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Author: Fredric Wertham
Publisher: Carbondale : Southern Illinois University Press
ISBN:
Category : Art
Languages : en
Pages : 168
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Book Description
There are well over 200 fanzines in current distribution, originating in almost every state in the U.S. as well as in Canada, England, Germany, Ireland, Spain, and Sweden. This is the first book about them. Few persons outside the science fiction field (where, historically, fanzine publication appears to have begun) know the meaning of the portmanteau word, fanzine (amateur fan plus magazine). Fanzines are published, written, and illustrated by young persons, usually well under 30, and bear such names as ANDROmeda, BeABohema, Comickazi, Granfalloon, and Varolika. The history of the genre is brief, dating from the 1930s, but many of the publishers and contributors have achieved considerable distinction as writers, including Poul Anderson, Ray Bradbury, and Richard Lupoff. Coming to this serious study of an unusual subject with his considerable expertise in the field of violence, Dr. Wertham has been struck, first, by the nonviolent, creative aspects of the genre and, second, by the amateur status of fanzines. His conclusion, which will surprise many readers, is that herein may lie a message for our unheroic age.
Author: Fredric Wertham
Publisher: Carbondale : Southern Illinois University Press
ISBN:
Category : Art
Languages : en
Pages : 168
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Book Description
There are well over 200 fanzines in current distribution, originating in almost every state in the U.S. as well as in Canada, England, Germany, Ireland, Spain, and Sweden. This is the first book about them. Few persons outside the science fiction field (where, historically, fanzine publication appears to have begun) know the meaning of the portmanteau word, fanzine (amateur fan plus magazine). Fanzines are published, written, and illustrated by young persons, usually well under 30, and bear such names as ANDROmeda, BeABohema, Comickazi, Granfalloon, and Varolika. The history of the genre is brief, dating from the 1930s, but many of the publishers and contributors have achieved considerable distinction as writers, including Poul Anderson, Ray Bradbury, and Richard Lupoff. Coming to this serious study of an unusual subject with his considerable expertise in the field of violence, Dr. Wertham has been struck, first, by the nonviolent, creative aspects of the genre and, second, by the amateur status of fanzines. His conclusion, which will surprise many readers, is that herein may lie a message for our unheroic age.
Author: Teal Triggs
Publisher:
ISBN: 9780500288917
Category : Contracultura
Languages : en
Pages : 0
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Book Description
Fanzines have been one of the liveliest forms of self-expression for over 70 years. Their subject matter is as varied as the passions of their creators, ranging across music, comics, typography, animal rights, politics, alternative lifestyles, clip art, thrift shopping, beer drinking ... This book is a high-impact visual presentation of the most interesting fanzines ever produced. From the earliest examples, now incredibly rare, created by sci-fi fans in the 1930s, it takes us on a journey of subcultures through the decades. Superhero comics inspired a flush of zines in the 1950s and 60s. In the 1970s, the diy aesthetic of punk was forged in fanzines such as Sniffin' Glue and Search and Destroy, while the 80s saw a flourishing of political protest zines as well as fanzines devoted to the rave scene and street style. The riot grrrl movement of the 90s gave voice to a defiant new generation of feminists, while the arrival of the internet saw many fanzines make the transition to online.
Author: Paula Guerra
Publisher: Springer Nature
ISBN: 3030288765
Category : History
Languages : en
Pages : 223
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Book Description
Since the 1970 and 1980s, fanzines have constituted a zone of freedom of thought, of do-it-yourself creativity and of alternatives to conventional media. Along with bands, records and concerts, they became a vital part of the construction of punk 'scenes’, actively contributing to the creation and consolidation of communities. This book moves beyond the usual focus on Anglophone punk scenes to consider fanzines in international contexts. The introduction offers a theoretical, chronological and thematic survey for understanding fanzines, considering their contemporary polyhedral vitality. It then moves to consider the distinct social, historical and geographic contexts in which fanzines were created. Covering the UK, Portugal, Greece, Canada, Germany, Argentina, France and Brazil, as well as a wide range of standpoints, this book contributes to a more global understanding of the fanzine phenomenon.
