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Author: Bernie Cook
Publisher: University of Texas Press
ISBN: 0292714661
Category : Performing Arts
Languages : en
Pages : 241
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Book Description
Essays by leading film scholars and an interview with screenwriter Callie Khouri explore the significant, on-going influence of the 1991 film 'Thelma & Louise'.
Author: Bernie Cook
Publisher: University of Texas Press
ISBN: 0292714661
Category : Performing Arts
Languages : en
Pages : 241
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Book Description
Essays by leading film scholars and an interview with screenwriter Callie Khouri explore the significant, on-going influence of the 1991 film 'Thelma & Louise'.
Author: Becky Aikman
Publisher: Penguin
ISBN: 0698405633
Category : Performing Arts
Languages : en
Pages : 322
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Book Description
A lively and revealing behind-the-scenes look at the making of one of history's most controversial and influential movies, drawing on exclusive interviews with the cast and crew. “You’ve always been crazy,” says Louise to Thelma, shortly after she locks a police officer in the trunk of his car. “This is just the first chance you’ve had to express yourself.” In 1991, Thelma & Louise, the story of two outlaw women on the run from their disenchanted lives, was a revelation. Suddenly, a film in which women were, in every sense, behind the wheel. It turned the tables on Hollywood, instantly becoming a classic, and continues to electrify audiences as a cultural statement of defiance. But if the film’s place in history now seems certain, at the time its creation was a long shot. Only through sheer hard work and more than a little good luck did the script end up in the hands of the brilliant English filmmaker Ridley Scott, who saw its huge potential. With Scott on board, a team willing to challenge the odds came together—including the stars Geena Davis and Susan Sarandon and a fresh-faced up-and-coming actor named Brad Pitt, as well as legends like actor Harvey Keitel, composer Hans Zimmer, and old-school studio chief Alan Ladd Jr.—to create one of the most controversial movies of all time. But before icons like Davis and Sarandon got involved, Thelma & Louise was just an idea in the head of Callie Khouri, a thirty-year-old music video production manager, who was fed up with working behind the scenes on sleazy sets. At four a.m. one night, sitting in her car outside the ramshackle bungalow in Santa Monica that she shared with two friends, she had a vision: two women on a crime spree, fleeing their dull and tedious lives—lives like hers—in search of a freedom they had never before been able to realize. But in the late 1980s, Hollywood was dominated by men, both on the screen and behind the scenes. The likelihood of a script by an unheard-of screenwriter starring two women in lead roles actually getting made was remote. But Khouri had one thing going for her—she was so inexperienced she didn't really know she would be attempting the nigh impossible. In Off the Cliff, Becky Aikman tells the full extraordinary story behind this feminist sensation, which crashed through barricades and upended convention. Drawing on 130 exclusive interviews with the key players from this remarkable cast of actors, writers, and filmmakers, Aikman tells an inspiring and important underdog story about creativity, the magic of cinema, and the unjust obstacles that women in Hollywood continue to face to this day.
Author: Sarah Projansky
Publisher: NYU Press
ISBN: 0814768121
Category : Performing Arts
Languages : en
Pages : 319
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Book Description
Looking at popular culture from 1980 to the present, feminism appears to be "over": that is, according to popular critics we are in an era of "postfeminism" in which feminism has supposedly already achieved equality for women. Not so, says Sarah Projansky. In Watching Rape, Projansky undermines this complacent view in her fascinating and thorough analysis of depictions of rape in U.S. film, television, and independent video. Through a cultural studies analysis of such films as Thelma and Louise, Daughters of the Dust, and She's Gotta Have It, and television shows like ER, Ally McBeal, Beverly Hills 90210, and various made-for-tv movies, Projansky challenges us to see popular culture as a part of our everyday lives and practices, and to view that culture critically. How have media defined rape and feminism differently over time? How do popular narratives about rape also communicate ideas about gender, race, class, nationality, and sexuality? And, what is the future of feminist politics, theory, and criticism with regard to issues of sexual violence, postfeminism, and popular media? The first study to address the relationship between rape and postfeminism, and one of the most detailed and thorough analyses of rape in 25 years, Watching Rape is a crucial contribution to contemporary feminism.
