Theatrical Management in the West and South for Thirty Years PDF Download
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Author: Solomon Smith
Publisher: Ayer Company Pub
ISBN: 9780405089831
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
Author: Solomon Smith
Publisher: Ayer Company Pub
ISBN: 9780405089831
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
Author: Solomon Smith
Publisher:
ISBN: 9780405089831
Category : Motion picture actors and actresses
Languages : en
Pages : 0
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Book Description
Author: Solomon Smith
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 282
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Book Description
Author: SOLOMON. SMITH
Publisher:
ISBN: 9781033345030
Category :
Languages : en
Pages : 0
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Book Description
Author: Allen A. Brown Collection (Boston Public Library)
Publisher: Boston : The Trustees
ISBN:
Category : Drama
Languages : en
Pages : 976
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Book Description
Author: Lynne Thompson Conner
Publisher: University of Pittsburgh Press
ISBN: 0822977753
Category : Performing Arts
Languages : en
Pages : 301
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Book Description
Pittsburgh has a rich and diverse theatrical tradition, from early frontier performances by officers stationed at Fort Pitt through experimental theater at the end of the twentieth century. Pittsburgh in Stages offers the first comprehensive history of theater in Pittsburgh, placing it within the context of cultural development in the city and the history of theater nationally.By the time the first permanent theater was built in 1812, Pittsburgh had already established itself as a serious patron of the theatrical arts. The city soon hosted New York and London-based traveling companies, and gained a national reputation as a proving ground for touring productions. By the early twentieth century, numerous theaters hosted 'popular-priced' productions of vaudeville and burlesque, and theater was brought to the masses. Soon after, Pittsburgh witnessed the emergence of myriad community-based theater groups and the formation of the Federation of Non-Commercial Theatres and the New Theater League, guilds designed to share resources among community producers. The rise of local theater was also instrumental to the growth of African American theatrical groups. Though victims of segregation, their art flourished, and was only later recognized and blended into Pittsburgh's theatrical melting pot.Pittsburgh in Stages relates the significant influence and interpretation of urban socioeconomic trends in the theatrical arts and the role of the theater as an agent of social change. Dividing Pittsburgh's theatrical history into distinct eras, Lynne Conner details the defining movements of each and analyzes how public tastes evolved over time. She offers a fascinating study of regional theatrical development and underscores the substantial contribution of regional theater in the history of American theatrical arts.
Author: M. Thomas Inge
Publisher: University Press of Kentucky
ISBN: 0813185459
Category : Humor
Languages : en
Pages : 511
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Book Description
The humor of the Old South—tales, almanac entries, turf reports, historical sketches, gentlemen's essays on outdoor sports, profiles of local characters—flourished between 1830 and 1860. The genre's popularity and influence can be traced in the works of major southern writers such as William Faulkner, Erskine Caldwell, Eudora Welty, Flannery O'Connor, and Harry Crews, as well as in contemporary popular culture focusing on the rural South. This collection of essays includes some of the past twenty five years' best writing on the subject, as well as ten new works bringing fresh insights and original approaches to the subject. A number of the essays focus on well known humorists such as Augustus Baldwin Longstreet, Johnson Jones Hooper, William Tappan Thompson, and George Washington Harris, all of whom have long been recognized as key figures in Southwestern humor. Other chapters examine the origins of this early humor, in particular selected poems of William Henry Timrod and Washington Irving's "The Legend of Sleepy Hollow," which anticipate the subject matter, character types, structural elements, and motifs that would become part of the Southwestern tradition. Renditions of "Sleepy Hollow" were later echoed in sketches by William Tappan Thompson, Joseph Beckman Cobb, Orlando Benedict Mayer, Francis James Robinson, and William Gilmore Simms. Several essays also explore antebellum southern humor in the context of race and gender. This literary legacy left an indelible mark on the works of later writers such as Mark Twain and William Faulkner, whose works in a comic vein reflect affinities and connections to the rich lode of materials initially popularized by the Southwestern humorists.
Author: West T. HillJr.
Publisher: University Press of Kentucky
ISBN: 0813189144
Category : Drama
Languages : en
Pages : 197
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Book Description
This comprehensive study shows that the stage was active in Kentucky long before the first professional troupe toured in 1815. During the period covered, 1790–1820, Lexington, Frankfort, and Louisville became the major theatrical centers in the West. Performances on Kentucky stages far outnumbered those in Pittsburgh, Cincinnati, St. Louis, Nashville, or New Orleans. Drawing upon accounts in contemporary newspapers, West T. Hill Jr. demonstrates that drama had developed west of the mountains a full quarter century prior to the date given in theatre histories. The Theatre in Early Kentucky, 1790–1820 captures the full flavor and color of the promoters, managers, professional strollers, and actors, many of whom performed dual roles as actors and managers. Working under primitive conditions, the groups often put on a melodrama, a musical comedy or farce, and several acts of singing, dancing, and recitation in the same performance. Appreciative audiences responded enthusiastically to the overworked and predictable plots of mistaken identity, revenge, and domestic difficulty. This delightful, informative book includes and appendix containing the production data available for 1790–1820. It is illustrated with reproductions of charming newspaper theatrical announcements and with portraits of leading stage figures.
Author: Meredith Henne Baker
Publisher: LSU Press
ISBN: 0807143758
Category : Biography & Autobiography
Languages : en
Pages : 364
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Book Description
On the day after Christmas in 1811, the state of Virginia lost its governor and almost one hundred citizens in a devastating nighttime fire that consumed a Richmond playhouse.The gruesome fire amplified the capital's reputation for vice and led to an upsurge in anti-theater criticism that spread throughout the country and across the Atlantic. In The Richmond Theater Fire, the first book about the event and its aftermath, Meredith Henne Baker explores a forgotten catastrophe and its wide societal impact. The story of transformation comes alive through survivor accounts of slaves, actresses, ministers, and statesmen. Investigating private letters, diaries, and sermons, among other rare or unpublished documents, Baker views the event and its outcomes through the fascinating lenses of early nineteenth-century theater, architecture, and faith, and reveals a rich and vital untold story from America's past.
Author: Don B. Wilmeth
Publisher: Cambridge University Press
ISBN: 9780521472043
Category : Drama
Languages : en
Pages : 554
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Book Description
The Cambridge History of American Theatre is an authoritative and wide-ranging history of American theatre in all its dimensions, from theatre building to play writing, directors, performers, and designers. Engaging the theatre as a performance art, a cultural institution, and a fact of American social and political life, the History recognizes changing styles of presentation and performance and addresses the economic context that conditions the drama presented. The History approaches its subject with a full awareness of relevant developments in literary criticism, cultural analysis, and performance theory. At the same time, it is designed to be an accessible, challenging narrative. Volume One deals with the colonial inceptions of American theatre through the post-Civil War period: the European antecedents, the New World influences of the French and Spanish colonists, and the development of uniquely American traditions in tandem with the emergence of national identity.
