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Author: Amy S. Kaufman
Publisher: Wipf and Stock Publishers
ISBN: 1725245612
Category : Social Science
Languages : en
Pages : 88
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Book Description
The Year's Work in Medievalism 2009 includes papers delivered at the 23rd Annual Conference on Medievalism, organized by the International Society for Studies in Medievalism, and held at Wesleyan College in Macon, Georgia in October 2008. The topic of the conference was "Regional Medievalisms," a topic this volume conceives of broadly; the enclosed essays address medievalism in different genres and academic fields as well as geographic regions. The conference was organized by Amy S. Kaufman, who is the editor of this volume; the Director of Conferences and Series Editor of the Year's Work in Medievalism is Gwendolyn Morgan. Contributors: --Gwendolyn Morgan, Beowulf and the Middle Ages in Film --Cory James Rushton, Canadian Grail --Alexander Moffett, "Certain Fragments of Yellow Parchment": Remembering the Medieval in Virginia Woolf's "The Journal of Mistress Joan Martyn" --Kathleen Coyne Kelly, Russ Meyer, Bricoleur: King Arthur, Wonder Woman, and Nazis in Beyond the Valley of the Dolls --Karl Fugeslo, Regional Medievalisms in Academia: Pictorial vs. Textual Responses to the Divine Comedy --M.J. Toswell, Earle Birney: Medievalist Bard of British Columbia --Cory Lowell Grewell, Vanquishing the Beast Within: Christianization of the Hero Ethos in Robert Zemeckis's Beowulf
Author: Amy S. Kaufman
Publisher: Wipf and Stock Publishers
ISBN: 1608995437
Category : Social Science
Languages : en
Pages : 89
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Book Description
The Year's Work in Medievalism 2009 includes papers delivered at the 23rd Annual Conference on Medievalism, organized by the International Society for Studies in Medievalism, and held at Wesleyan College in Macon, Georgia in October 2008. The topic of the conference was Regional Medievalisms, a topic this volume conceives of broadly; the enclosed essays address medievalism in different genres and academic fields as well as geographic regions. The conference was organized by Amy S. Kaufman, who is the editor of this volume; the Director of Conferences and Series Editor of the Year's Work in Medievalism is Gwendolyn Morgan. Contributors: --Gwendolyn Morgan, Beowulf and the Middle Ages in Film --Cory James Rushton, Canadian Grail --Alexander Moffett, Certain Fragments of Yellow Parchment: Remembering the Medieval in Virginia Woolf's The Journal of Mistress Joan Martyn --Kathleen Coyne Kelly, Russ Meyer, Bricoleur: King Arthur, Wonder Woman, and Nazis in Beyond the Valley of the Dolls --Karl Fugeslo, Regional Medievalisms in Academia: Pictorial vs. Textual Responses to the Divine Comedy --M.J. Toswell, Earle Birney: Medievalist Bard of British Columbia --Cory Lowell Grewell, Vanquishing the Beast Within: Christianization of the Hero Ethos in Robert Zemeckis's Beowulf
Author: Gwendolyn Morgan
Publisher: Wipf and Stock Publishers
ISBN: 1608999912
Category : Social Science
Languages : en
Pages : 159
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Book Description
The Year's Work in Medievalism, volume XXV, is based upon but not restricted to the 2010 proceedings of the annual International Conference on Medievalism, organized by the Director of Conferences for the International Society for the Study of Medievalism, Gwendolyn Morgan, and, for 2009, Dr. Pam Clements. The Year's Work in Medievalism also publishes bibliographies, book reviews, and announcements for conferences and other events. Richard Utz, Pi(o)us Medievalism vs. Catholic Modernism: The Case Of George Tyrell Martha Oberle, The Legacy of the Medieval Mendicant Orders Chelsea Gunter, Mysticism and Messianism in the Poetry of Paul Celan William Calin, Postcolonialism and Medievalism: How French Regional Cultures/Literatures Reshape Their Past and Present Jana K. Schulman, Retelling Old Tales: Germanic Myth and Language in Christopher Paolini's Eragon Arthur Russell, From English Stage to American Page: The Transatlantic Dissemination of Leonard MacNally's Robin Hood; or, Sherwood Forest Gwendolyn Morgan, The Battle of Maldon in Imitative Translation Edward L. Risden, The Battle of Maldon: A One-act Play for Readers' Theater T.S. Miller, A Look at Some New Lays of Beowulf: The Misunderstood Monsters of Contemporary Popular Music Aspen Hougen, Debilitating Dracula: Vampire as Illness Metaphor from the Middle Ages to the Present Day Peter Johnsson, Purged by Fire: The Influence of Medieval Visionary Literature on Post-Apocalyptic Science Fiction Gerald Nachtwey, Unburied Corpses: The Violence of the Past in William Morris's Froissartian Poems Karl Fugelso, Dante as Surfer Medievalism: Sandow Birk's Commedia Illustrations
Author: Edward L. Risden
Publisher: Wipf and Stock Publishers
ISBN: 1620323036
Category : History
Languages : en
Pages : 111
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Book Description
