Author: Jonathan Miles
Publisher: Open Road + Grove/Atlantic
ISBN: 1555848672
Category : History
Languages : en
Pages : 434
Book Description
A “thrilling . . . captivating” account of the most famous shipwreck before the Titanic—a tragedy that inspired an unforgettable masterpiece of Western art (The Boston Globe). In June 1816, the Medusa set sail. Commanded by an incompetent captain, the frigate ran aground off the desolate West African coast. During the chaotic evacuation a privileged few claimed the lifeboats, while 147 men and one woman were herded aboard a makeshift raft that was soon cut loose by the boats that had pledged to tow it to safety. Those on the boats made it ashore and undertook a two-hundred-mile trek through the sweltering Sahara, but conditions were far worse on the drifting raft. Crazed, parched, and starving, the diminishing band fell into mayhem. When rescue arrived thirteen days later, only fifteen were alive. Among the handful of survivors were two men whose bestselling account of the maritime disaster scandalized Europe and inspired promising artist Théodore Géricault, who threw himself into a study of the Medusa tragedy, turning it into a vast canvas in his painting, The Raft of the Medusa. Drawing on contemporaneously published accounts and journals of survivors, The Wreck of the Medusa is “a captivating gem about art’s relation to history” (Booklist) and ultimately “a thrilling read” (The Guardian).
The Wreck of the Medusa
Author: Jonathan Miles
Publisher: Open Road + Grove/Atlantic
ISBN: 1555848672
Category : History
Languages : en
Pages : 434
Book Description
A “thrilling . . . captivating” account of the most famous shipwreck before the Titanic—a tragedy that inspired an unforgettable masterpiece of Western art (The Boston Globe). In June 1816, the Medusa set sail. Commanded by an incompetent captain, the frigate ran aground off the desolate West African coast. During the chaotic evacuation a privileged few claimed the lifeboats, while 147 men and one woman were herded aboard a makeshift raft that was soon cut loose by the boats that had pledged to tow it to safety. Those on the boats made it ashore and undertook a two-hundred-mile trek through the sweltering Sahara, but conditions were far worse on the drifting raft. Crazed, parched, and starving, the diminishing band fell into mayhem. When rescue arrived thirteen days later, only fifteen were alive. Among the handful of survivors were two men whose bestselling account of the maritime disaster scandalized Europe and inspired promising artist Théodore Géricault, who threw himself into a study of the Medusa tragedy, turning it into a vast canvas in his painting, The Raft of the Medusa. Drawing on contemporaneously published accounts and journals of survivors, The Wreck of the Medusa is “a captivating gem about art’s relation to history” (Booklist) and ultimately “a thrilling read” (The Guardian).
Publisher: Open Road + Grove/Atlantic
ISBN: 1555848672
Category : History
Languages : en
Pages : 434
Book Description
A “thrilling . . . captivating” account of the most famous shipwreck before the Titanic—a tragedy that inspired an unforgettable masterpiece of Western art (The Boston Globe). In June 1816, the Medusa set sail. Commanded by an incompetent captain, the frigate ran aground off the desolate West African coast. During the chaotic evacuation a privileged few claimed the lifeboats, while 147 men and one woman were herded aboard a makeshift raft that was soon cut loose by the boats that had pledged to tow it to safety. Those on the boats made it ashore and undertook a two-hundred-mile trek through the sweltering Sahara, but conditions were far worse on the drifting raft. Crazed, parched, and starving, the diminishing band fell into mayhem. When rescue arrived thirteen days later, only fifteen were alive. Among the handful of survivors were two men whose bestselling account of the maritime disaster scandalized Europe and inspired promising artist Théodore Géricault, who threw himself into a study of the Medusa tragedy, turning it into a vast canvas in his painting, The Raft of the Medusa. Drawing on contemporaneously published accounts and journals of survivors, The Wreck of the Medusa is “a captivating gem about art’s relation to history” (Booklist) and ultimately “a thrilling read” (The Guardian).
Gericault
Author: Lorenz Edwin Alfred Eitner
Publisher:
ISBN: 9780085133848
Category :
Languages : en
Pages : 376
Book Description
Publisher:
ISBN: 9780085133848
Category :
Languages : en
Pages : 376
Book Description
Death Raft
Author: Alexander McKee
Publisher:
ISBN:
Category : History
Languages : en
Pages : 360
Book Description
In July 1816, the French frigate Medusa ran aground on a sandbar 40 miles off the coast of Senegal. Forced to abandon ship by the captain, 150 men and women embarked on a makeshift raft so overloaded that they were up to their hips in water. But their ordeal was only beginning ...
