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Author: Charles Osborne
Publisher:
ISBN:
Category : Opera
Languages : en
Pages : 232
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Book Description
Author: Charles Osborne
Publisher:
ISBN:
Category : Opera
Languages : en
Pages : 232
Get Book Here
Book Description
Author: Charles Osborne
Publisher:
ISBN:
Category :
Languages : en
Pages : 224
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Book Description
Author: Dieter Borchmeyer
Publisher: Princeton University Press
ISBN: 0691114978
Category : Music
Languages : en
Pages : 403
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Book Description
Richard Wagner continues to be the most controversial artist in history, a perpetually troubling figure in our cultural consciousness. The unceasing debate over his works and their impact--for and against--is one reason why there has been no genuinely comprehensive modern account of his musical dramas until now. Dieter Borchmeyer's book is the first to present an overall picture of these musical dramas from the standpoint of literary and theatrical history. It extends from the composer's early works--still largely ignored--to the Ring Cycle and Parsifal, and includes Wagner's unfinished works and operas he never set to music. Through lively prose, we come to see Wagner as a librettist--and as a man of letters--rather than primarily as musical composer. Borchmeyer uncovers a vast field of cultural and historical cross-references in Wagner's works. In the first part of the book, he sets out in search of the various archetypal scenes, opening up the composer's dramatic workshop to the reader. He covers all of Wagner's operas, from early juvenilia to the canonical later works. The second part examines Wagner in relation to political figures including King Ludwig II and Bismarck, and, importantly, in light of critical reactions by literary giants--Thomas Mann, whom Borchmeyer calls "a guiding light in this exploration of the fields that Wagner tilled," and Nietzsche, whose appeal to "philology" is a key source of inspiration in attempts to grapple with Wagner's works. For more than twenty years, Borchmeyer has placed his scholarship at the service of the famed Bayreuth Festival. With this volume, he gives us a summation of decades of engagement with the phenomenon of Wagner and, at the same time, the result of an abiding critical passion for his works.
Author: Charles Osborne
Publisher: Scribner Book Company
ISBN:
Category : Opera
Languages : en
Pages : 232
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Book Description
Over the last 150 years, Wagner's operas have been parodied, translated into scores of languages - from Lettish to Catalan - reviled and revered. Audiences have been confronted with pre-Raphaelite Wagner, High victorian Wagner, art deco and high-tech Wagner. Charles Osborne's authoritative and perceptive text provides the historical framework and critical commentary for the productions highlighted in the illustrations, while his biographical dictionary of the main performers, conductors, designers and producers of Wagner will prove an invaluable reference source for all Wagnerpiles.
Author: Patrick Carnegy
Publisher: Yale University Press
ISBN: 9780300106954
Category : Music
Languages : en
Pages : 492
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Book Description
Chapitre 6, p. 175-207, consacré à Adolphe Appia.
Author: Albert Lavignac
Publisher:
ISBN:
Category : Bayreuther Festspiele
Languages : en
Pages : 552
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Book Description
Author: Simon Williams
Publisher: Praeger
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 208
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Book Description
In contrast to most books on Richard Wagner, this biography focuses primarily on Wagner as an important figure in the development of the theatre. While his contribution to music history has been exhaustively documented and analyzed, his theatrical ventures, in particular the founding of the Bayreuth Festival, have not been the object of much research by English-speaking theatre historians. Nevertheless, the Festival was a crucial event in the development of the European theatre: while Bayreuth established the paradigm for all modern theatre and music festivals, the Festival Theatre itself has provided the most widely imitated architectural configuration in twentieth-century theatre building.
Author: Dieter Borchmeyer
Publisher: Oxford University Press on Demand
ISBN: 9780193153226
Category : Biography & Autobiography
Languages : en
Pages : 423
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Book Description
Richard Wagner has come to be seen as the quintessential artist of the nineteenth century, whose work embraces all the arts of the period. Dieter Borchmeyer here provides the first systematic and comprehensive account of Wagner's aesthetic theory, examining his hitherto neglected prosewritings and his ideas on music drama from the various standpoints of literature, the linking of ideas, and the sociology of art. The pre-eminent importance for Wagner of classical Greek art and mythology emerges with particular clarity, while his links with the great figures and forms of worldtheatre - Shakespeare, the commedia dell'arte, the popular theatre, and the puppet theatre - are traced in detail. The influence on Wagner of the historical and social novel is also discussed. The author provides the first comprehensive analysis of Cosima Wagner's Diaries, and throws unexpectedsidelights on Wagner's relationship with Nietzsche, in particular his important contribution to Nietzsche's The Birth of Tragedy. Central to the present study are Wagner's music dramas from Die Feen to Parsifal. These are examined in their literary, ideological, and socio-political contexts (including the problem of anti-Semitism). First published in German in 1982, this book has become established as a standard work ofWagner scholarship, and now appears for the first time in English in a completely revised edition incorporating a number of new chapters on the music dramas.
Author: Richard Wagner
Publisher:
ISBN: 9780845021033
Category :
Languages : en
Pages :
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Book Description
Author: Richard Wagner
Publisher: U of Nebraska Press
ISBN: 9780803297654
Category : Music
Languages : en
Pages : 444
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Book Description
With Richard Wagner, opera reached the apex of German Romanticism. Originally published in 1851, when Wagner was in political exile, Opera and Drama outlines a new, revolutionary type of musical stage work, which would finally materialize as The Ring of the Nibelung. Wagner's music drama, as he called it, aimed at a union of poetry, drama, music, and stagecraft. ø In a rare book-length study, the composer discusses the enhancement of dramas by operatic treatment and the subjects that make the best dramas. The expected Wagnerian voltage is here: in his thinking about myths such as Oedipus, his theories about operatic goals and musical possibilities, his contempt for musical politics, his exaltation of feeling and fantasy, his reflections about genius, and his recasting of Schopenhauer. ø This edition includes the full text of volume 2 of William Ashton Ellis's 1893 translation commissioned by the London Wagner Society.