Author: Teal Triggs
Publisher: Codex
ISBN:
Category : Comics & Graphic Novels
Languages : en
Pages : 128
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Book Description
The move from the underground to the mainstream by many fanzines and underground comics has been largely ignored by the mainstream media. These writings consider how and why this has occurred and the relationship between reader and producer.
Author: Keith Gildart
Publisher:
ISBN: 9781526139078
Category : Music
Languages : en
Pages : 320
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Book Description
Ripped, torn and cut offers a collection of original essays exploring the motivations behind - and the politics within - the multitude of fanzines that emerged in the wake of British punk from 1976. Sniffin' Glue (1976-77), Mark Perry's iconic punk fanzine, was but the first of many, paving the way for hundreds of home-made magazines to be cut and pasted in bedrooms across the UK. From these, glimpses into provincial cultures, teenage style wars and formative political ideas may be gleaned. An alternative history, away from the often-condescending glare of London's media and music industry, can be formulated, drawn from such titles as Ripped & Torn, Brass Lip, City Fun, Vague, Kill Your Pet Puppy, Toxic Grafity, Hungry Beat and Hard as Nails. The first book of its kind, this collection reveals the contested nature of punk's cultural politics by turning the pages of a vibrant underground press.
Author: Amy Kiste Nyberg
Publisher: Univ. Press of Mississippi
ISBN: 9781604736632
Category : Censorship
Languages : en
Pages : 228
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Book Description
Author: Alan Hewetson
Publisher: Critical Vision
ISBN: 9781900486378
Category : Art
Languages : en
Pages : 260
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Book Description
The inside story of a uniquely influential horror comic publisher from the 1970s.
Author:
Publisher:
ISBN: 9781597775113
Category : Music
Languages : en
Pages : 0
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Book Description
For more than 35 years, KISS has been one of the world's top touring bands. Simmons offers a visual history of the band through never-before-seen concert photos and unique fanzine tributes.
Author: Eddie Piller
Publisher:
ISBN: 9781787601079
Category : Art
Languages : en
Pages : 0
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Book Description
Modzines is an original book that documents the fast living world of fanzines during the Mod revival years, fully illustrated with original artwork and photography. Leading figures from the scene including fanzine editors, bands, DJ s, promoters, journalists and main faces are interviewed providing exclusive behind the scenes stories, anecdotes and memories. Fully illustrated with original, rare artwork from key issues as well as front covers and spreads from celebrated fanzines Direction Reaction Creation; Extraordinary Sensations; Roadrunner; Maximum Speed; Sense of Sty≤ Sth Circular; Patriotic; Go Go; In The Crowd; Right Track; Beat That and many more.
Author: Stephen Duncombe
Publisher: Verso
ISBN: 9781859841587
Category : Language Arts & Disciplines
Languages : en
Pages : 260
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Book Description
Slug & Lettuce, Pathetic Life, I Hate Brenda, Dishwasher, Punk and Destroy, Sweet Jesus, Scrambled Eggs, Maximunrocknroll—these are among the thousands of publications which circulate in a subterranean world rarely illuminated by the searchlights of mainstream media commentary. In this multifarious underground, Pynchonesque misfits rant and rave, fans eulogize, hobbyists obsess. Together they form a low-tech publishing network of extraordinary richness and variety. Welcome to the realm of zines. In this, the first comprehensive study of zine publishing, Stephen Duncombe describes their origins in early-twentieth-century science fiction cults, their more proximate roots in 60s counter-culture and their rapid proliferation in the wake of punk rock. While Notes from Underground pays full due to the political importance of zines as a vital web of popular culture, it also notes the shortcomings of their utopian and escapist outlook in achieving fundamental social change. Duncombe's book raises the larger questionof whether it is possible to rebel culturally within a consumer society that eats up cultural rebellion. Packed with extracts and illustrations from a wide array of publications, past and present, Notes from Underground is the first book to explore the full range of zine culture and provides a definitive portrait of the contemporary underground in all its splendor and misery.