Publisher:
ISBN:
Category : History
Languages : en
Pages : 360
Book Description
In July 1816, the French frigate Medusa ran aground on a sandbar 40 miles off the coast of Senegal. Forced to abandon ship by the captain, 150 men and women embarked on a makeshift raft so overloaded that they were up to their hips in water. But their ordeal was only beginning ...
Raft of the Medusa
Author: Joseph Pintauro
Publisher: Dramatists Play Service, Inc.
ISBN: 9780822213147
Category : Drama
Languages : en
Pages : 72
Book Description
THE STORY: In an opening scene, a man dies an agonizing death from AIDS. The play itself is an explosive AIDS support group session, where the members discover the disease they share can divide as effectively as it conquers. The members of the grou
Publisher: Dramatists Play Service, Inc.
ISBN: 9780822213147
Category : Drama
Languages : en
Pages : 72
Book Description
THE STORY: In an opening scene, a man dies an agonizing death from AIDS. The play itself is an explosive AIDS support group session, where the members discover the disease they share can divide as effectively as it conquers. The members of the grou
Martin Kippenberger
Author: Elfie Semotan
Publisher:
ISBN: 9780988930018
Category :
Languages : en
Pages : 121
Book Description
Publisher:
ISBN: 9780988930018
Category :
Languages : en
Pages : 121
Book Description
Narrative of a Voyage to Senegal in 1816
Author: Jean Baptiste Henry Savigny
Publisher: e-artnow
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 232
Book Description
Narrative of a Voyage to Senegal in 1816 tells a story of the shipwreck of the Medusa frigate, its aftermath, and the tales of its survivors. Later in the book the author, Jean Baptiste Henri Savigny, describes the area where the shipwreck took place as well as his thoughts about colonization and about the practice of slavery.
Publisher: e-artnow
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 232
Book Description
Narrative of a Voyage to Senegal in 1816 tells a story of the shipwreck of the Medusa frigate, its aftermath, and the tales of its survivors. Later in the book the author, Jean Baptiste Henri Savigny, describes the area where the shipwreck took place as well as his thoughts about colonization and about the practice of slavery.
The Raft of the Medusa
Author: Robert M. Hertzberg
Publisher:
ISBN: 9781401071103
Category :
Languages : en
Pages : 0
Book Description
The Raft of the Medusa is a novel based on the life of Théodore Géricault, the great 19th Century French Romantic painter, and on the historical events surrounding one of the most scandalous disasters in French naval history. In particular, the book focuses on Géricault's creation of his celebrated masterpiece, The Raft of the Medusa, and on his passionate and tragic love affair with his aunt. As author Robert M. Hertzberg states in a note that precedes the main text, his book is a novel, not history or biography, but he has made extensive use of historical and biographical sources. He has remained faithful to the facts so far as they are known but has taken the novelist's liberty to interpret those facts, to provide motives, and to imagine states of mind; but never, in matters of substance, has he strayed from the realm of possibility, nor, to his knowledge, invented anything that might not plausibly have been the case. After a Prologue that sets the scene of Géricault's Paris studio where The Raft of the Medusa is being painted, the reader is transported to the present-day Louvre gallery where the picture is seen today. The painting is described, its place in the course of France's art is defined, and its changing impact on critics and the public is noted. The reader is introduced to the sculptor who created Géricault's tomb in Père Lachaise cemetery in Paris; he has received an unexpected bequest from one Georges-Hippolyte, whom he recalls meeting years before and who is revealed as the son, born in virtual secrecy to Géricault and the wife of his brother. Thus we learn of the central and bitter secret of a turbulent life lived in a turbulent time. Born in Rouen in 1791 to a wealthy couple, young Théodore grows up as a sensitive, introspective, and restless country-loving boy, most at home on the peaceful family estate, carefully shielded from the rigors and violence of life in France that have accompanied the replacement of the royal House of Bourbon by Revolution and creation of the First Republic. Moving to Paris at the age of five, Géricault is now introduced to more formal education, as well as to the joys of horseback riding, which will play a vital part in his life and work. His teenage years are filled with more than school and riding he discovers a talent for drawing, leading to painting, which becomes a dedication. Admitted to the studios of conservative Classical painters, he revels in the company of fellow-students and exploits his rebellious tendencies to push himself beyond the practices of traditional academic expression. He advances beyond his teachers, the .painters Carle Vernet and Pierre Guérin, and studies on his own in the Musée Napoleon. By 1812, when Napoleon's disastrous invasion of Russia precipitates the invasion of France by British and Prussian allies, Géricault enlists in the Gray Musketeers in a futile gesture of loyalty to Napoleon's ill-fated Bourbon successor, Louis XVIII. However, Napoleon's final defeat at Waterloo in 1815 leaves Géricault with little to occupy him except his increasing concentration on his painting. His style is moving ever faster away from the Classical mode still favored by most of his contemporaries. Dramatic paintings, military and equine portraits, battle scenes, somber landscapes, notebook after notebook of vivid, often roughly sketched drawings all flow from his ever-more Romantic hand. He is becoming noticed, with both esteem and alarm. Meanwhile, he has fallen deeply in love with his aunt, the young wife of his aging uncle. The situation is agonizing; he is torn apart. Travel to Italy becomes a way of avoiding the passion and frustration within him. About this time, in July 1816, a shipwreck has occurred, for awhile little noted: a French frigate, the "Medusa," sailing from Southern France to Senegal in West Africa has run aground just off the coast of Africa and has been a