Author: Marita Sturken
Publisher: Bloomsbury Publishing
ISBN: 183871927X
Category : Performing Arts
Languages : en
Pages : 105
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Book Description
Thelma & Louise, directed by Ridley Scott and written by Callie Khouri, sparked a remarkable public discussion about feminism, violence, and the representation of women in cinema on its release in 1991. Subject to media vilification for its apparent justification of armed robbery and manslaughter, it was a huge hit with audiences composed largely but not exclusively of women who cheered the fugitive central characters played by Susan Sarandon and Geena Davis. Marita Sturken examines Thelma & Louise as one of those rare films that encapsulates the politics of its time. She discusses the film's reworking of the outlaw genre, its reversal of gender roles, and its engagement with the complex relationship of women, guns adn the law. The insights of director Scott, screenwriter Khouri as well as Davis and Sarandon are deployed in an analysis of Thelma & Louise and the controversies it sparked. This is a compelling study of a landmark in 1990s American cinema. In her foreword to this new edition, Sturken looks back on the film's reception at the time of its release, and considers its continuing resonances and topicality in the age of #MeToo.
Author: Gina Fournier
Publisher: McFarland
ISBN:
Category : Performing Arts
Languages : en
Pages : 436
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Book Description
"Thelma and Louise made film history with a female screenwriter and director, two female leads and a controversial, female-empowered storyline. This book examines the cultural impact of Thelma and Louise, not only upon its release in 1991 but throughout the nearly 15 years since"--Provided by publisher.
Author: Steven Mintz
Publisher: John Wiley & Sons
ISBN: 1118976525
Category : History
Languages : en
Pages : 453
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Book Description
Fully revised, updated, and extended, the fifth edition of Hollywood’s America provides an important compilation of interpretive essays and primary documents that allows students to read films as cultural artifacts within the contexts of actual past events. A new edition of this classic textbook, which ties movies into the broader narrative of US and film history This fifth edition contains nine new chapters, with a greater overall emphasis on recent film history, and new primary source documents which are unavailable online Entries range from the first experiments with motion pictures all the way to the present day Well-organized within a chronological framework with thematic treatments to provide a valuable resource for students of the history of American film
Author: Penny Florence
Publisher: Manchester University Press
ISBN: 9780719041808
Category : Art
Languages : en
Pages : 244
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Book Description
Examines a range of media from paintings and family photography, through to opera, film and TV to novels and poetry, and challenges the traditional boundaries between the creative and the critical.
Author: Vanessa Hua
Publisher: Ballantine Books
ISBN: 0399178791
Category : Fiction
Languages : en
Pages : 322
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Book Description
NATIONAL BESTSELLER • In a powerful debut about modern-day motherhood, immigration, and identity, a pregnant Chinese woman stakes a claim to the American dream in California. “Utterly absorbing.”—Celeste Ng • “A marvel of a first novel.”—O: The Oprah Magazine • “The most eye-opening literary adventure of the year.”—Entertainment Weekly NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Washington Post • NPR • Real Simple Holed up with other mothers-to-be in a secret maternity home in Los Angeles, Scarlett Chen is far from her native China, where she worked in a factory and fell in love with the married owner, Boss Yeung. Now she’s carrying his baby. To ensure that his child—his first son—has every advantage, Boss Yeung has shipped Scarlett off to give birth on American soil. As Scarlett awaits the baby’s arrival, she spars with her imperious housemates. The only one who fits in even less is Daisy, a spirited, pregnant teenager who is being kept apart from her American boyfriend. Then a new sonogram of Scarlett’s baby reveals the unexpected. Panicked, she goes on the run by hijacking a van—only to discover that she has a stowaway: Daisy, who intends to track down the father of her child. The two flee to San Francisco’s bustling Chinatown, where Scarlett will join countless immigrants desperately trying to seize their piece of the American dream. What Scarlett doesn’t know is that her baby’s father is not far behind her. A River of Stars is a vivid examination of home and belonging and a moving portrayal of a woman determined to build her own future. Praise for A River of Stars “Vanessa Hua’s story spins with wild fervor, with charming protagonists fiercely motivated by maternal and survival instincts.”—USA Today “A River of Stars is the best of all worlds: part buddy cop adventure, part coming-of-age story and part ode to female friendship.”—NPR “Hua’s epic A River of Stars follows a pair of pregnant Chinese immigrant women—two of the more vibrant characters I’ve come across in a while—on the lam from Los Angeles to San Francisco’s Chinatown.”—R. O. Kwon, author of The Incendiaries, in Esquire “A delightful novel of motherhood and Chinese immigration . . . Without wading into policy debates, Ms Hua dramatises the stories and contributions of immigrants who believe in grand ideals and strive to live up to them.”—The Economist