The Year's Work in Medievalism includes vetted essays from the Studies in Medievalism--now International Society for the Study of Medievalism--annual conference and from submissions to the editor throughout the year. The current volume includes a range of topics from medievalism in literature and art to the neomedievalism of movies and games. It includes these scholarly contributions: E. L. Risden, Introductory Letter from the Editor Gwendolyn Morgan, Recollections of Medievalism Richard Utz, Them Philologists: Philological Practices and Their Discontents from Nietzsche to Cerquiglini Clare Simmons, Really Ancient Druids in British Medievalist Drama Karl Fugelso, Neomedievalisms in Tom Phillips' Commedia Illustrations Jason Fisher, Some Contributions to Middle-earth Lexicography: Hapax Legomena in The Lord of the Rings Simon Roffey, The World of Warcraft: A Medievalist Perspective William Hodapp, Arthur, Beowulf, Robin Hood, and Hollywood's Desire for Origins M. J. Toswell, The Arthurian Landscapes of Guy Gavriel Kay
Author: Susan Aronstein
Publisher: Bloomsbury Publishing
ISBN: 135028758X
Category : History
Languages : en
Pages : 249
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Book Description
How have fairy tales from around the world changed over the centuries? What do they tell us about different cultures and societies? Spanning the years from 900 to 1500 and traversing geographical borders, from England to France and India to China, this book uniquely examines the tales told, translated, adapted and circulated during the period known as the Middle Ages. Scholars in history, literature and cultural studies explore the development of epic tales of heroes and monsters and enchanted romance narratives. Examining how tales evolved and functioned across different societies during the Middle Ages, this book demonstrates how the plots, themes and motifs used in medieval tales influenced later developments in the genre. An essential resource for researchers, scholars and students of literature, history and cultural studies, this volume explores themes including: forms of the marvelous, adaptation, gender and sexuality, humans and non-humans, monsters and the monstrous, spaces, socialization, and power. A Cultural History of Fairy Tales (6-volume set) A Cultural History of Fairy Tales in Antiquity is also available as a part of a 6-volume set, A Cultural History of Fairy Tales, tracing fairy tales from antiquity to the present day, available in print, or within a fully-searchable digital library accessible through institutions by annual subscription or on perpetual access (see www.bloomsburyculturalhistory.com). Individual volumes for academics and researchers interested in specific historical periods are also available digitally via www.bloomsburycollections.com.
Author:
Publisher: BRILL
ISBN: 9004688358
Category : Literary Criticism
Languages : en
Pages : 324
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Book Description
Bringing together neo-Victorian and medievalism scholars in dialogue with each other for the first time, this collection of essays foregrounds issues common to both fields. The Victorians reimagined the medieval era and post-Victorian medievalism repurposes received nineteenth century tropes, as do neo-Victorian texts. For example, aesthetic movements such as Arts and Crafts, which looked for inspiration in the medieval era, are echoed by steampunk in its return to Victorian dress and technology. Issues of gender identity, sexuality, imperialism and nostalgia arise in both neo-Victorianism and medievalism, and analysis of such texts is enriched and expanded by the interconnections between the two fields represented in this groundbreaking collection.
Author: Matthias D. Berger
Publisher: Boydell & Brewer
ISBN: 1843846578
Category :
Languages : en
Pages : 271
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Book Description
How ideas and ideals of an imagined, protean, national Middle Ages have once again become a convergence point for anxieties about politics, history and cultural identity in our time - and why. After a period of abeyance, the link forged in the nineteenth century between the Middle Ages and national identity is increasingly being reclaimed, with numerous groups and individuals mining an imagined medieval past to present ideas and ideals of modern nationhood. Today's national medievalism asserts itself at the interface of culture and politics: in literature and television programming, in journalism and heritage tourism, and in the way political actors of various stripes use a deep past that supposedly proves the nation's steady exceptionalism in a hectic globalised world. This book traces these ongoing developments in Switzerland and Britain, two countries where the medieval past has recently been much invoked in negotiations of national identity, independence and Euroscepticism. Through comparative analysis, it explores examples of reemerging stories of national exceptionalism - stories that, ironically, echo those of other nations. The author analyses depictions of Robert the Bruce and Wilhelm Tell; medievalism in the discourse surrounding Brexit as well as at the Welsh Senedd; novels like Paul Kingsnorth's The Wake; community-based art such as the Great Tapestry of Scotland; and elaborate public commemorations of Swiss victories (and defeats) in battle. Basing his critical readings in current theories of cultural memory, heritage and nationalism, the author explores how the protean national Middle Ages have once again become a convergence point for anxieties about politics, history and cultural identity in our time - and why.
