Author: Elizabeth Schafer
Publisher: Bloomsbury Publishing
ISBN: 1350316199
Category : Performing Arts
Languages : en
Pages : 50
Book Description
This critical new title in the Theatre & series explores the fluctuating relationship between theatre and Christianity by focusing on key points of intersection - the challenge of realism and the real, the treatment of women and the role of amateur performance. It covers a wide range of examples from medieval times to today, examining how theatre and Christianity have sometimes clashed dramatically and sometimes embraced one another to great effect. Engaging and enlightening, this book offers an insight into the complex dynamic between theatre and Christianity perfect for undergraduate and postgraduate students of theatre or religious studies.
Theatre and Christianity
Author: Elizabeth Schafer
Publisher: Bloomsbury Publishing
ISBN: 1350316199
Category : Performing Arts
Languages : en
Pages : 50
Book Description
This critical new title in the Theatre & series explores the fluctuating relationship between theatre and Christianity by focusing on key points of intersection - the challenge of realism and the real, the treatment of women and the role of amateur performance. It covers a wide range of examples from medieval times to today, examining how theatre and Christianity have sometimes clashed dramatically and sometimes embraced one another to great effect. Engaging and enlightening, this book offers an insight into the complex dynamic between theatre and Christianity perfect for undergraduate and postgraduate students of theatre or religious studies.
Publisher: Bloomsbury Publishing
ISBN: 1350316199
Category : Performing Arts
Languages : en
Pages : 50
Book Description
This critical new title in the Theatre & series explores the fluctuating relationship between theatre and Christianity by focusing on key points of intersection - the challenge of realism and the real, the treatment of women and the role of amateur performance. It covers a wide range of examples from medieval times to today, examining how theatre and Christianity have sometimes clashed dramatically and sometimes embraced one another to great effect. Engaging and enlightening, this book offers an insight into the complex dynamic between theatre and Christianity perfect for undergraduate and postgraduate students of theatre or religious studies.
The Theatre and Christian Parents
Author: Maurice Francis Egan
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 72
Book Description
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 72
Book Description
Christianity and Popular Amusements, Or The Church and the Theatre
Author: William Wilberforce Newton
Publisher:
ISBN:
Category : Amusements
Languages : en
Pages : 64
Book Description
Publisher:
ISBN:
Category : Amusements
Languages : en
Pages : 64
Book Description
The Making of Theatre History
Author: Paul Kuritz
Publisher: PAUL KURITZ
ISBN: 9780135478615
Category : Performing Arts
Languages : en
Pages : 478
Book Description
Publisher: PAUL KURITZ
ISBN: 9780135478615
Category : Performing Arts
Languages : en
Pages : 478
Book Description
The Roots of Theatre
Author: Eli Rozik
Publisher: University of Iowa Press
ISBN: 1587294265
Category : Performing Arts
Languages : en
Pages : 385
Book Description
The topic of the origins of theatre is one of the most controversial in theatre studies, with a long history of heated discussions and strongly held positions. In The Roots of Theatre, Eli Rozik enters the debate in a feisty way, offering not just another challenge to those who place theatre’s origins in ritual and religion but also an alternative theory of roots based on the cultural and psychological conditions that made the advent of theatre possible. Rozik grounds his study in a comprehensive review and criticism of each of the leading historical and anthropological theories. He believes that the quest for origins is essentially misleading because it does not provide any significant insight for our understanding of theatre. Instead, he argues that theatre, like music or dance, is a sui generis kind of human creativity—a form of thinking and communication whose roots lie in the spontaneous image-making faculty of the human psyche. Rozik’s broad approach to research lies within the boundaries of structuralism and semiotics, but he also utilizes additional disciplines such as psychoanalysis, neurology, sociology, play and game theory, science of religion, mythology, poetics, philosophy of language, and linguistics. In seeking the roots of theatre, what he ultimately defines is something substantial about the nature of creative thought—a rudimentary system of imagistic thinking and communication that lies in the set of biological, primitive, and infantile phenomena such as daydreaming, imaginative play, children’s drawing, imitation, mockery (caricature, parody), storytelling, and mythmaking.