Publisher:
ISBN: 9781401071103
Category :
Languages : en
Pages : 0
Book Description
The Raft of the Medusa is a novel based on the life of Théodore Géricault, the great 19th Century French Romantic painter, and on the historical events surrounding one of the most scandalous disasters in French naval history. In particular, the book focuses on Géricault's creation of his celebrated masterpiece, The Raft of the Medusa, and on his passionate and tragic love affair with his aunt. As author Robert M. Hertzberg states in a note that precedes the main text, his book is a novel, not history or biography, but he has made extensive use of historical and biographical sources. He has remained faithful to the facts so far as they are known but has taken the novelist's liberty to interpret those facts, to provide motives, and to imagine states of mind; but never, in matters of substance, has he strayed from the realm of possibility, nor, to his knowledge, invented anything that might not plausibly have been the case. After a Prologue that sets the scene of Géricault's Paris studio where The Raft of the Medusa is being painted, the reader is transported to the present-day Louvre gallery where the picture is seen today. The painting is described, its place in the course of France's art is defined, and its changing impact on critics and the public is noted. The reader is introduced to the sculptor who created Géricault's tomb in Père Lachaise cemetery in Paris; he has received an unexpected bequest from one Georges-Hippolyte, whom he recalls meeting years before and who is revealed as the son, born in virtual secrecy to Géricault and the wife of his brother. Thus we learn of the central and bitter secret of a turbulent life lived in a turbulent time. Born in Rouen in 1791 to a wealthy couple, young Théodore grows up as a sensitive, introspective, and restless country-loving boy, most at home on the peaceful family estate, carefully shielded from the rigors and violence of life in France that have accompanied the replacement of the royal House of Bourbon by Revolution and creation of the First Republic. Moving to Paris at the age of five, Géricault is now introduced to more formal education, as well as to the joys of horseback riding, which will play a vital part in his life and work. His teenage years are filled with more than school and riding he discovers a talent for drawing, leading to painting, which becomes a dedication. Admitted to the studios of conservative Classical painters, he revels in the company of fellow-students and exploits his rebellious tendencies to push himself beyond the practices of traditional academic expression. He advances beyond his teachers, the .painters Carle Vernet and Pierre Guérin, and studies on his own in the Musée Napoleon. By 1812, when Napoleon's disastrous invasion of Russia precipitates the invasion of France by British and Prussian allies, Géricault enlists in the Gray Musketeers in a futile gesture of loyalty to Napoleon's ill-fated Bourbon successor, Louis XVIII. However, Napoleon's final defeat at Waterloo in 1815 leaves Géricault with little to occupy him except his increasing concentration on his painting. His style is moving ever faster away from the Classical mode still favored by most of his contemporaries. Dramatic paintings, military and equine portraits, battle scenes, somber landscapes, notebook after notebook of vivid, often roughly sketched drawings all flow from his ever-more Romantic hand. He is becoming noticed, with both esteem and alarm. Meanwhile, he has fallen deeply in love with his aunt, the young wife of his aging uncle. The situation is agonizing; he is torn apart. Travel to Italy becomes a way of avoiding the passion and frustration within him. About this time, in July 1816, a shipwreck has occurred, for awhile little noted: a French frigate, the "Medusa," sailing from Southern France to Senegal in West Africa has run aground just off the coast of Africa and has been a
The Raft of the Medusa
Author: Albert Alhadeff
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 200
Book Description
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 200
Book Description
The Mystery of the Smugglers' Wreck
Author: Helen Moss
Publisher: Orion Children's Books
ISBN: 1444005693
Category : Juvenile Fiction
Languages : en
Pages : 106
Book Description
A research team arrives in Castle Key to explore the wreck of an old smugglers' ship that sank in Pirate Cove. When Scott and Emily dive down to the wreck, Scott glimpses a long lost artefact said to hold the key to a hoard of smuggled treasure. But when the team leader goes back to recover the artefact, it has mysteriously vanished! Was Scott mistaken or is somebody else after the smugglers' loot? Follow Scott, Jack, Emily and Drift on a very mysterious treasure hunt.