Author: Patricia Rind
Publisher: Routledge
ISBN: 1136399518
Category : Social Science
Languages : en
Pages : 193
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Book Description
Explore the distinct relationships of close female friends!Women’s Best Friendships: Beyond Betty, Veronica, Thelma, and Louise gives new and comprehensive insight into the complex world of women’s closest friendships. Recent studies have shown that women place enormous value on best friendships and consider them to be woven tightly into the fabric of their lives. Using in-depth interviews, along with close readings of relevant literature and theory, this book focuses on the many facets of these relationships. With heartfelt first-person accounts and insightful commentary from the author, this book examines three intertwining themes: feelings of competition, issues of dependence and independence, and knowing/understanding. This book sheds light on areas of tension among women, especially difficulties in communication, frustration about not being entirely let into a friend’s life and thought processes, and the feeling that one friend may value the friendship more than the other. It also discusses women’s struggles to maintain closeness over increased distances and the realization that one’s friends are flawed, even as friends. This informative book, grounded in established research and theory, presents stories of real friendships--told by the people who live them. These women talk candidly about what makes a best friend, about navigating the choppy waters of friendship, and much more: “Somehow, when we started living farther apart there were ways in which we were being insensitive. We recognized that there was a really strong bond, but we were taking it for granted. So we talked about how close we feel to one another and perhaps how that leads to some arguments or hurt feelings.” --Liz, on how distance has affected her relationship with her best friend Susan“Em and I don’t fight at all. I don’t know if that’s good or bad. I don’t think I do well with fights. I think that’s probably a lot of conflict avoidance on my part. And I think it does lead to some distance, even though it’s a best friendship. I think I’m uncomfortable asserting myself. And so it’s easier not to have to do that. So maybe my inability to deal with the problems keeps the friendship at a distance, where it’s safe and comfortable for me, in that one respect.” --Linda, about her desire to avoid any confrontation with Emily, her best friendWomen’s Best Friendships: Beyond Betty, Veronica, Thelma, and Louise is a fresh and exciting look at the inner workings of relationships between women. Drawing upon a multitude of issues and insights, this book is a must-have for women’s studies classes.
Author: Rita Felski
Publisher: University of Chicago Press
ISBN: 022672977X
Category : Literary Criticism
Languages : en
Pages : 214
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Book Description
“Examines the way we connect to novels, films, paintings and music, and argues that our enthusiasms should be an integral part of conversations about art.” —Helen Thaventhiran, London Review of Books How does a novel entice or enlist us? How does a song surprise or seduce us? Why do we bristle when a friend belittles a book we love, or fall into a funk when a favored TV series comes to an end? What characterizes the aesthetic experiences of feeling captivated by works of art? In Hooked, Rita Felski challenges the ethos of critical aloofness that is a part of modern intellectuals’ self-image. The result is sure to be as widely read as Felski’s book, The Limits of Critique. Wresting the language of affinity away from accusations of sticky sentiment and manipulative marketing, Felski argues that “being hooked” is as fundamental to the appreciation of high art as to the enjoyment of popular culture. Hooked zeroes in on three attachment devices that connect audiences to works of art: identification, attunement, and interpretation. Drawing on examples from literature, film, music, and painting—from Joni Mitchell to Matisse, from Thomas Bernhard to Thelma and Louise—Felski brings the language of attachment into the academy. Hooked returns us to the fundamentals of aesthetic experience, showing that the social meanings of artworks are generated not just by critics, but also by the responses of captivated audiences. “[Hooked] is an exposé aimed at critics who disavow their personal allegiances.” —Matthew Rubery, Public Books “There are many insights in Hooked that will facilitate a productive interdisciplinary conversation about aesthetics, politics, and the future of critique.” —Michael Gallope, nonsite.org
