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Author: George Sand
Publisher:
ISBN:
Category :
Languages : fr
Pages : 476
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Book Description
Author: George Sand
Publisher:
ISBN:
Category :
Languages : fr
Pages : 476
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Book Description
Author: Katharina M. Wilson
Publisher: Taylor & Francis
ISBN: 9780824085476
Category : European literature
Languages : en
Pages : 698
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Book Description
Author: Alexandre Dumas
Publisher:
ISBN:
Category : French drama
Languages : en
Pages : 392
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Book Description
Author: Linda M. Lewis
Publisher: University of Missouri Press
ISBN: 0826264077
Category : Literary Criticism
Languages : en
Pages : 292
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Book Description
"By examining literary portraits of the woman as artist, Linda M. Lewis traces the matrilineal inheritance of four Victorian novelists and poets: George Eliot, Elizabeth Barrett Browning, Geraldine Jewsbury, and Mrs. Humphry Ward. She argues that while the male Romantic artist saw himself as god and hero, the woman of genius lacked a guiding myth until Germaine de Stael and George Sand created one. The protagonists of Stael's Corinne and Sand's Consuelo combine attributes of the goddess Athena, the Virgin Mary, Virgil's Sibyl, and Dante's Beatrice. Lewis illustrates how the resulting Corinne/Consuelo effect is exhibited in scores of English artist-as-heroine narratives, particularly in the works of these four prominent writers who most consciously and elaborately allude to the French literary matriarchs." "Exploring a connection between French and English literature and providing fresh insight, Germaine de Stael, George Sand, and the Victorian Woman Artist makes a major contribution to our understanding of nineteenth-century feminism."--Jacket.
Author: Pratima Prasad
Publisher: University of Delaware Press
ISBN: 9780874139778
Category : Literary Criticism
Languages : en
Pages : 250
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Book Description
The essays in Novel Stages examine the myriad intersections between drama and the novel in nineteenth-century France, a period when the two genres were in constant engagement with one another. The collection is unified by common intellectual concerns: the inscription of theatrical esthetics within the novel; the common practice among nineteenth-century novelists of adapting their works for the stage; and the novel's engagement with popular forms of theater. The essays provide insight into a specific aspect of the relationship between the theater and the novel in the nineteenth century. Their distinct perspectives form an overview of the literary landscape of nineteenth-century France, and demonstrate many ways in which all major nineteenth-century French novelists, including Hugo, Flaubert, Sand, and Zola, participated in the theatrical culture of their century.
Author: A. J. Hoenselaars
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838637869
Category : Literary Criticism
Languages : en
Pages : 332
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Book Description
"Many fictional works have real, historical authors as characters. Great national literary icons like Virgil and Shakespeare have been fictionalized in novels, plays, poems, movies, and operas. This fashion might seem typically postmodern, the reverse side of the contention that the Author is Dead; but this collection of essays shows that the representation of historical authors as characters can boast of a considerable history, and may well constitute a genre in its own right. This volume brings together a collection of articles on appropriations of historical authors, written by experts in a wide range of major Western literatures."--BOOK JACKET.
Author: Gay Manifold
Publisher: Ann Arbor, Mich. : UMI Research Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 216
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Book Description
Attempts to provide a full account of George Sand's (pseudonym of Aurore Dupin Dudevant) theatre career and achievements, her writings on theatre and her actual theatre experience in both a historical and performance context and relates them to 19th century stage practice. On-site research at Gargilesse, and at Nohant, where Sand's private theatre remains intact, and examination of unpublished documents have provided much of the material.
Author: David A. Powell
Publisher: Bucknell University Press
ISBN: 9780838754740
Category : Literary Criticism
Languages : en
Pages : 396
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Book Description
At the same time, Sand's musical referencing techniques afford a culturally based method for looking at French society and the need for a humanist reform, all the while exploring feminist statements, narrative strategies, love plots, and questions of communication, language, and nationhood."--BOOK JACKET.
Author: Donald Roy
Publisher: Cambridge University Press
ISBN: 9780521250801
Category : Drama
Languages : en
Pages : 592
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Book Description
Taking as notional parameters the upheaval of the French Revolution and the events leading up to the Unification of Italy, this volume charts a period of political and social turbulence in Europe and its reflection in theatrical life. Apart from considering external factors like censorship and legal sanctions on theatrical activity, the volume examines the effects of prevailing operational conditions on the internal organization of companies, their repertoire, acting, stage presentation, playhouse architecture and the relationship with audiences. Also covered are technical advances in stage machinery, scenography and lighting, the changing position of the playwright and the continuing importance of various street entertainments, particularly in Italy, where dramatic theatre remained the poor relation of the operatic, and itinerant acting troupes still constituted the norm. The 460 documents, many of them illustrated, have been drawn from sources in Britain, France and Italy and have been annotated, and translated where appropriate.
Author: George Sand
Publisher: State University of New York Press
ISBN: 0791486966
Category : Drama
Languages : en
Pages : 279
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Book Description
Best known as a novelist, George Sand (1804–1876) was also arguably the most successful woman dramatist in history. More than twenty of her plays were staged in major Paris theaters to widespread popular and critical acclaim. Translated here for the first time into English are her two most famous full-length comedies, The Marquis de Villemer and Françoise, as well as her three major one-act plays, The Paving Stone, The Japanese Lily, and A Good Deed Is Never Wasted. Noted for their lively characterization, sparkling dialogue, and deft constructions, her plays reflect the passion and generosity of her own character, as well as a quick-witted sense of humor. The translations are preceded by an introduction outlining Sand's theatrical career, the main themes and characteristics of her plays, and critical appraisals from her own generation to the present day. The translations are followed by notes and a bibliography.
