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Author: Matthew Arnold
Publisher:
ISBN:
Category :
Languages : en
Pages : 440
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Book Description
Author: Matthew Arnold
Publisher:
ISBN:
Category :
Languages : en
Pages : 440
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Book Description
Author: Matthew Arnold
Publisher: BoD – Books on Demand
ISBN: 3385374456
Category : Fiction
Languages : en
Pages : 449
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Book Description
Reprint of the original, first published in 1875.
Author: Matthew Arnold
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 458
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Book Description
Author: Leon Gottfried
Publisher: Routledge
ISBN: 1317278046
Category : Literary Criticism
Languages : en
Pages : 244
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Book Description
First published in 1963. Matthew Arnold grew up under the personal as well as literary influence of Wordsworth, when Keats, Shelley, and Byron were dominant poetic forces and Coleridge a seminal thinker on social and religious problems. However, the great Romantics were not always positive influences. This study attempts to provide an examination of Arnold by exploring and evaluating the full range of Arnold’s reactions to the major Romantic poets over his whole career. This title will be of interest to students of literature.
Author: Matthew Arnold
Publisher:
ISBN: 9780403002016
Category :
Languages : en
Pages :
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Book Description
Author: Kate Flint
Publisher: Cambridge University Press
ISBN: 1316175820
Category : Literary Criticism
Languages : en
Pages : 1239
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Book Description
This collaborative History aims to become the standard work on Victorian literature for the twenty-first century. Well-known scholars introduce readers to their particular fields, discuss influential critical debates and offer illuminating contextual detail to situate authors and works in their wider cultural and historical contexts. Sections on publishing and readership and a chronological survey of major literary developments between 1837 and 1901, are followed by essays on topics including sexuality, sensation, cityscapes, melodrama, epic and economics. Victorian writing is placed in its complex relation to the Empire, Europe and America, as well as to Britain's component nations. The final chapters consider how Victorian literature, and the period as a whole, influenced twentieth-century writers. Original, lucid and stimulating, each chapter is an important contribution to Victorian literary studies. Together, the contributors create an engaging discussion of the ways in which the Victorians saw themselves and of how their influence has persisted.
Author: David G. Burke
Publisher: Society of Biblical Lit
ISBN: 1589833562
Category : Religion
Languages : en
Pages : 300
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Book Description
In celebration of the work of the translators of the King James Bible and the fruit of their labors, the authors of this volume, representing a wide range of disciplines and perspectives, examine the cultural and religious monument that is the King James Bible. After David G. Burkes introduction to the volume, Alister McGrath, Benson Bobrick, Lynne Long, and John R. Kohlenberger III explore in part 1 The World of Bible Translation before the King James Version. In part 2, A. Kenneth Curtis, Barclay M. Newman and Charles Houser, and Jack Lewis investigate The Making of the King James Bible. In part 3 Leonard J. Greenspoon, Cheryl J. Sanders, Lamin Sanneh, David Lyle Jeffrey, and James R. White review The World of Bible Translation after the King James Bible. Paperback. 296 pages.
Author: David Jasper
Publisher: Wipf and Stock Publishers
ISBN: 1606088297
Category : Religion
Languages : en
Pages : 205
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Book Description
These essays set out to consider the possible future of theology in the light of the so-called postmodern condition. They are necessarily deeply interdisciplinary, since it is a characteristic of post-Enlightenment thought to disintegrate the lines of definition which separate areas of reflection in the human sciences. Theology, we believe, must be exposed to the consequences of what has happened in literature and critical theory if it is to have any future outside the protected and isolated environment of ecclesia and the communities of the faithful. The authors represent a great diversity of opinion and discipline. Not all of us would agree with one another, and certainly there is no agreement as to what constitutes postmodernity. Yet this very diversity forms the strength and importance of the book, for there are no simple answers or straightforward definitions. Theology must recognize the pluralism within which it now must carry out its task and which alone defines its future. The keynote of the discussion is the tragic. Tragedy takes us back to the Greeks, and to Nietzsche. Both feature centrally in this presentation. It also suggests a future, a return, perhaps, through literature to theology, and not merely an end of the story as it has been traditionally sold.
Author:
Publisher:
ISBN:
Category : Questions and answers
Languages : en
Pages : 670
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Book Description
Author: Linda M. Lewis
Publisher: University of Missouri Press
ISBN: 0826272649
Category : Literary Criticism
Languages : en
Pages : 313
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Book Description
Charles Dickens once commented that in each of his Christmas stories there is “an express text preached on . . . always taken from the lips of Christ.” This preaching, Linda M. Lewis contends, does not end with his Christmas stories but extends throughout the body of his work. In Dickens, His Parables, and His Reader, Lewis examines parable and allegory in nine of Dickens’s novels as an entry into understanding the complexities of the relationship between Dickens and his reader. Through the combination of rhetorical analysis of religious allegory and cohesive study of various New Testament parables upon which Dickens based the themes of his novels, Lewis provides new interpretations of the allegory in his novels while illuminating Dickens’s religious beliefs. Specifically, she alleges that Dickens saw himself as valued friend and moral teacher to lead his “dear reader” to religious truth. Dickens’s personal gospel was that behavior is far more important than strict allegiance to any set of beliefs, and it is upon this foundation that we see allegory activated in Dickens’s characters. Oliver Twist and The Old Curiosity Shop exemplify the Victorian “cult of childhood” and blend two allegorical texts: Jesus’s Good Samaritan parable and John Bunyan’s ThePilgrim’s Progress. In Dombey and Son,Dickens chooses Jesus’s parable of the Wise and Foolish Builders. In the autobiographical David Copperfield, Dickens engages his reader through an Old Testament myth and a New Testament parable: the expulsion from Eden and the Prodigal Son, respectively. Led by his belief in and desire to preach his social gospel and broad church Christianity, Dickens had no hesitation in manipulating biblical stories and sermons to suit his purposes. Bleak House is Dickens’s apocalyptic parable about the Day of Judgment, while Little Dorrit echoes the line “Forgive us our debts as we forgive our debtors” from the Lord’s Prayer, illustrating through his characters that only through grace can all debt be erased. The allegory of the martyred savior is considered in Hard Times and A Tale of Two Cities. Dickens’s final completed novel, Our Mutual Friend, blends the parable of the Good and Faithful Servant with several versions of the Heir Claimant parable. While some recent scholarship debunks the sincerity of Dickens’s religious belief, Lewis clearly demonstrates that Dickens’s novels challenge the reader to investigate and develop an understanding of New Testament doctrine. Dickens saw his relationship with his reader as a crucial part of his storytelling, and through his use and manipulation of allegory and parables, he hoped to influence the faith and morality of that reader.