Author: Gail Ashton
Publisher: Bloomsbury Publishing
ISBN: 144116068X
Category : Literary Criticism
Languages : en
Pages : 369
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Book Description
With contributions from 29 leading international scholars, this is the first single-volume guide to the appropriation of medieval texts in contemporary culture. Medieval Afterlives in Contemporary Culture covers a comprehensive range of media, including literature, film, TV, comics book adaptations, electronic media, performances, and commercial merchandise and tourism. Its lively chapters range from Spamalot to the RSC, Beowulf to Merlin, computer games to internet memes, opera to Young Adult fiction and contemporary poetry, and much more. Also included is a companion website aimed at general readers, academics, and students interested in the burgeoning field of Medieval afterlives, complete with: - Further reading/weblinks - 'My favourite' guides to contemporary medieval appropriations - Images and interviews - Guide to library archives and manuscript collections - Guide to heritage collection See also our website at https://medievalafterlives.wordpress.com/.
Author:
Publisher: BRILL
ISBN: 9004193596
Category : History
Languages : en
Pages : 512
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Book Description
Modernity has historically defined itself by relation to classical antiquity on the one hand, and the medieval on the other. While early modernity’s relation to Antiquity has been amply documented, its relation to the medieval has been less studied. This volume seeks to address this omission by presenting some preliminary explorations of this field. In seventeen essays ranging from the Italian Renaissance to Enlightenment France, it focuses on three main themes: continuities and discontinuities between the medieval and early modern, early modern re-uses of medieval matter, and conceptualizations of the medieval. Collectively, the essays illustrate how early modern medievalisms differ in important respects from post-Romantic views of the medieval, ultimately calling for a re-definition of the concept of medievalism itself. Contributors include: Mette Bruun, Peter Damian-Grint, Anne-Marie De Gendt, Daphne Hoogenboezem, Tiphaine Karsenti, Joost Keizer, Waldemar Kowalski, Elena Lombardi, Coen Maas, Pieter Mannaerts, Christoph Pieper, Jacomien Prins, Adam Shear, Paul Smith, Martin Spies, Andrea Worm, and Aurélie Zygel-Basso.
Author: Reima Välimäki
Publisher: Bloomsbury Publishing
ISBN: 1350232904
Category : History
Languages : en
Pages : 265
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Book Description
Since the end of the Cold War, the Middle Ages has returned to debates about history, culture, and politics in Northern and Eastern Europe. This volume explores political medievalism in two language areas that are crucial to understanding global medievalism but are, due to language barriers, often inaccessible to the majority of Western scholars and students. The importance of Russian medievalism has been acknowledged, but little analysed until now. Medievalism in Finland and Russia offers a selection of chapters by Russian, Finnish and American scholars covering historiography, presidential speeches, participatory online discussions and the neo-pagan revival in Russia. Finland is currently even more poorly understood than Russia in the discussions about global medievalism. It is usually mentioned only as of the birthplace of the Soldiers of Odin. The street patrol is, however, a marginal phenomenon in Finnish medievalism as this volume demonstrates. Instead of merely adopting the medievalist interpretation of the international alt-right, even the right-wing populists in Finland refer more to the nationalistic medievalist tradition, where crusades do not mark a Western Christian victory over the Muslim East, but a Swedish occupation of Finnish lands. In addition to presenting particular cases of medievalism, the chapters here on Finland challenge and diversify today's prevailing interpretation of shared online medievalism of European and American right-wing populists. This book reveals that while medievalisms in Finland and Russia share many features with the contemporary Anglo-American medievalist imaginations, they also display many original characteristics due to particular political situations and indigenous medievalist traditions. They have their own meta-medievalisms, cumulative core ideas and interpretations about the medieval past that are thoroughly examined here in English for the very first time.
Author: Paul B. Sturtevant
Publisher: Bloomsbury Publishing
ISBN: 1786733579
Category : History
Languages : en
Pages : 320
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Book Description
It is often assumed that those outside of academia know very little about the Middle Ages. But the truth is not so simple. Non-specialists in fact learn a great deal from the myriad medievalisms - post-medieval imaginings of the medieval world - that pervade our everyday culture. These, like Lord of the Rings or Game of Thrones, offer compelling, if not necessarily accurate, visions of the medieval world. And more, they have an impact on the popular imagination, particularly since there are new medievalisms constantly being developed, synthesised and remade. But what does the public really know? How do the conflicting medievalisms they consume contribute to their knowledge? And why is this important? In this book, the first evidence-based exploration of the wider public's understanding of the Middle Ages, Paul B. Sturtevant adapts sociological methods to answer these important questions. Based on extensive focus groups, the book details the ways - both formal and informal - that people learn about the medieval past and the many other ways that this informs, and even distorts, our present. In the process, Sturtevant also sheds light, in more general terms, onto the ways non-specialists learn about the past, and why understanding this is so important. The Middle Ages in Popular Imagination will be of interest to anyone working on medieval studies, medievalism, memory studies, medieval film studies, informal learning or public history.
