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Author: Henry E. Huntington Library and Art Gallery
Publisher: Huntington Library Press
ISBN:
Category : Art
Languages : en
Pages : 288
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Book Description
This complete catalogue of William Blake's work from the richly comprehensive collections of the Huntington Library and Art Gallery features a full introduction and explanatory text by a leading Blake scholar and covers the artist's entire oeuvre: his pencil sketches, watercolor drawings, tempera paintings, engravings, etchings, relief color printing, illustrated and illuminated books, and printed writings.
Author: Henry E. Huntington Library and Art Gallery
Publisher: Huntington Library Press
ISBN:
Category : Art
Languages : en
Pages : 288
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Book Description
This complete catalogue of William Blake's work from the richly comprehensive collections of the Huntington Library and Art Gallery features a full introduction and explanatory text by a leading Blake scholar and covers the artist's entire oeuvre: his pencil sketches, watercolor drawings, tempera paintings, engravings, etchings, relief color printing, illustrated and illuminated books, and printed writings.
Author: Henry E. Huntington Library and Art Gallery
Publisher: Harry N Abrams Incorporated
ISBN: 9780810925892
Category : Art
Languages : en
Pages : 159
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Book Description
An introduction to the William Blake Collection in the Henry E. Huntington Library and Art Gallery, San Marino, California.
Author: Charles Henry Collins Baker
Publisher:
ISBN:
Category :
Languages : en
Pages : 42
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Book Description
Author: Charles Henry Collins Baker
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 75
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Book Description
Author: Martin Butlin
Publisher:
ISBN: 9780873280846
Category : Art, British
Languages : en
Pages : 216
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Book Description
Author: Robert N. Essick
Publisher: Huntington Library Press
ISBN:
Category : Design
Languages : en
Pages : 94
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Book Description
Author: Morton D. Paley
Publisher: OUP Oxford
ISBN: 0191527815
Category : Literary Criticism
Languages : en
Pages : 348
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Book Description
There has never been a book about Blake's last period, from his meeting with John Linnell in 1818 to his death in 1827, although it includes some of his greatest works. In The Traveller in the Evening, Morton Paley argues that this late phase involves attitudes, themes, and ideas that are either distinctively new or different in emphasis from what preceded them. After an introduction on Blake and his milieu during this period, Paley begins with a chapter on Blake's illustrations to Thornton's edition of Virgil. Paley relates these to Blake's complex view of pastoral, before proceeding to a history of the project, its near-abortion, and its fulfillment as one of Blake's greatest accomplishments as an illustrator. In Yah and His Two Sons the presentation of the divine, except where it is associated with art, is ambiguous where it is not negative. Paley takes up this separate plate in the context of artists's representations of the Laocoon that would have been known to Blake, and also of what Blake would have known of its history from classical antiquity to his own time. Blake's Dante water colours and engravings are the most ambitious accomplishment of the last years of his life, and Paley shows that the problematic nature of some of these pictures, with Beatrice Addressing Dante from the Car as a main example, arises from Blake's own divided and sharply polarized attitude toward Dante's Comedy. The closing chapter, called 'Blake's Bible', is on the Bible-related designs and writings of Blake's last years. Paley discusses The Death of Abel (addressed to Lord Byron 'in the Wilderness') as a response to its literary forerunners, especially Gessner's Death of Abel and Byron's Cain. For the Job engravings Paley shows how the border designs and the marginal texts set up a dialogue with the main illustrations unlike anything in Blake's Job water colours on the same subjects. Also included here are Blake's last pictorial work on a Biblical subject, The Genesis manuscript, and Blake's last writing on a Biblical text, his vitriolic comments on Thornton's translations of the Lord's Prayer.
Author: National Gallery of Victoria
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 198
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Book Description
Author: Naomi Billingsley
Publisher: Bloomsbury Publishing
ISBN: 1838609660
Category : Art
Languages : en
Pages : 272
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Book Description
William Blake (1757-1827) is considered one of the most singular and brilliant talents that England has ever produced. Celebrated now for the originality of his thinking, painting and verse, he shocked contemporaries by rejecting all forms of organized worship even while adhering to the truth of the Bible. But how did he come to equate Christianity with art? How did he use images and paint to express those radical and prophetic ideas about religion which he came in time to believe? And why did he conceive of Christ himself as an artist: in fact, as the artist, par excellence? These are among the questions which Naomi Billingsley explores in her subtle and wide-ranging new study in art, religion and the history of ideas. Suggesting that Blake expresses through his representations of Jesus a truly distinctive theology of art, and offering detailed readings of Blake's paintings and biblical commentary, she argues that her subject thought of Christ as an artist-archetype. Blake's is thus a distinctively 'Romantic' vision of art in which both the artist and his saviour fundamentally change the way that the world is perceived.
