Author: Christine Gerrard
Publisher: Oxford University Press, USA
ISBN: 9780198183884
Category : Biography & Autobiography
Languages : en
Pages : 290
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Book Description
During his lifetime Aaron Hill was one of the most lively cultural patrons and brokers on the London literary scene - an image hard to square with the company of undistinguished scribblers to which Pope relegated him in the Dunciad. Aaron Hill: The Muses' Projector, 1685-1750, the firstbiography of this fascinating figure for nearly a century, aims to correct the distorted picture of the Augustan cultural scene which Pope passed down to posterity. Hill deliberately confronted Pope in his attempt to free poetry's sublime and visionary potential from the stale platitudes ofneo-classical convention. An early champion of women poets, he also enjoyed close relationships with Eliza Haywood and Martha Fowke, and brought his three writing daughters Urania, Astrea, and Minerva into close contact with his lifelong friend the novelist Samuel Richardson. In 1711 Hill, as stagemanager and librettist, introduced Handel to the English stage, as well as lobbying tirelessly for innovation in the eighteenth-century theatre. His entrepreneurial energies, directed at both commercial and cultural projects, mirror the zeitgeist of early Hanoverian Britain.
Author: Dorothy Brewster
Publisher:
ISBN:
Category :
Languages : en
Pages : 334
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Book Description
Author: Aaron Hill
Publisher: Dissertations-G
ISBN:
Category : Drama
Languages : en
Pages : 290
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Book Description
Author: Aaron Hill
Publisher:
ISBN:
Category : Acting
Languages : en
Pages : 390
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Book Description
Author: David Fairer
Publisher: Routledge
ISBN: 1317892887
Category : Literary Criticism
Languages : en
Pages : 317
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Book Description
In recent years the canon of eighteenth-century poetry has greatly expanded to include women poets, labouring-class and provincial poets, and many previously unheard voices. Fairer’s book takes up the challenge this ought to pose to our traditional understanding of the subject. This book seeks to question some of the structures, categories, and labels that have given the age its reassuring shape in literary history. In doing so Fairer offers a fresh and detailed look at a wide range of material.
Author: James Harriman-Smith
Publisher: Bloomsbury Publishing
ISBN: 1350171972
Category : Performing Arts
Languages : en
Pages : 257
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Book Description
The stage of the 1700s established a star culture, with the emergence of such acting celebrities as David Garrick, Susannah Cibber, and Sarah Siddons. It placed Shakespeare at the heart of the classical repertoire and offered unprecedented opportunities to female actors. This book demonstrates how an understanding of the practice and theories circulating three hundred years ago can generate new ways of studying and performing plays of all kinds in the present. Eight short essays on emotions, cultivation, character, voice, action, company, audience, and reflection provide two things: a vivid introduction to the practice and ideas of the eighteenth-century stage, and the story of how these past practices and ideas were used in collaborative workshops around the UK to create new rehearsal exercises. Designed to work alone or in combination, these exercises are also open to further adaptation and analysis as part of a work that treats theatre writers of the past as potential collaborators for those interested in theatre today. Marrying academic and professional theatre expertise, this book ranges through a vast archive of writing about acting, from private letters and battered promptbooks, through to philosophical treatises and celebrity biographies. The exercises, stories, and ideas shared here capture the strangeness of this material and sometimes its surprising familiarity, as questions asked of actors then seem to anticipate those questions we ask now. A truly unique offering, What would Garrick Do? Or, Acting Lessons from the Eighteenth Century offers a fascinating deep-dive into an important time in theatre history to illuminate practices and processes today.
Author: Gail Marshall
Publisher: Taylor & Francis
ISBN: 1040250378
Category : Literary Criticism
Languages : en
Pages : 212
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Book Description
Focuses on David Garrick and the leading actors of his company at Drury Lane. This book tells how, in their time, Garrick, Macklin and Woffington were as famous for their achievements on the stage as they were infamous for their activities off it. It draws a selection of the actors' own words with those of their contemporaries and critics.
Author: Fiona Ritchie
Publisher: Cambridge University Press
ISBN: 1139868012
Category : Literary Criticism
Languages : en
Pages : 267
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Book Description
Fiona Ritchie analyses the significant role played by women in the construction of Shakespeare's reputation which took place in the eighteenth century. The period's perception of Shakespeare as unlearned allowed many women to identify with him and in doing so they seized an opportunity to enter public life by writing about and performing his works. Actresses (such as Hannah Pritchard, Kitty Clive, Susannah Cibber, Dorothy Jordan and Sarah Siddons), female playgoers (including the Shakespeare Ladies Club) and women critics (like Charlotte Lennox, Elizabeth Montagu, Elizabeth Griffith and Elizabeth Inchbald), had a profound effect on Shakespeare's reception. Interdisciplinary in approach and employing a broad range of sources, this book's analysis of criticism, performance and audience response shows that in constructing Shakespeare's significance for themselves and for society, women were instrumental in the establishment of Shakespeare at the forefront of English literature, theatre, culture and society in the eighteenth century and beyond.
Author: Joseph Pappa
Publisher: University of Delaware
ISBN: 1611490057
Category : Health & Fitness
Languages : en
Pages : 222
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Book Description
The question of an erotic readership has always vexed scholars. With little evidence of anyone's actually reading erotic material, scholars have made due with variations of an "ideal reader" approach. Insofar as it presupposes authorial intention and a stable meaning this theoretical model proves unsatisfactory. Using an interdisciplinary approach, Carnal Reading proposes a new theory of erotic reading that refigures bodily responses as constitutive of cognitive understanding. Chapters explore the enthusiasm inspired by religious reading, the impressionable and "permeable" nature of the early modern body, contemporary literary critiques and the potential eroticism immanent in language.
Author: Maciej Kazimierz Sarbiewski
Publisher: MHRA
ISBN: 1907322124
Category : Literary Criticism
Languages : en
Pages : 326
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Book Description
Maciej Kazimierz Sarbiewski (1595-1640) was known in his lifetime as the Christian Horace. He was one of the most famous Neo-Latin poets of the Baroque, widely read, commented and translated throughout Europe. He was nominated Poet Laureate by Pope Urban VIII. Sarbiewski was also famous for his studies in rhetoric and critical works such as De perfecta poesi sive Vergilius et Homerus. His Latin poetry was read, translated and imitated also in England, especially from 1640 until the first half of the 19th century. The first edition of Sarbiewski's English translations, by George Hills, was published in 1646. From that time onwards, Sarbiewski was translated by a variety of poets ranging from Hills to such famous authors as Vaughan, Burns and Coleridge. His poetry was universally read in grammar schools and used as a medium of improving the knowledge of Latin during a period exceeding two centuries. Thanks to Sarbiewski, English poets started to imitate Horace, which was an important factor in overcoming the Pindaric tradition. Sarbiewski's oeuvre was also attractive owing to its immersion in various cultural traditions such as Stoicism, Ignatian spirituality, Platonism, and Hermeticism. This revised edition includes all known English translations of Sarbiewski's poems. The texts are accompanied by an introduction presenting the biography and works of Sarbiewski, as well as a short critical analysis of the translations included in the volume.
