Theater East and West Perspectives Towards a Total Theater

Theater East and West Perspectives Towards a Total Theater PDF Author: Leonard Cabell Pronko
Publisher: Univ of California Press
ISBN:
Category :
Languages : en
Pages : 260

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Theater East and West Perspectives Towards a Total Theater

Theater East and West Perspectives Towards a Total Theater PDF Author: Leonard Cabell Pronko
Publisher: Univ of California Press
ISBN:
Category :
Languages : en
Pages : 260

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Book Description


Theater East and West

Theater East and West PDF Author: Leonard C. Pronko
Publisher: Univ of California Press
ISBN: 0520308131
Category : Performing Arts
Languages : en
Pages : 266

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Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1967.

Theater East and West

Theater East and West PDF Author: Leonard Cabell Pronko
Publisher:
ISBN:
Category :
Languages : en
Pages : 230

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Book Description


Masks in Modern Drama

Masks in Modern Drama PDF Author: Susan H. Smith
Publisher: Univ of California Press
ISBN: 9780520050952
Category : Literary Criticism
Languages : en
Pages : 276

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Book Description


Shakespeare East and West

Shakespeare East and West PDF Author: Minoru Fujita
Publisher: Routledge
ISBN: 1134240899
Category : Literary Criticism
Languages : en
Pages : 188

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Book Description
The International Shakespeare Association meeting, held in Tokyo in August of 1991, was regarded by many of the participating academics as a milestone in terms of the quality of the papers given and extent to which the intercultural and cross-cultural study of Shakespeare had been developed. This volume contains the principal contributions (10) to the panel on Acting and Language in Shakespeare and Eastern Drama, specially edited for publication by Minoru Fujita who teaches at the Graduate School of Culture, University of Osaka, and Leonard Pronko, Professor of Theatre at Pomona College, Claremont, California. The papers are presented in three sections: Playhouses and Performances, Literary History, and Interpretation and Theoretical Issues.

Theater East and West

Theater East and West PDF Author: Leonard C. Pronko
Publisher: Univ of California Press
ISBN: 0520312708
Category : Performing Arts
Languages : en
Pages : 266

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Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1967.

The Use of Asian Theatre for Modern Western Theatre

The Use of Asian Theatre for Modern Western Theatre PDF Author: Min Tian
Publisher: Springer
ISBN: 3319971786
Category : Performing Arts
Languages : en
Pages : 313

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Book Description
This book is a historical study of the use of Asian theatre for modern Western theatre as practiced by its founding fathers, including Aurélien Lugné-Poe, Adolphe Appia, Gordon Craig, W. B. Yeats, Jacques Copeau, Charles Dullin, Antonin Artaud, V. E. Meyerhold, Sergei Eisenstein, and Bertolt Brecht. It investigates the theories and practices of these leading figures in their transnational and cross-cultural relationship with Asian theatrical traditions and their interpretations and appropriations of the Asian traditions in their reactional struggles against the dominance of commercialism and naturalism. From the historical and aesthetic perspectives of traditional Asian theatres, it approaches this intercultural phenomenon as a (Euro)centred process of displacement of the aesthetically and culturally differentiated Asian theatrical traditions and of their historical differences and identities. Looking into the displaced and distorted mirror of Asian theatre, the founding fathers of modern Western theatre saw, in their imagination of the 'ghostly' Other, nothing but a (self-)reflection or, more precisely, a (self-)projection and emplacement, of their competing ideas and theories preconceived for the construction, and the future development, of modern Western theatre.

The World Encyclopedia of Contemporary Theatre

The World Encyclopedia of Contemporary Theatre PDF Author: Katherine Brisbane
Publisher: Taylor & Francis
ISBN: 1000950131
Category : Performing Arts
Languages : en
Pages : 540

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Book Description
This new paperback edition provides a unique examination of theatre in Asia and the Pacific and is written by leading experts from within the countries covered. Its far-reaching scope and broad interpretation of theatre (to include all types of performance) set it apart from any other similar publication. Entries on 33 Asian countries are featured in this volume, preceded by introductory essays on Asian Theatre, Theatre in the Pacific, History and Culture, Cosmology, Music, Dance, Theatre for Young Audiences, Mask Theatre and Puppetry. The volume contains approximately 300,000 words and includes national essays of up to 25,000 words each. The countries include: Afghanistan * Australia * Bangladesh * Bhutan * Brunei * Cambodia * India * Indonesia * Iran * Japan * Kazakhstan *Kirghizia * Laos * Malaysia * Myanmar * Mongolia * Nepal *New Zealand * Pakistan * Papua New Guinea * PhilippinesNew Zealand * Pakistan * Papua New Guinea * Philippines *Singapore * South Korea * South Pacific * Sri Lanka * Tadjikistan * Thailand * Turkmenistan * Vietnam

The World Encyclopedia of Contemporary Theatre

The World Encyclopedia of Contemporary Theatre PDF Author: Don Rubin
Publisher: Taylor & Francis
ISBN: 9780415260879
Category : Drama
Languages : en
Pages : 540

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Book Description
This new in paperback edition of World Encyclopedia of Contemporary Theatre covers the Americas, from Canada to Argentina, including the United States. Volume 5 covers Asia/Pacific. Entries are preceded by specialist introductions on Theatre in Post-Colonial Latin America, Theatres of North America, Puppet Theatre, Theatre for Young Audiences, Music Theatre and Dance Theatre. The essays follow the series format, allowing for cross-referring across subjects, both within the volume and between volumes. Each country entry is written by specialists in the particular country and the volume has its own teams of regional editors, overseen by the main editorial team based at the University of York in Canada headed by Don Rubin.

Gao Xingjian and Transcultural Chinese Theater

Gao Xingjian and Transcultural Chinese Theater PDF Author: Sy Ren Quah
Publisher: University of Hawaii Press
ISBN: 9780824826291
Category : Performing Arts
Languages : en
Pages : 252

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Book Description
A reclusive painter living in exile in Paris, Gao Xingjian found himself instantly famous when he became the first Chinese language writer to receive the Nobel Prize for Literature (2000). The author of the novel Soul Mountain, Gao is best known in his native country not as a visual artist or novelist, but as a playwright and theater director. This important yet rarely studied figure is the focus of Sy Ren Quah’s rich account appraising his contributions to contemporary Chinese and World Theater over the past two decades. A playwright himself, Quah provides an in-depth analysis of the literary, dramatic, intellectual, and technical aspects of Gao’s plays and theatrical concepts, treating Gao’s theater not only as an art form but, with Gao himself, as a significant cultural phenomenon. The Bus Stop, Wild Man, and other early works are examined in the context of 1980s China. Influenced by Stanislavsky, Brecht, and Beckett, as well as traditional Chinese theater arts and philosophies, Gao refused to conform to the dominant realist conventions of the time and made a conscious effort to renovate Chinese theater. The young playwright sought to create a "Modern Eastern Theater" that was neither a vague generalization nor a nationalistic declaration, but a challenge to orthodox ideologies. After fleeing China, Gao was free to experiment openly with theatrical forms. Quah examines his post-exile plays in a context of performance theory and philosophical concerns, such as the real versus the unreal, and the Self versus the Other. The image conveyed of Gao is not of an activist but of an intellectual committed to maintaining his artistic independence who continues to voice his opinion on political matters.