Publisher: University of Iowa Press
ISBN: 1587294265
Category : Performing Arts
Languages : en
Pages : 385
Book Description
The topic of the origins of theatre is one of the most controversial in theatre studies, with a long history of heated discussions and strongly held positions. In The Roots of Theatre, Eli Rozik enters the debate in a feisty way, offering not just another challenge to those who place theatre’s origins in ritual and religion but also an alternative theory of roots based on the cultural and psychological conditions that made the advent of theatre possible. Rozik grounds his study in a comprehensive review and criticism of each of the leading historical and anthropological theories. He believes that the quest for origins is essentially misleading because it does not provide any significant insight for our understanding of theatre. Instead, he argues that theatre, like music or dance, is a sui generis kind of human creativity—a form of thinking and communication whose roots lie in the spontaneous image-making faculty of the human psyche. Rozik’s broad approach to research lies within the boundaries of structuralism and semiotics, but he also utilizes additional disciplines such as psychoanalysis, neurology, sociology, play and game theory, science of religion, mythology, poetics, philosophy of language, and linguistics. In seeking the roots of theatre, what he ultimately defines is something substantial about the nature of creative thought—a rudimentary system of imagistic thinking and communication that lies in the set of biological, primitive, and infantile phenomena such as daydreaming, imaginative play, children’s drawing, imitation, mockery (caricature, parody), storytelling, and mythmaking.
The Routledge Handbook of Christianity and Culture
Author: Yaakov Ariel
Publisher: Taylor & Francis
ISBN: 0429522630
Category : Religion
Languages : en
Pages : 601
Book Description
The centrality and importance of the intersection of Christianity and culture when it comes to English-speaking countries and particularly American culture, history, and politics is beyond doubt. The Routledge Handbook of Christianity and Culture is an outstanding reference source to the key topics, problems, and debates in this exciting subject. Comprising over 35 chapters by a team of international contributors, the handbook is divided into five parts: • Practicing Christianity • Christianity and the Word • Social and Political Aspects of Christianity and Culture • Christianity and Culture in a Global Context • Christianity and the Arts Within these parts, central issues, debates, and problems are examined including liturgy, material Christianity, education, missions, religion and science, hermeneutics, Bible translations, Christian wars, human rights, law, social action, the secular, ecumenicalism, inter-religious relations, visual arts, literature, music, theatre, and film. The Routledge Handbook of Christianity and Culture is essential reading for students and researchers of religious studies and Christian studies. The handbook will also be very useful for those in related fields, such as cultural studies, area studies, visual studies, literature, and material religion.
Publisher: Taylor & Francis
ISBN: 0429522630
Category : Religion
Languages : en
Pages : 601
Book Description
The centrality and importance of the intersection of Christianity and culture when it comes to English-speaking countries and particularly American culture, history, and politics is beyond doubt. The Routledge Handbook of Christianity and Culture is an outstanding reference source to the key topics, problems, and debates in this exciting subject. Comprising over 35 chapters by a team of international contributors, the handbook is divided into five parts: • Practicing Christianity • Christianity and the Word • Social and Political Aspects of Christianity and Culture • Christianity and Culture in a Global Context • Christianity and the Arts Within these parts, central issues, debates, and problems are examined including liturgy, material Christianity, education, missions, religion and science, hermeneutics, Bible translations, Christian wars, human rights, law, social action, the secular, ecumenicalism, inter-religious relations, visual arts, literature, music, theatre, and film. The Routledge Handbook of Christianity and Culture is essential reading for students and researchers of religious studies and Christian studies. The handbook will also be very useful for those in related fields, such as cultural studies, area studies, visual studies, literature, and material religion.
The Performative Ground of Religion and Theatre
Author: David V. Mason
Publisher: Routledge
ISBN: 1351785826
Category : Religion
Languages : en
Pages : 302
Book Description
Religious practitioners and theatregoers have much in common. So much, in fact, that we can say that religion is often a theatrical phenomenon, and that theatre can be a religious experience. By examining the phenomenology of religion, we can in turn develop a better understanding of the phenomenology of theatre. That is to say, religion can show us the ways in which theatre is not fake. This study explores the overlap of religion and theatre, especially in the crucial area of experience and personal identity. Reconsidering ideas from ancient Greece, premodern India, modern Europe, and the recent century, it argues that religious adherents and theatre audiences are largely, themselves, the mechanisms of their experiences. By examining the development of the philosophy of theatre alongside theories of religious action, this book shows how we need to adjust our views of both. Featuring attention to influential notions from Plato and Aristotle, from the Natyashastra, from Schleiermacher to Sartre, Bourdieu, and Butler, and considering contemporary theories of performance and ritual, this is vital reading for any scholar in religious studies, theatre and performance studies, theology, or philosophy.
