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Author: Joel Chandler Harris
Publisher:
ISBN:
Category :
Languages : en
Pages : 304
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Book Description
Author: Joel Chandler Harris
Publisher:
ISBN:
Category :
Languages : en
Pages : 304
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Book Description
Author: Joel Chandler Harris
Publisher:
ISBN:
Category : African Americans
Languages : en
Pages : 348
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Book Description
Author: Joel Chandler Harris
Publisher:
ISBN:
Category : Fairy tales
Languages : en
Pages : 182
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Author: Joel Chandler Harris
Publisher: CreateSpace
ISBN: 9781517443658
Category :
Languages : en
Pages : 94
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Book Description
Little Mr. Thimblefinger and His Queer Country
Author: Joel Chandler Harris
Publisher:
ISBN:
Category : African Americans
Languages : en
Pages : 150
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Book Description
Author: Joel Chandler Harris
Publisher:
ISBN:
Category : African American men
Languages : en
Pages : 494
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Book Description
Drafts, autograph manuscript, corrected, of the introduction and chapters 37 and 39 through 71.
Author: Joel Chandler Harris
Publisher: Createspace Independent Publishing Platform
ISBN: 9781530181360
Category :
Languages : en
Pages : 80
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Book Description
Joel Chandler Harris (December 9, 1848 - July 3, 1908) was an American journalist, fiction writer, and folklorist best known for his collection of Uncle Remus stories.
Author: Joel Chandler Harris
Publisher: Strelbytskyy Multimedia Publishing
ISBN:
Category : Fiction
Languages : en
Pages : 5068
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Book Description
Joel Chandler Harris was an American journalist, fiction writer, and folklorist best known for his collection of Uncle Remus stories. Harris wrote novels, narrative histories, translations of French folklore, children's literature, and collections of stories depicting rural life in Georgia. As fiction writer and folklorist, he wrote many 'Brer Rabbit' stories from the African-American oral tradition. He realized the literary value of the stories he had heard from the slaves of Turnwold Plantation. Harris set out to record the stories and insisted that they be verified by two independent sources before he would publish them. The stories, mostly collected directly from the African-American oral storytelling tradition, were revolutionary in their use of dialect, animal personages, and serialized landscapes. 1. The Uncle Remus Books — Uncle Remus: His Songs and His Sayings (1881) — Nights with Uncle Remus (1883) — Uncle Remus and His Friends (1892) — The Tar-Baby and Other Rhymes of Uncle Remus (1904) — Told by Uncle Remus (1905) — Uncle Remus and Brer Rabbit (1907) — Uncle Remus and the Little Boy (1910) — Uncle Remus Returns (1918) — Seven Tales of Uncle Remus (1948) 2. Mr. Thimblefinger Series — Little Mr. Thimblefinger and His Queer Country (1894) — Mr. Rabbit at Home (1895) — The Story of Aaron (So Named), the Son of Ben Ali (1896) — Aaron in the Wildwoods (1897) 3. The Novels — The Romance of Rockville (1878) — On the Plantation (1892) — Sister Jane (1896) — Gabriel Tolliver (1902) — A Little Union Scout (1904) — Shadow between His Shoulder Blades (1909) — The Bishop and the Boogerman (1909) 4. The Shorter Fiction — Mingo and Other Sketches in Black and White (1884) — Free Joe and Other Georgian Sketches (1887) — Daddy Jake, The Runaway: And Short Stories Told After Dark (1889) — Balaam and His Master and Other Sketches and Stories (1891) — Evening Tales (1893) — Stories of Georgia (1896) — Tales of the Home Folks in Peace and War (1898) — The Chronicles of Aunt Minervy Ann (1899) — Plantation Pageants (1899) — On the Wing of Occasions (1900) — The Making of a Statesman and Other Stories (1902) — Wally Wanderoon and His Story-Telling Machine (1903)
Author: Joel Chandler Harris
Publisher: Book Jungle
ISBN: 9781594623622
Category : Fiction
Languages : en
Pages : 292
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Book Description
I am advised by my publishers that this book is to be included in their catalogue of humorous publications, and this friendly warning gives me an opportunity to say that however humorous it may be in effect, its intention is perfectly serious; and, even if it were otherwise, it seems to me that a volume written wholly in dialect must have its solemn, not to say melancholy, features. With respect to the Folk-Lore series, my purpose has been to preserve the legends themselves in their original simplicity, and to wed them permanently to the quaint dialect-if, indeed, it can be called a dialect-through the medium of which they have become a part of the domestic history of every Southern family; and I have endeavored to give to the whole a genuine flavor of the old plantation...
Author: Joel Chandler Harris
Publisher: Library of Alexandria
ISBN: 1465609849
Category : Fiction
Languages : en
Pages : 467
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Book Description
From that hour Tasma Tid attached herself to Nan, following her everywhere with the unquestioning fidelity of a dog. She sat on the floor of the dining-room while Nan ate her meals, and slept on a pallet by the child's bed at night. If the African was sweeping the yard, a task she sometimes consented to perform, she would fling the brushbroom away and go with Nan if the child started out at the gate. At first this constant attendance was somewhat annoying to Nan, for she was an independent lass; but presently, when she found that Tasma Tid was a most accomplished and versatile playfellow, as well as the depositary of hundreds of curious fables and quaint tales of the wildwood, Nan's irritation disappeared. As for Gabriel—Gabriel Tolliver—he was almost as indispensable as the African woman. Children learn a good many things, as they grow older, and I have heard that Nan and Gabriel were thought to be queer, and that all who were much in their company were also thought to be queer. No one knows why. It was a simple statement, and simple statements are readily believed, because no one takes the trouble to inquire into them. A man who has views different from those of the majority is called eccentric; if he insists on promulgating them, he is known as a crank. In the case of Nan and Gabriel, it may be said by one who knows, that, while they were different from the majority of children, they were neither queer nor eccentric. They, and those whom they chose as companions, were children at a time when the demoralisation of war was about to begin—when it was already casting its long shadow before it—and when their elders were discussing as hard as ever they could the questions of State rights, the true interpretation of the Constitution, squatter sovereignty, the right of secession—every question, in short, except the one at issue. In this way, and for this reason, the two children and their companions were thrown back upon themselves. Of those who formed this merry little company, not one went to the academies that had been established in the town early enough to be its most ancient institutions. Nan was taught by her father, Randolph Dorrington, and Gabriel and I said our lessons to his grandmother, Mrs. Lucy Lumsden. Thus it happened that we were through with our school tasks before the children in the two academies had begun their morning recess. "We would never have been such good friends," said Nan on one occasion, "if I hadn't wanted to go to your house, Gabriel, to see how your grandmother wavies her hair. I saw Cephas, and asked him to go along with me." Child as she was, Nan had her little vanities. She desired above all things that her hair should fall away from her brow in little rippling waves, like those that shone in the silver-grey hair of Gabriel's grandmother.
