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Author: Charlotte Perkins Gilman
Publisher:
ISBN:
Category :
Languages : en
Pages : 36
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Book Description
"The Yellow Wallpaper" is a short story by American writer Charlotte Perkins Gilman, first published in January 1892 in The New England Magazine.[1] It is regarded as an important early work of American feminist literature, due to its illustration of the attitudes towards mental and physical health of women in the 19th century.Narrated in the first person, the story is a collection of journal entries written by a woman whose physician husband (John) has rented an old mansion for the summer. Forgoing other rooms in the house, the couple moves into the upstairs nursery. As a form of treatment, the unnamed woman is forbidden from working, and is encouraged to eat well and get plenty of air, so she can recuperate from what he calls a "temporary nervous depression - a slight hysterical tendency", a diagnosis common to women during that period
Author: Charlotte Perkins Gilman
Publisher:
ISBN:
Category :
Languages : en
Pages : 36
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Book Description
"The Yellow Wallpaper" is a short story by American writer Charlotte Perkins Gilman, first published in January 1892 in The New England Magazine.[1] It is regarded as an important early work of American feminist literature, due to its illustration of the attitudes towards mental and physical health of women in the 19th century.Narrated in the first person, the story is a collection of journal entries written by a woman whose physician husband (John) has rented an old mansion for the summer. Forgoing other rooms in the house, the couple moves into the upstairs nursery. As a form of treatment, the unnamed woman is forbidden from working, and is encouraged to eat well and get plenty of air, so she can recuperate from what he calls a "temporary nervous depression - a slight hysterical tendency", a diagnosis common to women during that period
Author: Charlotte Perkins Gilman
Publisher: Leamington Books
ISBN: 1914090357
Category : Fiction
Languages : en
Pages : 99
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Book Description
Edited with a new introduction by Aimee McLaughlin "The Yellow Wallpaper" by American writer Charlotte Perkins Gilman, first published in January 1892, is regarded as an important early work of American feminist literature for its illustration of the attitudes towards mental and physical health of women in the 19th century. What happens when a woman is pushed too far? Is she able to express her thoughts and feelings, or is she forced towards the expectation of behaving 'normally' again soon? A woman travels with her husband to an old colonial mansion after a nervous breakdown triggered by the birth of their child. Confined to the nursery and allowed only to breathe fresh air, eat well and rest in line with a regimented 'cure', she slowly begins to unravel at the seams. Her only distraction is writing in secret – that, and the woman she begins to see trapped inside the yellow wallpaper of the room itself. Isolated and breaking apart, she sets herself a task: to free the woman, and to become one with her temporary confinement. Charlotte Perkins-Gilman's 'The Yellow Wallpaper' presents a harrowing, disturbing account of mental stress, confinement and female turmoil - within which the only available solace can be found inside four peeling, sickly yellow walls ... Our new edition also features the sequence of poems "Woman" by Charlotte Perkins Gilman. "The gothic genre offers Gilman an effective mode of diagnosing contemporary culture whilst in tandem expressing her ensuing fears and anxieties. Gilman within this novella, gothicises the domestic setting, inverting the pillars of domesticity: family, security and understanding, in turn unveiling the dangers lurking behind the familiarity of gender roles within marital relations. The intimate first-person narration of the narrative serves to enhance Gilman's exposure of the oppressive forces of a male-dominated society, as she deplores her protagonist's inferior position in her domestic arrangement. The female narrator is encumbered by masculine superiority, undoubtedly dwelling in the middle of patriarchy. Embedded within her characterisation is the subjugated role bestowed upon Victorian women. Gilman projects derangement onto a familiar literary figure ― the middle−class wife and mother ― placing the source of this madness in the inviolate sphere for dutiful women ― the home." from the new introduction to The Yellow Wallpaper by Aimee McLaughlin
Author: Dominique Wilson
Publisher: Transit Lounge
ISBN: 1921924624
Category : Fiction
Languages : en
Pages : 240
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Book Description
It's 1872 and China – still bruised from its defeat in the two Opium Wars – sends a group of boys, including seven-year-old Chen Mu, to America to study and bring back the secrets of the West. But nine years on Chen Mu becomes a fugitive and flees to Umberumberka, a mining town in outback Australia. He eventually finds peace working for Matthew Dawson, a rich pastoralist. When the bubonic plague ravages Sydney, Matthew Dawson's daughter returns to her father's property with her son, Edward. But it's a lonely life for a small boy surrounded only by adults, and he soon befriends Chen Mu, forging a friendship that will last a lifetime. Years later, Edward visits a mysterious and decadent Shanghai, where he falls in love with Ming Li, the beautiful young wife of a Chinese businessman. Invading Japanese armies tear the couple apart and years pass before they reunite, each scarred by the events of World War II and the Korean War. But will it be only to be torn apart once again? The Yellow Papers is a story of love, obsession and friendship set against a backdrop of war and racial prejudice.