Publisher: Routledge
ISBN: 1351785826
Category : Religion
Languages : en
Pages : 302
Book Description
Religious practitioners and theatregoers have much in common. So much, in fact, that we can say that religion is often a theatrical phenomenon, and that theatre can be a religious experience. By examining the phenomenology of religion, we can in turn develop a better understanding of the phenomenology of theatre. That is to say, religion can show us the ways in which theatre is not fake. This study explores the overlap of religion and theatre, especially in the crucial area of experience and personal identity. Reconsidering ideas from ancient Greece, premodern India, modern Europe, and the recent century, it argues that religious adherents and theatre audiences are largely, themselves, the mechanisms of their experiences. By examining the development of the philosophy of theatre alongside theories of religious action, this book shows how we need to adjust our views of both. Featuring attention to influential notions from Plato and Aristotle, from the Natyashastra, from Schleiermacher to Sartre, Bourdieu, and Butler, and considering contemporary theories of performance and ritual, this is vital reading for any scholar in religious studies, theatre and performance studies, theology, or philosophy.
Performing the Sacred
Author: Todd E. Johnson
Publisher: Baker Academic
ISBN: 080102952X
Category : Drama
Languages : en
Pages : 176
Book Description
A theologian and a theatre artist examine both the nature of theatrical performance within contemporary culture and its relationship to Christian life, faith, and worship.
Publisher: Baker Academic
ISBN: 080102952X
Category : Drama
Languages : en
Pages : 176
Book Description
A theologian and a theatre artist examine both the nature of theatrical performance within contemporary culture and its relationship to Christian life, faith, and worship.
The Oxford Handbook of Nineteenth-Century Christian Thought
Author: Joel Rasmussen
Publisher: Oxford University Press
ISBN: 0191028223
Category : Religion
Languages : en
Pages : 737
Book Description
Through various realignments beginning in the Revolutionary era and continuing across the nineteenth century, Christianity not only endured as a vital intellectual tradition contributed importantly to a wide variety of significant conversations, movements, and social transformations across the diverse spheres of intellectual, cultural, and social history. The Oxford Handbook of Nineteenth-Century Christian Thought proposes new readings of the diverse sites and variegated role of the Christian intellectual tradition across what has come to be called 'the long nineteenth century'. It represents the first comprehensive examination of a picture emerging from the twin recognition of Christianity's abiding intellectual influence and its radical transformation and diversification under the influence of the forces of modernity. Part one investigates changing paradigms that determine the evolving approaches to religious matters during the nineteenth century, providing readers with a sense of the fundamental changes at the time. Section two considers human nature and the nature of religion. It explores a range of categories rising to prominence in the course of the nineteenth century, and influencing the way religion in general, and Christianity in particular, were conceived. Part three focuses on the intellectual, cultural, and social developments of the time, while part four looks at Christianity and the arts-a major area in which Christian ideas, stories, and images were used, adapted, changes, and challenged during the nineteenth century. Christianity was radically pluralized in the nineteenth century, and the fifth section is dedicated to 'Christianity and Christianities'. The chapters sketch the major churches and confessions during the period. The final part considers doctrinal themes registering the wealth and scope through broad narrative and individual example. This authoritative reference work offers an indispensible overview of a period whose forceful ideas continue to be present in contemporary theology.
Publisher: Oxford University Press
ISBN: 0191028223
Category : Religion
Languages : en
Pages : 737
Book Description
Through various realignments beginning in the Revolutionary era and continuing across the nineteenth century, Christianity not only endured as a vital intellectual tradition contributed importantly to a wide variety of significant conversations, movements, and social transformations across the diverse spheres of intellectual, cultural, and social history. The Oxford Handbook of Nineteenth-Century Christian Thought proposes new readings of the diverse sites and variegated role of the Christian intellectual tradition across what has come to be called 'the long nineteenth century'. It represents the first comprehensive examination of a picture emerging from the twin recognition of Christianity's abiding intellectual influence and its radical transformation and diversification under the influence of the forces of modernity. Part one investigates changing paradigms that determine the evolving approaches to religious matters during the nineteenth century, providing readers with a sense of the fundamental changes at the time. Section two considers human nature and the nature of religion. It explores a range of categories rising to prominence in the course of the nineteenth century, and influencing the way religion in general, and Christianity in particular, were conceived. Part three focuses on the intellectual, cultural, and social developments of the time, while part four looks at Christianity and the arts-a major area in which Christian ideas, stories, and images were used, adapted, changes, and challenged during the nineteenth century. Christianity was radically pluralized in the nineteenth century, and the fifth section is dedicated to 'Christianity and Christianities'. The chapters sketch the major churches and confessions during the period. The final part considers doctrinal themes registering the wealth and scope through broad narrative and individual example. This authoritative reference work offers an indispensible overview of a period whose forceful ideas continue to be present in contemporary theology.
Growth of the spirit of Christianity ... to the dawn of the Lutheran era
Author: George Matheson
Publisher:
ISBN:
Category :
Languages : en
Pages : 426
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 426
Book Description