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Author: Eduardo De Filippo
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838640357
Category : Drama
Languages : en
Pages : 136
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Book Description
"We witness the playwright's uncanny ability to mix comic and tragic elements simultaneously as romantic courtship prevails despite poverty and infirmity in Philosophically Speaking: a tired marriage and the temptation of youthful flirtation oppose each other in Gennareniello: a government clerk happens upon the demolition of his childhood home in So Long, Fifth Floor; an old actor fantasizes about performing a major role once again in The Part of Hamlet: and a tired salesman learns that his room has been used for the laying out of his deceased landlord in Dead People Aren't Scary."--BOOK JACKET.
Author: Eduardo De Filippo
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838640357
Category : Drama
Languages : en
Pages : 136
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Book Description
"We witness the playwright's uncanny ability to mix comic and tragic elements simultaneously as romantic courtship prevails despite poverty and infirmity in Philosophically Speaking: a tired marriage and the temptation of youthful flirtation oppose each other in Gennareniello: a government clerk happens upon the demolition of his childhood home in So Long, Fifth Floor; an old actor fantasizes about performing a major role once again in The Part of Hamlet: and a tired salesman learns that his room has been used for the laying out of his deceased landlord in Dead People Aren't Scary."--BOOK JACKET.
Author: Alessandra Belloni
Publisher: Mel Bay Publications
ISBN: 1619115174
Category : Music
Languages : en
Pages : 113
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Book Description
This book with online video (111 min.) will introduce the reader to the tambourine and folk dance tradition of Southern Italy, the Tarantella. Students will learn the techniques of Tarantella tambourine playing as well as the history of this ancient tradition. This book reflects 25 years of field research and performance by the author, Alessandra Belloni
Author: Anthony R. DelDonna
Publisher: Routledge
ISBN: 1317085396
Category : Music
Languages : en
Pages : 341
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Book Description
The operatic culture of late eighteenth-century Naples represents the fullest expression of a matrix of creators, practitioners, theorists, patrons, and entrepreneurs linking aristocratic, public and religious spheres of contemporary society. The considerable resonance of 'Neapolitan' opera in Europe was verified early in the eighteenth century not only through voluminous reports offered by locals and visitors in gazettes, newspapers, correspondence or diaries, but also, and more importantly, through the rich and tangible artistic patrimony produced for local audiences and then exported to the Italian peninsula and abroad. Naples was not simply a city of entertainment, but rather a cultural epicenter and paradigm producing highly innovative and successful genres of stage drama reflecting every facet of contemporary society. Anthony R. DelDonna provides a rich study of operatic culture from 1775-1800. The book demonstrates how contemporary stage traditions, stimulated by the Enlightenment, engaged with and responded to the changing social, political, and artistic contexts of the late eighteenth century in Naples. It focuses on select yet representative compositions from different genres of opera that illuminate the diverse contemporary cultural forces shaping these works and underlining the continued innovation and European recognition of operatic culture in Naples. It also defines how the cultural milieu of Naples - aristocratic and sacred, private and public - exercises a profound yet idiosyncratic influence on the repertory studied, the creation of which could not have occurred elsewhere on the Continent.
Author: Gaetana Marrone
Publisher: Taylor & Francis
ISBN: 1579583903
Category : Italian literature
Languages : en
Pages : 2258
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Book Description
Publisher description
Author: Alex Marlow-Mann
Publisher: Edinburgh University Press
ISBN: 0748687653
Category : Performing Arts
Languages : en
Pages : 257
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Book Description
The New Neapolitan Cinema provides close analysis of the whole of this movement, which stands as one of the most vital and stimulating currents in contemporary European Cinema.
Author: Times Books
Publisher: Psychology Press
ISBN: 9780815333418
Category : American drama
Languages : en
Pages : 518
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Book Description
First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Rossella Del Prete
Publisher: Springer Nature
ISBN: 3031559037
Category :
Languages : en
Pages : 353
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Book Description
Author: Anthony R. DelDonna
Publisher: Cambridge University Press
ISBN: 1108804942
Category : Music
Languages : en
Pages : 339
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Book Description
The music of early modern Naples and its renowned artistic traditions remain a fruitful area for scholars in eighteenth-century studies. Contemporary social, political, and artistic conditions had stimulated a significant growth of music, musicians and culture in the Kingdom of Naples from the beginning of the seventeenth century. Although eighteenth-century Neapolitan opera is well documented in scholarship, historians have paid much less attention to the simultaneous cultivation of instrumental genres. Yet the culture of instrumental music grew steadily and by its end became an exclusive area of focus for the royal court, a remarkable departure from past norms of patronage. By bridging this gap, Anthony R. DelDonna brings together diverse fields, including historical musicology, music theory, Neapolitan and European history. His book investigates the wide-ranging role of instrumental genres within late eighteenth-century Neapolitan culture and introduces readers to new material, including recently discovered instrumental works of Paisiello, Cimarosa and Pleyel.
Author: John T. Warren
Publisher: Peter Lang
ISBN: 9780820474199
Category : Art
Languages : en
Pages : 232
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Book Description
Casting Gender puts forward a vision of theatre, storytelling, and the performance of the everyday function within the lived spaces of its performers and audiences, asking how women artists/scholars embody meaning, carry social value, and constitute possible identities. Drawing on scholarship in intercultural communication, performance studies, women's studies, and cultural studies, this collection of new, critically informed research advances our understanding of how theater works as intercultural communication and as a vehicle for change. Casting Gender offers varied locations and sites of research, highlighting the rich diversity of women's cultural identities, roles, and societal positions. This book moves beyond the western-centered nature of intercultural performance and intercultural communication theory and practice by creating a forum for nonwestern voices.
Author: Mariano D'Amora
Publisher: Cambridge Scholars Publishing
ISBN: 144388622X
Category : Performing Arts
Languages : en
Pages : 280
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Book Description
In a world that tends to homologate, thus becoming, in every aspect of our lives, grey, flat and uniform, so creating the world of universal similarity (including language), does it still make sense today to talk about vernacular theatre? Tackling such a question implies uncovering the reasons for the disappearance of the many regional theatres that were present in Italy in the nineteenth century. There is no doubt that first the unification of the country in 1861, and then the language policies of fascism in the ‘30s were the final nails in the coffin for local theatres. It is also true, however, that what really determined their downsizing was the progressive loss of connection with their own environment. If we give an essentially superficial interpretation to the adjective “vernacular”, and in a play we see a canovaccio (plot) that the local star uses as a vehicle to show his talent through a series of modest mannerisms, then “vernacular” implies the death certificate of this type of theatre (once the star dies, his alleged dramaturgy dies with him and his mannerisms). On the contrary, if we identify in this adjective the theatre’s healthy attempt to develop a local, social and cultural analysis of its environment, it opens a whole new meaning and acquires a perspective that a national theatre can never aspire to. This is the case of Neapolitan theatre. It managed to survive and thrive, producing plays that were capable of critically describing modern and contemporary reality. Neapolitan playwrights forcefully proclaimed their roots as a primary source for their work. The city, in fact, became a direct expression of that cultural microcosm which provided them with the living flesh of their plots.