Author: Charlotte Perkins Gilman
Publisher: Independently Published
ISBN: 9781077768932
Category :
Languages : en
Pages : 40
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Book Description
The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after experiencing symptoms of "temporary nervous depression". The family spends the summer at a colonial mansion that has, in the narrator's words, "something queer about it". She and her husband move into an upstairs room that she assumes was once a nursery. Her husband chooses for them to sleep there due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, readers are left unsure as to the source of the room's state, leading them to see the ambiguities in the unreliability of the narrator.The narrator devotes many journal entries to describing the wallpaper in the room - its "yellow" smell, its "breakneck" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.After many moments of tension between John and his sister, the story climaxes with the final day in the house. On the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She excitedly exclaims, "I've got out at last... in spite of you and Jane", causing her husband to faint as she continues to circle the room, creeping over his inert body each time she passes it, believing herself to have become the personification of the woman trapped behind the yellow wallpaper.
Author: Charlotte Perkins Gilman
Publisher: HarperCollins UK
ISBN: 0008527946
Category : Fiction
Languages : en
Pages : 252
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Book Description
HarperCollins is proud to present its incredible range of best-loved, essential classics.
Author: Julie Bates Dock
Publisher: Penn State Press
ISBN: 0271040815
Category : Fiction
Languages : en
Pages : 148
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Book Description
Author: Charlotte Perkins Gilman
Publisher: Ohio University Press
ISBN: 0821416537
Category : Feminism and literature
Languages : en
Pages : 145
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Book Description
A critical edition of Gilman's turn-of-the-century feminist novel presents both manuscript and magazine versions, critically edited, and printed in parallel.
Author: Michel Pastoureau
Publisher: Princeton University Press
ISBN: 0691978867
Category : Art
Languages : en
Pages : 406
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Book Description
The story of the color black in art, fashion, and culture—from the beginning of history to the twenty-first century Black—favorite color of priests and penitents, artists and ascetics, fashion designers and fascists—has always stood for powerfully opposed ideas: authority and humility, sin and holiness, rebellion and conformity, wealth and poverty, good and bad. In this beautiful and richly illustrated book, the acclaimed author of Blue now tells the fascinating social history of the color black in Europe. In the beginning was black, Michel Pastoureau tells us. The archetypal color of darkness and death, black was associated in the early Christian period with hell and the devil but also with monastic virtue. In the medieval era, black became the habit of courtiers and a hallmark of royal luxury. Black took on new meanings for early modern Europeans as they began to print words and images in black and white, and to absorb Isaac Newton's announcement that black was no color after all. During the romantic period, black was melancholy's friend, while in the twentieth century black (and white) came to dominate art, print, photography, and film, and was finally restored to the status of a true color. For Pastoureau, the history of any color must be a social history first because it is societies that give colors everything from their changing names to their changing meanings—and black is exemplary in this regard. In dyes, fabrics, and clothing, and in painting and other art works, black has always been a forceful—and ambivalent—shaper of social, symbolic, and ideological meaning in European societies. With its striking design and compelling text, Black will delight anyone who is interested in the history of fashion, art, media, or design.
Author: Charlotte Perkins Gilman
Publisher: Penguin
ISBN: 0143134795
Category : Fiction
Languages : en
Pages : 402
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Book Description
A collection of the groundbreaking feminist writer's most famous works, with a thought-provoking introduction by bestselling author Kate Bolick. A Penguin Vitae Edition Wonderfully sardonic and slyly humorous, the writings of landmark American feminist and socialist thinker Charlotte Perkins Gilman were penned in response to her frustrations with the gender-based double standard that prevailed in America as the twentieth century began. Perhaps best known for her chilling depiction of a woman's mental breakdown in her unforgettable 1892 short story "The Yellow Wall-Paper," Gilman also wrote Herland, a wry novel that imagines a peaceful, progressive country from which men have been absent for 2,000 years. Both are included in The Yellow Wall-Paper and Selected Writings, along with a selection of Gilman's major short stories and her poems. New York Times bestselling author Kate Bolick contributes an illuminating introduction that explores Gilman's fascinating yet complicated life. Penguin Classics launches a new hardcover series with five American classics that are relevant and timeless in their power, and part of a dynamic and diverse landscape of classic fiction and nonfiction from almost seventy-five years of classics publishing. Penguin Vitae provides readers with beautifully designed classics that have shaped the course of their lives, and welcomes new readers to discover these literary gifts of personal inspiration, intellectual engagement, and creative originality.
Author: Catherine J. Golden
Publisher: Routledge
ISBN: 1134503547
Category : Literary Criticism
Languages : en
Pages : 200
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Book Description
This sourcebook combines extracts from contemporary documents and critical reviews, providing an introduction, a publishing and critical history, a chronology of key events, a guide to further reading and original pictures.