Publisher: Orion Children's Books
ISBN: 1444005693
Category : Juvenile Fiction
Languages : en
Pages : 106
Book Description
A research team arrives in Castle Key to explore the wreck of an old smugglers' ship that sank in Pirate Cove. When Scott and Emily dive down to the wreck, Scott glimpses a long lost artefact said to hold the key to a hoard of smuggled treasure. But when the team leader goes back to recover the artefact, it has mysteriously vanished! Was Scott mistaken or is somebody else after the smugglers' loot? Follow Scott, Jack, Emily and Drift on a very mysterious treasure hunt.
Keeping an Eye Open
Author: Julian Barnes
Publisher: Vintage
ISBN: 1101874791
Category : Art
Languages : en
Pages : 310
Book Description
An extraordinary collection of essays on the great masters of nineteenth- and twentieth-century art—from the Booker Prize-winning, bestselling author of The Sense of an Ending. “An engaging and empathetic volume.” —The New York Times Book Review As Julian Barnes notes: “Flaubert believed that it was impossible to explain one art form in terms of another, and that great paintings required no words of explanation. Braque thought the ideal state would be reached when we said nothing at all in front of a painting … But it is a rare picture that stuns, or argues, us into silence. And if one does, it is only a short time before we want to explain and understand the very silence into which we have been plunged.” This is the exact dynamic that informs his new book. In his 1989 novel A History of the World in 10½ Chapters, Barnes had a chapter on Géricault’s The Raft of the Medusa, and since then he has written about many great masters of art, including Delacroix, Manet, Fantin-Latour, Cézanne, Degas, Redon, Bonnard, Vuillard, Vallotton, Braque, Magritte, Oldenburg, Lucian Freud and Howard Hodgkin. The seventeen essays gathered here help trace the arc from Romanticism to Realism and into Modernism; they are adroit, insightful and, above all, a true pleasure to read.
Publisher: Vintage
ISBN: 1101874791
Category : Art
Languages : en
Pages : 310
Book Description
An extraordinary collection of essays on the great masters of nineteenth- and twentieth-century art—from the Booker Prize-winning, bestselling author of The Sense of an Ending. “An engaging and empathetic volume.” —The New York Times Book Review As Julian Barnes notes: “Flaubert believed that it was impossible to explain one art form in terms of another, and that great paintings required no words of explanation. Braque thought the ideal state would be reached when we said nothing at all in front of a painting … But it is a rare picture that stuns, or argues, us into silence. And if one does, it is only a short time before we want to explain and understand the very silence into which we have been plunged.” This is the exact dynamic that informs his new book. In his 1989 novel A History of the World in 10½ Chapters, Barnes had a chapter on Géricault’s The Raft of the Medusa, and since then he has written about many great masters of art, including Delacroix, Manet, Fantin-Latour, Cézanne, Degas, Redon, Bonnard, Vuillard, Vallotton, Braque, Magritte, Oldenburg, Lucian Freud and Howard Hodgkin. The seventeen essays gathered here help trace the arc from Romanticism to Realism and into Modernism; they are adroit, insightful and, above all, a true pleasure to read.