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Author: James Roose-Evans
Publisher: Routledge
ISBN: 1136092447
Category : Performing Arts
Languages : en
Pages : 258
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Book Description
`It is a pleasure to read. Well-written, free of cant, impressively wide-ranging. The book is really an introduction to the avant-garde.' - John Lahr
Author: James Roose-Evans
Publisher: Routledge
ISBN: 1136092447
Category : Performing Arts
Languages : en
Pages : 258
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Book Description
`It is a pleasure to read. Well-written, free of cant, impressively wide-ranging. The book is really an introduction to the avant-garde.' - John Lahr
Author: I. Walsh
Publisher: Springer
ISBN: 1137001364
Category : Performing Arts
Languages : en
Pages : 210
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Book Description
This book examines experimental Irish theatre that ran counter to the naturalistic 'peasant' drama synonymous with Irish playwriting. Focusing on four marginalised playwrights after Yeats, it charts a tradition linking the experimentation of the early Irish theatre movement with the innovation of contemporary Irish and international drama.
Author: James Roose-Evans
Publisher: Routledge
ISBN: 1136092528
Category : Performing Arts
Languages : en
Pages : 264
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Book Description
`It is a pleasure to read. Well-written, free of cant, impressively wide-ranging. The book is really an introduction to the avant-garde.' - John Lahr
Author: Michael Benedikt
Publisher: Garden City, N.Y : Doubleday
ISBN:
Category : American drama
Languages : en
Pages : 464
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Book Description
"Here is an anthology of plays by American playwrights who have approached the writing of drama with fresh and imaginative points of view, using the full range of theatrical resources instead of merely imitating reality"--Publisher's description.
Author: Mary McAvoy
Publisher: University of Iowa Press
ISBN: 1609386418
Category : Performing Arts
Languages : en
Pages : 277
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Book Description
Choice Outstanding Academic Title, 2019 George Freedley Memorial Award Finalist, 2020 Between the world wars, several labor colleges sprouted up across the U.S. These schools, funded by unions, sought to provide members with adult education while also indoctrinating them into the cause. As Mary McAvoy reveals, a big part of that learning experience centered on the schools’ drama programs. For the first time, Rehearsing Revolutions shows how these left-leaning drama programs prepared American workers for the “on-the-ground” activism emerging across the country. In fact, McAvoy argues, these amateur stages served as training grounds for radical social activism in early twentieth-century America. Using a wealth of previously unpublished material such as director’s reports, course materials, playscripts, and reviews, McAvoy traces the programs’ evolution from experimental teaching tool to radically politicized training that inspired overt—even militant—labor activism by the late 1930s. All the while, she keeps an eye on larger trends in public life, connecting interwar labor drama to post-war arts-based activism in response to McCarthyism, the Cold War, and the Civil Rights movement. Ultimately, McAvoy asks: What did labor drama do for the workers’ colleges and why did they pursue it? She finds her answer through several different case studies in places like the Portland Labor College and the Highlander Folk School in Tennessee.
Author: Judy E. Yordon
Publisher: Waveland Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 380
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Book Description
Author: Nandita Dinesh
Publisher: Open Book Publishers
ISBN: 1783742615
Category : Performing Arts
Languages : en
Pages : 188
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Book Description
Nandita Dinesh places Kipling’s "six honest serving-men" (who, what, when, where, why, how) in productive conversation with her own experiences in conflict zones across the world to offer a theoretical and practical reflection on making theatre in times of war. This timely and important book weaves together Dinesh’s personal narrative with the public story of modern conflict, illustrating as it does, the importance of theatre as a force for ethical deliberation and social justice. In it Dinesh asks how theatre might intervene in times and places of conflict and how we might reflect on such interventions. In pursuit of answers, Theatre and War adopts the methods of auto-ethnography, positioning the theatrical practitioner at the heart of conflict zones in northern Uganda, Guatemala, Northern Ireland, Mexico, Rwanda, Kenya, Nagaland, and Kashmir. No longer a detached observer, the researcher and practitioner has to be able to meld theory with practice; to speak to ‘doing’, without undervaluing the importance of ‘thinking about doing’. Each chapter approaches the need for a synthesis of theory and practice by way of a term of inquiry―Why, Where, Who, What, When―and each is equipped with a set of unflinchingly honest field notes that are designed to reveal some of the ‘hows’ from the author’s own repertoire: questions and issues that were encountered during her own theatrical undertakings, along with first hand reflection on the complexities, potential, and challenges that attended her global work in community theatre. Within these notes are strategies that give the reader a practical insight into how the discussion might find its footing on the ground of war. The range and scope of this book make it required reading for those interested in theatre―practitioners, researchers, and students alike—as well as those seeking to understand the applications of the arts for ethics, politics, and education.
Author:
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 636
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Book Description
Author: Nandita Dinesh
Publisher: Routledge
ISBN: 1315436035
Category : Performing Arts
Languages : en
Pages : 121
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Book Description
What does Immersive Theatre ‘do’? By contrasting two specific performances on the same theme – one an ‘immersive’ experience and the other a more conventional theatrical production – Nandita Dinesh explores the ways in which theatrical form impacts upon actors and audiences. An in-depth case study of her work Pinjare (Cages) sets out the ‘hows’ and ‘whys’ of her specific aesthetic framework. Memos from a Theatre Lab places Dinesh’s practical work within the context of existing analyses of Immersive Theatre, using this investigation to generate an underpinning theory of how Immersive Theatre works for its participants.
Author: Anton Nijholt
Publisher: Springer Science & Business Media
ISBN: 3642023150
Category : Computers
Languages : en
Pages : 277
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Book Description
This book constitutes the proceedings of the 3rd International Conference on Intelligent Technologies for Interactive Entertainment (INTETAIN 09). The papers focus on topics such as emergent games, exertion interfaces and embodied interaction. Further topics are affective user interfaces, story telling, sensors, tele-presence in entertainment, animation, edutainment, and interactive art.
