are so problematical for science.